'He had in some sense, prepared the trap and fallen into it. He shuddered inside his newly dead universe. ' As a young boy, Frank Stapleton stumbles upon an unanswerable question about life and its meaning, and is devastated at the outcome. Now, half a century later and in retirement after a successful professional career, Frank has to face his doubts again through the problems of his family, colleagues and friends; in particular his son Stuart and his wife Francesca, who despite giving the appearance of a successful modern couple are about to part. It takes an unexpected potential tragedy to bring the story to its climatic resolution, and to an answer to the question posed to Frank all those years before.

Our Brief Hours of Play is the story of two young people attempting to navigate the unsettled currents of adolescent friendship. Told in the format of two separate journals, the novel begins when Mark, a rather sheltered upper middle-class“jock, rescues a mysterious classmate of his named Misha from a pool because somehow at 14, she does not know how to swim. In offering to teach her, Mark becomes intrigued by her enigmatic view of life. Her subtle quips add to the mystery: "It costs nothing if you've got nothing to lose." Mark longs for their friendship to become something more, but Misha responds, "no, please, just be my friend. That way I don't lose you." Their friendship blossoms until the fall when they must go their separate ways–he to a private high school, she to a large urban school. Although this puts a strain on any time together, their relationship continues until one day Misha simply disappears. Months later, their paths cross again, but the encounter is stilted and awkward until Mark discovers why. Finding her journal accidently left in his car, he reads it and learns about the desperate world Misha is a part of, where she has experienced abandonment, eviction, sexual assault, and where even now, she is considering suicide. Mark attempts to rescue her again, but the effort this time is far more difficult than diving into a pool. Mark must learn to live with ambiguity and loss, even as Misha seemingly disappears from his life again. Ultimately the story is about a hard-won hope, and the miracle of a friendship that stands the test of time.

Michael Cunningham brings together his Pulitzer Prize–winning novel with the masterpiece that inspired it, Virginia Woolf’s Mrs. Dalloway. In The Hours, the acclaimed author Michael Cunningham draws inventively on the life and work of Virginia Woolf and the story of her novel, Mrs. Dalloway, to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. In this edition, Cunningham brings his own Pulitzer Prize–winning novel together with Woolf’s masterpiece, which has long been hailed as a groundbreaking work of literary fiction and one of the finest novels written in English. The two novels, published side by side with a new introduction by Cunningham, display the extent of their affinity, and each illuminates new facets of the other in this joint volume. In his introduction, Cunningham re-creates the wonderment of his first encounter with Mrs. Dalloway at fifteen—as he writes, “I was lost. I was gone. I never recovered.” With this edition, Cunningham allows us to disappear into the world of Woolf and into his own brilliant mind.

This book retraces the life of the physicist Wolfgang Pauli, analyses his scientific work, and describes the evolution of his thinking. Includes extended account of Pauli'scorrespondence with figures such as Einstein, Bohr, Heisenberg and C.G.Jung.

Incredible wildlife, harrowing brushes with danger, spectacular scenery, fabulous fishing, and the rigours of camping with small children are highlighted in adventures drawn from more than a dozen years of exploring Ontario's northwestern wilderness.

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