On a September day in 1920, an angry Italian anarchist named Mario Buda exploded a horse-drawn wagon filled with dynamite and iron scrap near New York's Wall Street, killing 40 people. Since Buda's prototype the car bomb has evolved into a "poor man's air force," a generic weapon of mass destruction that now craters cities from Bombay to Oklahoma City. In this provocative history, Mike Davis traces the its worldwide use and development, in the process exposing the role of state intelligence agencies-particularly those of the United States, Israel, India, and Pakistan-in globalizing urban terrorist techniques. Davis argues that it is the incessant impact of car bombs, rather than the more apocalyptic threats of nuclear or bio-terrorism, that is changing cities and urban lifestyles, as privileged centers of power increasingly surround themselves with "rings of steel" against a weapon that nevertheless seems impossible to defeat.

Located just outside Chicago in the city of Harvey, Illinois, the Buda Foundry and Manufacturing company supplied the nation¿s railroads with special trackwork and the jacks, drills, scales, levels, and signals needed to maintain the right-of-way. The company also had a reputation for building durable velocipedes, hand cars and push cars for line crews. In the first decade of the 1900¿s, Buda¿s business grew 300%. Produced in 1907 when the company was running hot, this detailed catalog runs over 300 pages and is profusely illustrated. It¿s a wonderful reference for the docent,model railroader, or rail fan.

Now in its second edition, Forensic Investigation of Explosions draws on the editor‘s 30 years of explosives casework experience, including his work on task forces set up to investigate major explosives incidents. Dr. Alexander Beveridge provides a broad, multidisciplinary approach, assembling the contributions of internationally recognized experts

This book analyses some of the key problems explored in Paul Virilio’s theorising on war and security. Paul Virilio has developed a provocative series of writings on how modern societies have shaped the acceleration of military/security technologies – and how technologies of security and acceleration have transformed society, economy and politics. His examination of the connections between geopolitics, war, speed, technology and control are viewed as some of the most challenging and disturbing interventions on the politics of security in the twenty-first century, interventions that help us understand a world that confronts problems that increasingly emerge from the desire to make life safer, faster, networked and more efficient. Security, Technology and Global Politics examines some of the key concepts and concerns in Virilio’s writings on security, society and technology: endo-colonization, fear and the war on terror; cities and panic; cinema and war; ecological security and integral accidents; universities and ideas of progress. Critics often point to an apocalyptic or fatalistic element to Virilio’s writings on global politics, but this book challenges this apocalyptic reading of Virilio’s work, suggesting that – while he doesn’t provide us with easy solutions to the problems we face – the political force in Virilio’s work comes from the questions he leaves us with about speed, security and global politics in times of crisis, terror and fear. This book will be of interest to students of critical security studies, political theory, sociology, political geography, cultural studies and IR in general.

Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks”U2, Toby Keith, The Dixie Chicks, Bruce Springsteen”this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors add an aural dimension to what has been a visual conceptualization of this important moment in US history by articulating the role that lesser-known contemporary musicians have played”or have refused to play”in constructing a politics of protest in direct response to the trauma inflicted that day. Encouraging new conceptualizations of what constitutes 'political music,' The Politics of Post-9/11 Music covers topics as diverse as the rise of Internet music distribution, Christian punk rock, rap music in the Obama era, and nostalgia for 1960s political activism.

Principally an abridgement of the transcript of the trial as published in: The Sacco-Vanzetti case. 2nd ed. Mamaroneck, N.Y. : P. P. Appel, 1969; followed by a collection of remarks over the past 80 years about the trial and its significance.