Beatrice Lane Suzuki (1878-1939) was an extremely well informed and sensitive expositor of Mahayana Buddhism. As the American wife of the influential Zen Buddhist Suzuki Daisetsu, she lived in Japan for many years, becoming very familiar with the leading temples of various Buddhist schools-especially in Kyoto and Kamakura. Buddhist Temples of Kyoto and Kamakura brings together some of her writings from The Eastern Buddhist. The collection preserves valuable information from Suzuki's own times and the charm of her personal discovery of the temples described here. Further information is also provided to place them in their current context. The volume will be of interest to scholars of Japanese Buddhism and to the many travelers to these sites today.

The Temples of Kyoto takes you on a journey through these environs and presents twenty-one of these marvelous structures that are unique creations which, while quintessentially Japanese, somehow speak a universal language readily appreciated by people the world over. Donald Richie, called by Time magazine, "the dean of art critics in Japan," turns his attention to these twenty-one temples with scholarship and an eye for the dramatic. Drawing off such classic sources as The Tale of Genji and Essays in Idleness, he takes the reader on a tour through the ages, first with a comprehensive history of Japanese Buddhism, and then by highlighting key events in the development of these "celestial-seeming cities." Brilliant photographs of the temples, taken by the award-winning photographer Alexandre Georges, complement the text and provide a visual overview of the subject matter. His keen eye captures on film the elements that make each temple noteworthy, including their interiors, and objets d'art, in a fresh and thought provoking manner. The result is this book: a testament and meditation on the power and elegance of these world-renowned structures that are both places of worship and examples of the finest art Japan has ever produced.

Catalog of the exhibition at the Asia Society Museum, New York, February 9-May 8, 2016.

This study of the smaller, ancient sects within Buddhism during the Kamakura period is a much needed addition to the works dealing with the history and religions of Japan.

The essays in this collection are an interdisciplinary examination of various aspects of Buddhism during the Kamakura era, including religious practice, literature, and institutional history. They work toward a synchronic historiography and thus provide a broader understanding and appreciation of the complexity and richness of Buddhism during the Kamakura era and of Japanese Buddhism as a whole. Contributors: Richard K. Payne, James C. Dobbins, George S. Tanabe, Mark T. Unno, Jacqueline I. Stone, Robert E. Morrell, James H. Foard