Impressionist paintings are among the most prized artworks in the world, yet little has been written about Canadian impressionism. Now, with this book, we have a full account of the development of this revolutionary style in painting during the four decades after 1875, first in France, then in the United States, and finally in Canada. From the late 1860s on, as ambitious young artists from North America went to study in the academies in Paris and travel in Europe, they absorbed the influence of impressionism. By the mid-1880s, after it crossed the Atlantic to Boston and New York, Impressionism quickly became the favored style of art in the United States. As the century came to a close in Canada's two largest cities, Montreal and Toronto, Impressionism gradually gathered the support the returning Canadian painters needed from art dealers, collectors, exhibition societies, and the media. Within this context, the lives and works of fourteen fo the most significant Canadian artists, including William Blair Bruce, Maurice Cullen, J.W. Morrice, Laura Muntz Lyall, Marc-Aurèle de Foy Suzor-Coté, Helen McNicoll, and Clarence Gagnon, are examined in the second half of the volume. Briefly considered too are several other artists, such as core members of the famed Group of Seven, who for some time also employed Impressionist techniques in their art. Today, Canadian Impressionist paintings are not only among the most popular works of art at home but are attracting ever more attention and exhibition exposure in other countries too. With a Foreword by Guy Wildenstein and an Introduction by William H. Gerdts, this work has been extensively researched and lavishly illustrated with 494 plates and 159 figures. As such, it becomes the definitive volume on Canada's contribution to Impressionism - the most important development in Western art since the Renaissance.

- Approximately 125 masterworks by some 35 artists situate Canadian art within the global phenomenon of Impressionism- A detailed chronology explores the multifaceted ways in which Canadians contributed to the evolution of ImpressionismFollow these Canadian artists as they travel abroad and return home again, over a series of journeys taking place during the last decades of the nineteenth century to the turn of the twentieth. Approximately 125 masterworks by some 35 artists situate Canadian art within the global phenomenon of Impressionism and present a fresh perspective on its reception in the arts of Canada. Adopting a thematic approach, comprehensive essays demonstrate the commitment of these pioneering artists to an innovative interpretation of foreign and familiar surroundings, imbued with an Impressionist vocabulary. A detailed chronology explores the multifaceted ways in which Canadians contributed to the evolution of Impressionism and to the advent of modernity in their homeland. This book accompanies exhibitions at the Kunsthalle der Hypo-Kulturstiftung, Munich (DE), July - November 2019; Fondation de l Hermitage, Lausanne (CH), January - May 2020; Musée Fabre, Montpellier (FR), June - September 2020; and the National Gallery of Canada, Ottawa (CA), November 2020 - April 2021.

Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings

Impressionist paintings are among the most prized artworks in the world, yet little has been written about Canadian impressionism. Now, with this book, we have a full account of the development of this revolutionary style in painting during the four decades after 1875, first in France, then in the United States, and finally in Canada. From the late 1860s on, as ambitious young artists from North America went to study in the academies in Paris and travel in Europe, they absorbed the influence of impressionism. By the mid-1880s, after it crossed the Atlantic to Boston and New York, Impressionism quickly became the favored style of art in the United States. As the century came to a close in Canada's two largest cities, Montreal and Toronto, Impressionism gradually gathered the support the returning Canadian painters needed from art dealers, collectors, exhibition societies, and the media. Within this context, the lives and works of fourteen fo the most significant Canadian artists, including William Blair Bruce, Maurice Cullen, J.W. Morrice, Laura Muntz Lyall, Marc-Aurèle de Foy Suzor-Coté, Helen McNicoll, and Clarence Gagnon, are examined in the second half of the volume. Briefly considered too are several other artists, such as core members of the famed Group of Seven, who for some time also employed Impressionist techniques in their art. Today, Canadian Impressionist paintings are not only among the most popular works of art at home but are attracting ever more attention and exhibition exposure in other countries too. With a Foreword by Guy Wildenstein and an Introduction by William H. Gerdts, this work has been extensively researched and lavishly illustrated with 494 plates and 159 figures. As such, it becomes the definitive volume on Canada's contribution to Impressionism - the most important development in Western art since the Renaissance.

Beginning in 1912, Defiant Spirits traces the artistic development of Tom Thomson and the future members of the Group of Seven, Franklin Carmichael, Lawren Harris, A. Y. Jackson, Franz Johnston, Arthur Lismer, J. E. H. MacDonald, and Frederick Varley, over a dozen years in Canadian history. Working in an eclectic and sometimes controversial blend of modernist styles, they produced what an English critic celebrated in the 1920s as the “most vital group of paintings” of the 20th century. Inspired by Cézanne, Van Gogh and other modernist artists, they tried to interpret the Ontario landscape in light of the strategies of the international avant-garde. Based after 1914 in the purpose-built Studio Building for Canadian Art, the young artists embarked on what Lawren Harris called “an all-engrossing adventure”: travelling north into the anadian Shield and forging a style of painting appropriate to what they regarded as the unique features of Canada’s northern landscape. Rigorously researched and drawn from archival documents and letters, Defiant Spirits constitutes a “group biography,” reconstructing the men’s aspirations, frustrations and achievements. It details not only the lives of Tom Thomson and the members of the Group of Seven but also the political and social history of Canada

Bateman journeys across all seven regions of Canada, and his art reflects the intrinsically Canadian beauty of the country. The paintings celebrate the history, diversity, and natural wonder. In the introductory comments for each section, Bateman explains how the land has captivated him, as an artist and as a nature lover, for decades