From its founding in the late 1800s through the 1950s, Brownsville, a section of eastern Brooklyn, was a white, predominantly Jewish, working-class neighborhood. The famous New York district nurtured the aspirations of thousands of upwardly mobile Americans while the infamous gangsters of Murder, Incorporated controlled its streets. But during the 1960s, Brownsville was stigmatized as a black and Latino ghetto, a neighborhood with one of the city's highest crime rates. Home to the largest concentration of public housing units in the city, Brownsville came to be viewed as emblematic of urban decline. And yet, at the same time, the neighborhood still supported a wide variety of grass-roots movements for social change. The story of these two different, but in many ways similar, Brownsvilles is compellingly told in this probing new work. Focusing on the interaction of Brownsville residents with New York's political and institutional elites, Wendell Pritchett shows how the profound economic and social changes of post-World War II America affected the area. He covers a number of pivotal episodes in Brownsville's history as well: the rise and fall of interracial organizations, the struggles to deal with deteriorating housing, and the battles over local schools that culminated in the famous 1968 Teachers Strike. Far from just a cautionary tale of failed policies and institutional neglect, the story of Brownsville's transformation, he finds, is one of mutual struggle and frustrated cooperation among whites, blacks, and Latinos. Ultimately, Brownsville, Brooklyn reminds us how working-class neighborhoods have played, and continue to play, a central role in American history. It is a story that needs to be read by all those concerned with the many challenges facing America's cities today.

Tells the stories of the Jewish women who came of age in Brownsville, Brooklyn, in the 1940s and 1950s--the choices they made, and the boundaries within which they made them.

Brownsville, Brooklyn in the 30's. 40's and 50's is recreated with an emphasis on the impact of world events and Americanization of its poor, working class Jewish population.

This uplifting story of a boys' football team shines light on the under-appreciated virtues that can bloom in impoverished neighborhoods, even as nearby communities exclude them from economic progress. Never Ran, Never Will tells the story of the working-class, mostly black neighborhood of Brownsville, Brooklyn; its proud youth football team, the Mo Better Jaguars; and the young boys who are often at the center of both. Oomz, Gio, Hart, and their charismatic, vulnerable friends, come together on a dusty football field. All around them their community is threatened by violence, poverty, and the specter of losing their homes to gentrification. Their passionate, unpaid coaches teach hard lessons about surviving American life with little help from the outside world, cultivating in their players the perseverance and courage to make it. Football isn't everybody's ideal way to find the American dream, but for some kids it's the surest road there is. The Mo Better Jaguars team offers a refuge from the gang feuding that consumes much of the streets and a ticket to a better future in a country where football talent remains an exceptionally valuable commodity. If the team can make the regional championships, prestigious high schools and colleges might open their doors to the players. Never Ran, Never Will is a complex, humane story that reveals the changing world of an American inner city and a group of unforgettable boys in the middle of it all.

There must be something in our souls that cries out to explain to the world not only who we are but also how it was we got to be the person our friends and family know and love. For Martin Blumberg, the path of explaining himself to the world begins by understanding the way the world around him influenced his experiences and choices and how he interacted with family, friends, teachers, and neighborhood businesses as he grew up in the Brownsville section of Brooklyn. What puzzles us all is the mystery of how the kids we grew up with in those same surroundings went on to become either well-educated and respected professionals and businessmen, or gangsters and incarcerated criminals. Ultimately, growing up is a never-ending series of choices and interactions, some good, some not so, but ultimately, in balance, the better choices lead us to the happiness and self-satisfaction we enjoy, along with our many accomplishments. My dear friend Marty Blumberg has traveled a fascinating and unique path as he grew up in Brownsville and then to Canarsie neighborhoods, which colored and influenced his early life and molded him to become the great guy we all know and love. This is Martin's story, and it beautifully explains him to all of us, and, no doubt, through his introspections and insights, most importantly, explains him to himself. -Roger Elowitz

In Brownsville’s twenty-one housing projects, the young cops and the teenagers who stand solemnly on the street corners are bitter and familiar enemies. The Ville, as the Brownsville–East New York section of Brooklyn is called by the locals, is one of the most dangerous places on earth—a place where homicide is a daily occurrence. Now, Greg Donaldson, a veteran urban reporter and a longtime teacher in Brooklyn’s toughest schools, evokes this landscape with stunning and frightening accuracy. The Ville follows a year in the life of two urban black males from opposite sides of the street. Gary Lemite, an enthusiastic young Housing police officer, charges recklessly into gunfire in pursuit of respect and promotion. Sharron Corley, a member of a gang called the LoLifes and the star of the Thomas Jefferson High School play, is also looking for respect as he tries to survive these streets. Brilliantly capturing the firestorm of violence that is destroying a generation, waged by teenagers who know at thirty yards the difference between a MAC-10 machine pistol and a .357 Magnum, The Ville is the story of our inner cities and the lives of the young men who remain trapped there. In the tradition of There Are No Children Here, Clockers, and Random Family, The Ville is a vivid and unforgettable contribution to our understanding of race and violence in America today.