Rich from selling rare dragon products, Alan attracts attention in Belta’s capital city. The king has his eye on the dragon fangs, and when an envoy is sent to negotiate, Alan is finally rewarded with the territory and noble title he’s been working for. He and his clan make the journey to the capital for his official investiture ceremony, but it turns out to be a hotbed of plot and intrigue. And what about the royal guards of Starvake imprisoned in the dungeons, and the devious Lord Chancellor? Are there any other plots that lay in store as Alan enters the world of the nobility on this planet of swords and magic? Find out more in volume 6 of Captain Corinth: The Galactic Navy Officer Becomes an Adventurer!

Rich from selling rare dragon products, Alan attracts attention in Belta's capital city. The king has his eye on the dragon fangs, and when an envoy is sent to negotiate, Alan is finally rewarded with the territory and noble title he's been working for. He and his clan make the journey to the capital for his official investiture ceremony, but it turns out to be a hotbed of plot and intrigue. And what about the royal guards of Starvake imprisoned in the dungeons, and the devious Lord Chancellor? Are there any other plots that lay in store as Alan enters the world of the nobility on this planet of swords and magic? Find out more in volume 6 of Captain Corinth: The Galactic Navy Officer Becomes an Adventurer!

Usato parts with Kazuki and Suzuki, and heads to religious country of Samariarl with Amako. On the road they help a young girl being attacked. The girl’s attackers . . . zombies?! And the one controlling them . . . a necromancer?!

able of Contents LIMBERHAM. TO THE RIGHT HONOURABLE JOHN, LORD VAUGHAN, and c [ 1]. PROLOGUE. DRAMATIS PERSONÆ LIMBERHAM; KIND KEEPER. A SONG. I. II. ACT II. SCENE I. SCENE changes to Limberham's apartment. LIMBERHAM SINGING. ACT III.—SCENE I. A SONG FROM THE ITALIAN. SCENE II.—Mr Woodall's Chamber. ACT IV.—SCENE I. SCENE opens to Brainsick's Apartment. SCENE II.—Woodall and Tricksy discovered in the Garden-house. ACT V.—SCENE I. ŒDIPUS. ŒDIPUS. PREFACE. PROLOGUE. DRAMATIS PERSONÆ. ŒDIPUS. SONG TO APOLLO. ACT IV. SCENE I. ACT V.—SCENE I. EPILOGUE. CARDINAL NORFOLK. PLEBEIANS. TROILUS AND CRESSIDA: TRUTH FOUND TOO LATE. TROILUS AND CRESSIDA. THE PREFACE. DRAMATIS PERSONÆ. TROILUS AND CRESSIDA SCENE II.—Troy. SCENE II. SCENE III.—The Camp. ACT III. SCENE I. SCENE II. I. II. ACT IV. SCENE I. SCENE II. ACT V. SCENE I. SCENE II—The Camp. SPANISH FRIAR; THE DOUBLE DISCOVERY. THE SPANISH FRIAR. TO THE RIGHT HONOURABLE JOHN, LORD HAUGHTON [ 1]. PROLOGUE. DRAMATIS PERSONÆ. SPANISH FRIAR: DOUBLE DISCOVERY. ACT I.—SCENE I. SCENE II. SCENE II.—A Chamber. A Table and Wine set out. SCENE III.—A Chamber. SCENE II.—Elvira's Chamber. SCENE III.—A Bed Chamber. SCENE II.—The Court. SONG. SCENE II.—The Palace-Yard. Drums and Trumpets within.

Although many Civil War reference books exist, Civil War researchers have until now had no single compendium to consult on important details about the combatant states (and territories). This crucial reference work, the sixth in the States at War series, provides vital information on the organization, activities, economies, demographics, and laws of Civil War South Carolina. This volume also includes the Confederate States Chronology. Miller enlists multiple sources, including the statutes, Journals of Congress, departmental reports, general orders from Richmond and state legislatures, and others, to illustrate the rise and fall of the Confederacy. In chronological order, he presents the national laws intended to harness its manpower and resources for war, the harsh realities of foreign diplomacy, the blockade, and the costs of states’ rights governance, along with mounting dissent; the effects of massive debt financing, inflation, and loss of credit; and a growing raggedness within the ranks of its army. The chronology provides a factual framework for one of history’s greatest ironies: in the end, the war to preserve slavery could not be won while 35 percent of the population was enslaved.

For almost a millennium, a modest wooden ship lay underwater off the coast of Serçe Limani, Turkey, filled with evidence of trade and objects of daily life. The ship, now excavated by the Institute of Nautical Archaeology at Texas A&M University, trafficked in both the Byzantine and Islamic worlds of its time. The ship is known as “the Glass Wreck” because its cargo included three metric tons of glass cullet, including broken Islamic vessels, and eighty pieces of intact glassware. In addition, it held glazed Islamic bowls, red-ware cooking vessels, copper cauldrons and buckets, wine amphoras, weapons, tools, jewelry, fishing gear, remnants of meals, coins, scales and weights, and more. This first volume of the complete site report introduces the discovery, the methods of its excavation, and the conservation of its artifacts. Chapters cover the details of the ship, its contents, the probable personal possessions of the crew, and the picture of daily shipboard life that can be drawn from the discoveries.