Few published collections of Gaelic song place the songs or their singers and communities in context. Brìgh an Òrain - A Story in Every Song corrects this, showing how the inherited art of a fourth-generation Canadian Gael fits within biographical, social, and historical contexts. It is the first major study of its kind to be undertaken for a Scottish Gaelic singer. The forty-eight songs and nine folktales in the collection are transcribed from field recordings and presented as the singer performed them, with an English translation provided. All the songs are accompanied by musical transcriptions. The book also includes a brief autobiography in Lauchie MacLellan's entertaining narrative style. John Shaw has added extensive notes and references, as well as photos and maps. In an era of growing appreciation of Celtic cultures, Brìgh an Òrain - A Story in Every Song makes an important Gaelic tradition available to the general reader. The materials also serve as a unique, adaptable resource for those with more specialized research or teaching interests in ethnology/folklore, Canadian studies, Gaelic language, ethnomusicology, Celtic studies, anthropology, and social history.

Few published collections of Gaelic song place the songs or their singers and communities in context. Brìgh an Òrain - A Story in Every Song corrects this, showing how the inherited art of a fourth-generation Canadian Gael fits within biographical, social, and historical contexts. It is the first major study of its kind to be undertaken for a Scottish Gaelic singer. The forty-eight songs and nine folktales in the collection are transcribed from field recordings and presented as the singer performed them, with an English translation provided. All the songs are accompanied by musical transcriptions. The book also includes a brief autobiography in Lauchie MacLellan's entertaining narrative style. John Shaw has added extensive notes and references, as well as photos and maps. In an era of growing appreciation of Celtic cultures, Brìgh an Òrain - A Story in Every Song makes an important Gaelic tradition available to the general reader. The materials also serve as a unique, adaptable resource for those with more specialized research or teaching interests in ethnology/folklore, Canadian studies, Gaelic language, ethnomusicology, Celtic studies, anthropology, and social history.

The Dene nation consists of twelve thousand people speaking five distinct languages spread over 1.8 million square kilometres in the Canadian subarctic. In the 1970s and 1980s, the campaign against the Mackenzie Valley pipeline, support for the leadership of Georges Erasmus in the Assembly of First Nations, and land claim negotiations put the Dene on the leading edge of Canada's native rights movement. Drum Songs reconstructs important moments in Dene history, offering a sympathetic treatment of their past, the impact of the fur trade, their interaction with Christian missionaries, and evolving relations with the Canadian federal government. Using a wide range of sources, including archival documents, oral testimony, archaeological findings, linguistic studies, and folk traditions, Kerry Abel shows that previous ethnocentric interpretations of Canadian history have been excessively narrow. She demonstrates that the Dene were able to maintain a sense of cultural distinctiveness in the face of overwhelming economic, political, and cultural pressures from European newcomers. Abel's classic text questions the standard perception that aboriginal peoples in Canada have been passive victims in the colonization process. A new introduction discusses Dene experience since the first edition of the book and suggests how the approach of scholars in this field is changing.

A mere 150 years ago Scottish Gaelic was the third most widely spoken language in Canada, and Irish was spoken by hundreds of thousands of people in the United States. A new awareness of the large North American Gaelic diaspora, long overlooked by historians, folklorists, and literary scholars, has emerged in recent decades. North American Gaels, representing the first tandem exploration of these related migrant ethnic groups, examines the myriad ways Gaelic-speaking immigrants from marginalized societies have negotiated cultural spaces for themselves in their new homeland. In the macaronic verses of a Newfoundland fisherman, the pointed addresses of an Ontario essayist, the compositions of a Montana miner, and lively exchanges in newspapers from Cape Breton to Boston to New York, these groups proclaim their presence in vibrant traditional modes fluently adapted to suit North American climes. Through careful investigations of this diasporic Gaelic narrative and its context, from the mid-eighteenth century to the twenty-first, the book treats such overarching themes as the sociolinguistics of minority languages, connection with one's former home, and the tension between the desire for modernity and the enduring influence of tradition. Staking a claim for Gaelic studies on this continent, North American Gaels shines new light on the ways Irish and Scottish Gaels have left an enduring mark through speech, story, and song.

Emigrant Worlds and Transatlantic Communities gives voice to the Irish, Scottish, English, and Welsh women and men who negotiated the complex and often dangerous world of emigration between 1815 and 1845. Using "information wanted" notices that appeared in colonial newspapers as well as emigrants' own accounts, Errington illustrates that emigration was a family affair. Individuals made their decisions within a matrix of kin and community - their experiences shaped by their identities as husbands and wives, parents and children, siblings and cousins. The Atlantic crossing divided families, but it was also the means of reuniting kin and rebuilding old communities. Emigration created its own unique world - a world whose inhabitants remained well aware of the transatlantic community that provided them with a continuing sense of identity, home, and family.

Vikings to U-Boats explores the colony's hidden multicultural history, examining both sides of the German-Newfoundland/Labrador experience. From first recorded contacts to the end of World War II, Bassler traces the lives of German-speaking fishermen, musicians, doctors, engineers, and entrepreneurs. He reconstructs the historical reality behind U-Boat and spy stories and analyses the change in status of the colony's German-speaking people from neighbours to "enemy aliens." Vikings to U-Boats challenges the assumption that the history of Newfoundland and Labrador was shaped solely by English-speakers from the British Isles.

By 1931, Ben and Alice Edelson had been married for two decades and had seven children, but for years Alice had been having an affair with the married Jack Horwitz. On the night of 24 November, Ben, Alice, and Jack met at Edelson Jewellers to "settle the thing." Words flew, a brawl erupted, and Jack was shot and killed. The tragedy marked the start of a sensational legal case that captured Ottawa headlines, with the prominent jeweller facing the gallows. Through a detailed examination of newspaper coverage, interviews with family and community members, and evocative archival photographs, Monda Halpern's Alice in Shandehland reconstructs a long-silenced murder case in Depression-era Canada. Halpern contends that despite his crime, Ben Edelson was the object of far less contempt than his adulterous wife whose shandeh - Yiddish for shame or disgrace - seemed indefensible. While Alice endured the censure of both the Jewish community and the courtroom, Ben’s middle-class respectability and the betrayal he suffered earned him favoured standing and, ultimately, legal exoneration. Revealing the tensions around ethnicity, sexuality, gender, and class, Alice in Shandehland explores the divergent reputations of Ben and Alice Edelson within a growing but insular and tenuous Jewish community, and within a dominant culture that embraced male success and valour during the emasculating 1930s.