The long-awaited biography of John Kennedy Toole ("A Confederacy of Dunces"), whose fascinating life and tragic death is one of the most amazing publishingstories in American literature.

Winner of the Pulitzer Prize “A masterwork . . . the novel astonishes with its inventiveness . . . it is nothing less than a grand comic fugue.”—The New York Times Book Review A Confederacy of Dunces is an American comic masterpiece. John Kennedy Toole's hero, one Ignatius J. Reilly, is "huge, obese, fractious, fastidious, a latter-day Gargantua, a Don Quixote of the French Quarter. His story bursts with wholly original characters, denizens of New Orleans' lower depths, incredibly true-to-life dialogue, and the zaniest series of high and low comic adventures" (Henry Kisor, Chicago Sun-Times).

"Ken has a real gift for mimicry and a refined sense of the absurd . . . the English faculty . . .both fear and court Ken because of his biting comic talent." --from Joel L. Fletcher's journal John Kennedy Toole's first published novel, A Confederacy of Dunces, which Walker Percy called a"gargantuan tumultuous human tragi-comedy," became a publishing phenomenon, with almost two million copies in print worldwide in eighteen languages. The book's outrageous protagonist, Ignatius Reilly, is an icon of contemporary American fiction. Now Ken and Thelma sheds new light on the tragic life story of the author, known as 'Ken' to his friends. Drawing on his own journals and personal letters, Joel L. Fletcher recreates his friendship with Ken in the early 1960s and his long association with Ken's indomitable mother, Thelma Ducoing Toole, after the book's publication. Ken and Thelma features personal photographs, many never before published.

“A moving evocation of the small-town South in the mid-twentieth century” that “belongs on the shelf with the works of Flannery O’Connor, Carson McCullers, and Eudora Welty” (Orlando Sentinel). John Kennedy Toole—who won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunces—wrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole’s heirs. It was only in 1989, thirty-five years after it was written and twenty years after Toole’s suicide at thirty-one, that this amazingly accomplished and evocative novel was freed for publication. “Heartfelt emotion, communicated in clean direct prose . . . a remarkable achievement.” —Michiko Kakutani, The New York Times “John Kennedy Toole’s tender, nostalgic side is as brilliantly effective as his corrosive satire. If you liked To Kill A Mockingbird you will love The Neon Bible.” —Florence King “Shockingly mature. . . . Even at sixteen, Toole knew that the way to write about complex emotions is to express them simply.” —Kerry Luft, Chicago Tribune

This collection, the first of its kind, brings together specially commissioned academic essays to mark fifty years since the death of John Kennedy Toole.

The first piece of known typewriter art was a "drawing" of a butterfly by Flora F. F. Stacey in 1898; since then, artists, designers, poets, and writers have used this rigorous medium to produce an astounding range of creative work. This beautiful book brings together some of the best examples by typewriter artists around the world. As well as key historical work from the Bauhaus, H. N. Werkman, and the concrete poets, there is art by contemporary practitioners, both typewriter artists who use the keyboard as a "palette" to create artworks, and artists/typographers using the form as a compositional device. The book will appeal to graphic designers, typographers, artists, and illustrators, and anyone fascinated by predigital technology.

* "Villanueva's debut is a beautiful #ownvoices middle-grade novel. Tough topics are addressed, but warmth and humor... bring lightness to Sab's story. This immersive novel bursts with life." -- Kirkus Reviews, starred review When superstitious Sab sees a giant black butterfly, an omen of death, she knows that she's doomed! According to legend, she has one week before her fate catches up with her -- on her 11th birthday. With her time running out, all she wants is to celebrate her birthday with her entire family. But her sister, Ate Nadine, stopped speaking to their father one year ago, and Sab doesn't even know why.If Sab's going to get Ate Nadine and their father to reconcile, she'll have to overcome her fears -- of her sister's anger, of leaving the bubble of her sheltered community, of her upcoming doom -- and figure out the cause of their rift.So Sab and her best friend Pepper start spying on Nadine and digging into their family's past to determine why, exactly, Nadine won't speak to their father. But Sab's adventures across Manila reveal truths about her family more difficult -- and dangerous -- than she ever anticipated.Was the Butterfly right? Perhaps Sab is doomed after all!