L'artiste native de Cuba Carmen Herrera (née en 1915) peint depuis plus de sept décennies, mais ce n'est que ces dernières années que la reconnaissance pour son travail a projeté l'artiste vers la notoriété internationale. Ce beau volume offre le premier examen soutenu d'elle, depuis le début de sa carrière en 1948 jusqu'en 1978, et s'étend sur les mondes de l'art de La Havane, de Paris et de New York. Les essais considèrent les premières études de l'artiste à Cuba, son implication dans le Salon des Réalités Nouvelles dans le Paris d'après-guerre et sa sortie révolutionnaire de New York. Puis l'ouvrage situe son travail dans le contexte d'un art d'avant-garde latino-américain plus large. Un essai de Dana Miller considère le travail de New York d'Herrera depuis les années 1950 jusque dans les années 1970, lorsque Herrera arrivait et perfectionnait son style de signature. Des photographies familiales personnelles des archives de Herrera enrichissent le récit, et une chronologie traitant de l'intégralité de sa vie et de sa carrière présente des images documentaires supplémentaires. Plus de quatre-vingts œuvres sont illustrées sous forme de plaques de couleur. Ce livre est la représentation la plus étendue des travaux de Herrera à ce jour. (d'après l'éditeur).

Herrera produced a number of paintings on paper throughout the 1960s but subsequently focused on canvas until revisiting the medium in 2010. This new body of work showcases not only her revised treatment of the medium but also a new dimension to her work.

Explores how one group of Latin American artists express their relationship to American art, history and culture.

POWERFUL WISDOM FROM THE ELDERS OF OUR COMMUNITIES In this rich and multilayered collection of interviews, conversations, and intimate photographs, over 100 trailblazing women describe the ups, downs, and lessons learned while forging their unique paths. Collective Wisdom celebrates the stories of those who have been there and know the road—from an Olympic athlete and a NASA team member to award-winning artists, activists, writers, and filmmakers, from women in their fifties to centenarians. It is also a tribute to the importance of intergenerational connections between women, with interviews conducted by daughters, friends, mentors, and colleagues. Collective Wisdom creates a living, breathing sense of community—a space where all of us can gather, listen, share, and learn.

Herrera's work has remained uncompromisingly abstract and minimal throughout her career - although the hard-edge, rectilinear qualities of her paintings are, on closer inspection, belied by their obviously hand-painted expanses of color. This show of recent work also exemplifies Herrera's mastery of larger scale canvases, including subtle incorporations of diptych and triptych configurations.In an essay written for this catalogue which accompanies the Lisson, New York exhibition (featuring photographs of Herrera's New York studio and home), the American curator and critic Robert Storr states: 'In Alpes (2015) Herrera sets up what promises to be a pattern of green and white triangles alternating like clenched teeth but leaves out the last green 'tooth' so that the whole sequence dissolves into an open expanse of white that is barely contained by the outer edge of the diptych.'Given her stylistic connections to Latin American and European Constructivism and Concrete Art, as well as Mondrian's Neo-Plasticism and the Abstraction-Création movement in Paris, it is telling that Herrera has never identified with any art historical grouping, even though she lived in Havana, Paris and New York in the 1930s and '40s when many of these artistic associations were being formed.Being neither gender- nor nationality-specific as an artist, Herrera's only true affiliation is with pure Modernism, perhaps reflecting the ethos and underpinnings of the International Style of architecture as much as any era of art production.Published on the occasion of Carmen Herrera's show at Lisson Gallery, New York, 3 May - 25 June 2016.

“Hot, heartwarming, and hilarious...This is a knockout.” —Publishers Weekly, starred review Award-winning, highly-acclaimed author Adriana Herrera delivers the sexy, modern enemies-to-lovers romance you’ve been waiting for. Starting over is more about who you’re with than where you live… Julia del Mar Ortiz is not having the best year. She moved to Dallas with her boyfriend, who ended up ditching her and running back to New York after only a few weeks. Left with a massive—by NYC standards, anyway—apartment and a car lease in the scorching Texas heat, Julia is struggling…except that’s not completely true. Running the charitable foundation of one of the most iconic high fashion department stores in the world is serious #lifegoals. It’s more than enough to make her want to stick it out down South. The only monkey wrench in Julia’s plans is the blue-eyed, smart-mouthed consultant the store hired to take them public. Fellow New Yorker Rocco Quinn’s first order of business? Putting Julia’s job on the chopping block. When Julia is tasked with making sure Rocco sees how valuable the programs she runs are, she’s caught between a rock and a very hard set of abs. Because Rocco Quinn is almost impossible to hate—and even harder to resist. Also by Adriana Herrera: Dreamers Book 1: American Dreamer Book 2: American Fairytale Book 3: American Love Story Book 4: American Sweethearts Book 5: American Christmas

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1957.