Film scholars and fans have used distinctive terms to describe the Classic Hollywood comedian: He is a "trickster," a "rebel," or a "buffoon." Yet the performer is almost always described as a "he." In Buffoon Men: Classic Hollywood Comedians and Queered Masculinity, Scott Balcerzak reads the performances of notable comedians such as W. C. Fields, Eddie Cantor, Jack Benny, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, and Bud Abbott and Lou Costello through humor and queer theory to expose a problematic history of maleness in their personas. He argues that contrary to popular notions of Classic Hollywood history, these male comedians rearranged or, at times, rejected heteronormative protocols. Balcerzak begins by defining the particular buffoonish masculinity portrayed by early film comedians, a gender and genre construct influenced by the cultural anxieties of the 1930s and '40s. In chapter 1, he considers the onscreen pairing of W. C. Fields and Mae West to identify a queered sexuality and drag persona in Fields's performance, while in chapter 2 he examines the two major constructions of Fields's film persona-the confidence man and the husband-to show Fields to be a conflicted and subversive figure. In chapter 3, Balcerzak considers the assimilation and influence of Eddie Cantor as a Jewish celebrity, while he turns to the cross-media influence of Jack Benny's radio persona in chapter 4. In Chapters 5 and 6, he moves beyond the individual performer to examine the complex masculine brotherhood of comedy duos Laurel and Hardy, Abbott and Costello, and Bert Wheeler and Robert Woolsey. Buffoon Men shows that the complicated history of the male comedian during the early sound era has much to tell us about multimedia comedic stars today. Fans and scholars of film history, gender studies, and broadcast studies will appreciate Balcerzak's thorough exploration of the era's fascinating gender constructs.

A one-of-a-kind text designed to launch readers into a thoughtful encounter with gender issues. Questioning Gender: A Sociological Exploration, Third Edition serves as a point-of-departure for productive conversations about gender, and as a resource for exploring answers to many of those questions. Rather than providing definitive answers, this unique book exposes readers to some of the best scholarship in the field that will lead them to question many of their assumptions about what is normal and abnormal. The author uses both historical and cross-cultural approaches—as well as a focus on intersectionality and transgender issues—to help students understand the socially constructed nature of gender.

In Without Proof or Evidence O. K. Bouwsma weaves through the central topics of Western religion: the rationality of religious belief, the nature of Christianity, the promise of eternal life, the definition of faith, and proofs of the existence of God. When he works with the problems of Descartes or Moore or Wittgenstein, surveying the marketplace of language in which we all have commerce, he has the familiarity of an experienced trader. But in his work with the problems of Anselm or Nietzsche or Kierkegaard, in which the Scriptures move between background and foreground, there is another dimension, a concern with whether the Scriptures have been properly understood, what such an understanding might be, and how it affects someone who so understands them.

Three-time Governor General’s Literary Award–shortlisted author and playwright Anosh Irani’s critically acclaimed one-man show Buffoon is a masterclass of tragicomic theatre. Born to circus folk who prefer trapezing over parenting, Felix quickly learns to turn life’s misfortunes into jokes. His longing for family and home is piqued at the tender age of seven when he falls hopelessly in love with an older woman, the beguiling Aja, who is eight. In the process, a clown is born, and we watch him grow into a middle-aged buffoon. Over time, Felix stops waiting for someone else to love him; his journey becomes one of loving himself. A story of love, loss, and the fate that binds us, Buffoon is a gut-wrenching one-man show that expertly walks the tightrope between heartbreak and hilarity.