The Keys To Superior Painting Can Be Yours! These are the brushstrokes with which great oil paintings are created. They give you the power to convey everything from realistic light and shadow to dynamic mood and tension. Mark Christopher Weber shows you how to mix and load paint, shape your brush and apply a variety of intriguing strokes in nine easy-to-follow demonstrations. Special icons appear throughout the book to indicate which brush to use for each technique and when. It couldn't be any easier.

Make Your Mark with Confident, Dramatic Strokes Imagine painting with the virtuosity of the masters. With Bold Strokes, you can learn how, step by step. Beloved artist and teacher Mark Christopher Weber takes this seemingly complex manner of painting and breaks it down into simple, manageable steps that you can apply to your own style. He starts with the very basics so you can achieve success no matter what your skill level. Full-color photos and numbered steps illustrate in-depth instruction covering: Tools and Materials: everything you need from brushes to paint, including a section highlighting the advantages and disadvantages of both oils and acrylics Brushwork Basics: learn the mechanics of shaping brushes, loading paint and applying strokes for loose and expressive brushwork The Bold Challenge: use five basic strokes to manipulate thick paint and limit the number of overall strokes for heightened dramatic effect Mark provides many engaging ways to practice these basic strokes and brushwork techniques. Next, he helps you develop your new skills as you apply them to a series of step-by-step demonstrations. You'll deepen your understanding of: Drawing and Measuring: get a quick primer of these essential skills, plus new methods for using them to achieve bold strokes in every composition The Power of Suggestion: learn to identify the primary elements of your subjects so you can reduce every composition to its essential focus and place bold strokes in the most effective places Practice and Perfection: apply what you've learned to a range of compositions in both oils and acrylics, including landscapes, flowers, animals, portraits, figures and more so you can go forward in your own style with new vision and skill Every nuance is revealed in glowing detail. In no time, you'll use Bold Strokes to create a sense of motion, capture dazzling highlights, deliver emotional impact, produce lively color variations, and much more.

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Originally published as Volume 2 of The Tao of Painting, this is the first English translation of the famous Chinese handbook, the "Chieh Tzu Yüan Hua Chuan" (original, 1679-1701). Mai-mai Sze has translated and annotated the texts of instructions, discussions of the fundamentals of painting, notes on the preparation of colors, and chief editorial prefaces.

Sometime before 1579, Zhou Lujing, a professional writer living in a bustling commercial town in southeastern China, published a series of lavishly illustrated books, which constituted the first multigenre painting manuals in Chinese history. Their popularity was immediate and their contents and format were widely reprinted and disseminated in a number of contemporary publications. Focusing on Zhou's work, Art by the Book describes how such publications accommodated the cultural taste and demands of the general public, and shows how painting manuals functioned as a form in which everything from icons of popular culture to graphic or literary cliche was presented to both gratify and shape the sensibilities of a growing reading public. As a special commodity of early modern China, when cultural standing was measured by a person's command of literati taste and lore, painting manuals provided nonelite readers with a device for enhancing social capital.

This volume examines the progress of Chinese art during the time period of the Five Dynasties, Northern and Southern Song, Liao, Western Xia, Jin Dynasties as well as the Yuan Dynasty. A special focus lies on the analysis of cultural policies adopted during the reign of the respective dynasties and their effects on the development of dance, court music and drama. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.