To mark the centenary of Alexander Calder's birth, this absorbing volume is the first account of this important artist's sculptural progression--from his figurative wire sculptures and abstract mobiles to his monumental public works. Images of Calder's pioneering pieces, along with rarely seen archival photos, illuminate an amazing body of work marked by tremendous diversity of size, medium, and conception. 64 photos.

An insightful new look at one of the 20th century's most celebrated artistic visionaries Alexander Calder (1898-1976) is one of modernism's most captivating and influential figures. First trained as a mechanical engineer, Calder relocated from New York to Paris in the mid-twenties where his acceptance into the city's burgeoning avant-garde circles coincided with the development of his characteristic form of kinetic sculpture. His early work Cirque Calder, which was presented throughout Paris to great acclaim, prefigures the performance and theatrical aspects that dominate Calder's pioneering artistic works and are situated as a primary subject of intrigue in this publication. Rather than simply refashion sculpture's traditional forms, Calder envisioned entirely new possibilities for the medium and transformed its static nature into something dynamic and responsive. Alexander Calder: Performing Sculpture provides detailed insight into that pioneering process through reproductions of personal drawings and notes. Also featured is new research from a wide range of renowned scholars, furthering our understanding of the remarkable depth of Calder's beloved mobile sculptures and entrenching his status as an icon of modernism.

Alexander Calder is surely the most beloved artist of the twentieth century - as well as a major figure in the history of modern sculpture. Calder invented the mobile and the stabile; he was endlessly creative at making drawings, jewellery, toys, and household objects; he even made a miniature circus that is treasured by children of all ages. Calder has been appreciated as much for his witty and playful personality as for his artistic genius. Now aspects of both the man and the artist are captured in a beautifully produced book, created to be especially accessible for young readers. Alexander Calder and His Magical Mobiles with its delightful text tells the story of Calder's life and career, and relates - often in the artist's own words - his working methods and his own feelings about his art. The publication also presents a treasury of favourite works by Calder, as well as fascinating photographs of the artist at work. There is also a sequence of photographs that can be flipped to show a mobile in motion. AUTHOR: Jean Lipman, an authority on American art and modern sculpture is a long-time friend of Calder and his family and has collected his work for many years. Mrs Lipman is the author three Calder books and was the editor of Art in America magazine for thirty years, then following that she was editor of publications at the Whitney Museum of American Art. SELLING POINTS: *In 95 illustrations Calder's sculptures are presented as studies of motion, which also depict his playfulness and humour *Includes a guide to many of the Calder sculptures that can be seen in museums and public spaces around the world ILLUSTRATIONS: 40 colour & 55 b/w illustrations

LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

This new mystery from bestselling author Blue Balliett is now available in After Words paperback!When Calder Pillay travels with his father to a remote village in England, he finds a mix of mazes and mystery . . . including an unexpected Alexander Calder sculpture in the town square. Calder is strangely drawn to the sculpture, while other people have less-than-friendly feelings towards it. Both the boy and the sculpture seem to be out of place . . . and then, on the same night, they disappear! Calder's friends Petra and Tommy must fly out to help his father find him. But this mystery has more twists and turns than a Calder mobile . . . with more at stake than first meets the eye.

The concluding volume to the first biography of one of the most important, influential, and beloved twentieth-century sculptors, and one of the greatest artists in the cultural history of America--is a vividly written, illuminating account of his triumphant later years. The second and final volume of this magnificent biography begins during World War II, when Calder--known to all as Sandy--and his wife, Louisa, opened their home to a stream of artists and writers in exile from Europe. In the postwar decades, they divided their time between the United States and France, as Calder made his first monumental public sculptures and received blockbuster commissions that included Expo '67 in Montreal and the 1968 Olympics in Mexico City. Jed Perl makes clear how Calder's radical sculptural imagination shaped the minimalist and kinetic art movements that emerged in the 1960s. And we see, as well, that through everything--their ever-expanding friendships with artists and writers of all stripes; working to end the war in Vietnam; hosting riotous dance parties at their Connecticut home; seeing the "mobile," Calder's essential artistic invention, find its way into Webster's dictionary--Calder and Louisa remained the risk-taking, singularly bohemian couple they had been since first meeting at the end of the Roaring Twenties. The biography ends with Calder's death in 1976 at the age of seventy-eight--only weeks after an encyclopedic retrospective of his work opened at the Whitney Museum in New York--but leaves us with a new, clearer understanding of his legacy, both as an artist and a man.

A view of Alexander Calder’s mesmerizing art as seen through the lens of his close friend, photographer Herbert Matter Calder by Matter offers an intimate and wholly unique window into the life and work of Alexander Calder, as seen through the lens of his friend and acclaimed photographer Herbert Matter. Given unprecedented access to Calder’s work and life during the course of their friendship, Herbert Matter captured Calder’s sculptures, the artist at work in his studio, and at home with his family in Roxbury, Connecticut. Calder by Matter includes original essays by esteemed art critic and Calder biographer Jed Perl, Calder Foundation President and Calder grandson Alexander S. C. Rower, and Matter student and colleague John T. Hill. This unique collection of over 300 images, many of which are published here for the first time, offers a new perspective on Calder’s oeuvre, life, and creative process.