Built as a temporary structure and made of ephemeral materials, "Cairo Street" had a dual nature. On the one hand it was a purely scientific installation, a piece of anthropology. On the other, it became the most popular entertainment venue at the World's Columbian Exposition of Chicago (1893), a place where "people went wild with excitement". Far from being a copy of any actual street, it was an assemblage of authentic architectural elements put together in such a way as to conjure up the atmosphere of the Arab-Islamic metropolis, the city of the Thousand and One Nights. Its impact was greatly enhanced by the presence of local Cairo inhabitants, who plied their trade, some of them with their camels, donkeys, monkeys, and even snakes. The belly dancing on Cairo Street caused an enormous stir: many claimed that it was immoral and called for its immediate suspension; others regarded it as a performance of important scientific and ethnological value. It was never suspended-and people flocked to see it. An immense amount has been written about world's fairs. This monograph represents a novel approach in that it subjects a single project, the Cairo Street, to detailed analysis, placing particular emphasis on interpreting it within the context of the Fair as a whole. What was the great uproar about the belly dancing? What motivated it? In order to answer these questions, this monograph attempts to offer a complex, multi-faceted, interpretation within the context of the society of the time. Cairo Street was the sensation of the World's Columbian Exposition, a fair which many sold their stoves, mortgaged their houses, spent their life savings or their funeral money to see. This monograph is enhanced with a ground plan and 168 illustrations.

In Cairo Traffic, his third book of poems, Lloyd Schwartz asks the Sphinx to explain the riddle "about, you know, / Time and Power and Families-the one you think you / have the answer to. Tell me your answer! / No . . . don't." The search for answers takes the poet to some surprising, often phantasmagoric places, and back again to the self, to dreams, to home, and even to the nursing home where his mother-sphinxlike herself-becomes the person asking the dark questions and providing some unexpected answers. These extraordinary narratives-funny and frightening, seductive and profoundly moving-explore the intersections of character and language, the places where common speech mysteriously transforms itself into poetry. This book, which includes several translations of contemporary Brazilian poems, confirms Schwartz's growing reputation as an intensely compelling and original poet.

Describes life in a Cairo slum through the experiences of Umm Ali and her family, and shows how they survive poverty, domestic violence, and other problems through hard work, hope for the future, and faith.

Preston Ewing Jr. and Jan Peterson Roddy combine on-the-scene photography, archival material, and eyewitness narration to document a time of danger and change played out at the crossroads between America's deep South and her midwestern heartland.

“As a bookseller, I loved Shelf Life for the chance to peer behind the curtain of Diwan, Nadia Wassef’s Egyptian bookstore—the way that the personal is inextricable from the professional, the way that failure and success are often lovers, the relationship between neighborhoods and books and life. Nadia’s story is for every business owner who has ever jumped without a net, and for every reader who has found solace in the aisles of a bookstore.” —Emma Straub, author of All Adults Here “Shelf Life is such a unique memoir about career, life, love, friendship, motherhood, and the impossibility of succeeding at all of them at the same time. It is the story of Diwan, the first modern bookstore in Cairo, which was opened by three women, one of whom penned this book. As a bookstore owner I found this fascinating. As a reader I found it fascinating. Blunt, honest, funny.” —Jenny Lawson, author of Broken (in the best possible way) The warm and winning story of opening a modern bookstore where there were none, Shelf Life: Chronicles of a Cairo Bookseller recounts Nadia Wassef’s troubles and triumphs as a founder and manager of Cairo-based Diwan The streets of Cairo make strange music. The echoing calls to prayer; the raging insults hurled between drivers; the steady crescendo of horns honking; the shouts of street vendors; the television sets and radios blaring from every sidewalk. Nadia Wassef knows this song by heart. In 2002, with her sister, Hind, and their friend, Nihal, she founded Diwan, a fiercely independent bookstore. They were three young women with no business degrees, no formal training, and nothing to lose. At the time, nothing like Diwan existed in Egypt. Culture was languishing under government mismanagement, and books were considered a luxury, not a necessity. Ten years later, Diwan had become a rousing success, with ten locations, 150 employees, and a fervent fan base. Frank, fresh, and very funny, Nadia Wassef’s memoir tells the story of this journey. Its eclectic cast of characters features Diwan’s impassioned regulars, like the demanding Dr. Medhat; Samir, the driver with CEO aspirations; meditative and mythical Nihal; silent but deadly Hind; dictatorial and exacting Nadia, a self-proclaimed bitch to work with—and the many people, mostly men, who said Diwan would never work. Shelf Life is a portrait of a country hurtling toward revolution, a feminist rallying cry, and an unapologetic crash course in running a business under the law of entropy. Above all, it is a celebration of the power of words to bring us home.

“A remarkable debut novel written by a promising young writer who captures vivid details and writes masterfully” (Christian Science Monitor) about an American attorney, an Egyptian translator, and an Iraqi-American resettlement officer trying to protect a refugee who finds herself trapped in Cairo during the turbulent aftermath of the Spring Awakening. Cairo, 2011. President Mubarak has just been ousted from power. The oldest city in the world is reeling from political revolution. But for the people actually living there, daily life has become wilder, more dangerous, and, occasionally, freeing. Live from Cairo is the "Eye-opening... Rich and charged” (Seattle Times) story of these people: Dalia, a strong-willed Iraqi refugee who finds herself trapped in Egypt after her petition to resettle in America with her husband is denied. Charlie, her foolhardy attorney, whose complicated feelings for Dalia have led him to forge a not-entirely-legal plan to get her out. Aos, Charlie’s translator and only friend, who spends his days trying to help people through the system and his nights in Tahrir Square protesting against it. And Hana, a young and disenchanted Iraqi-American resettlement officer, deciding whether to treat Dalia’s plight as one more piece of paperwork, or as a full-blooded human crisis. As these individuals come together, a plot is formed to help Dalia. But soon laws are broken, friendships and marriages are tested, and lives are risked. A vibrant portrait of a city in all its teeming chaos and glory, Live from Cairo is an exhilarating, electrifying debut, and a stunning testament to the unconquerable desire of people to rise above tragedy to seek love, friendship, humor, and joy. “This brilliantly conceived and artfully detailed novel…is both a comedy and tragedy of errors…Ian Bassingthwaighte’s virtuoso debut deserves the widest attention” (Kirkus Reviews, starred review).