THE SEQUEL OF THE WORLD'S MOST FAMOUS SHOCKER Vaunting ambition led FRANKENSTEIN to try and outdo Nature. He created a MONSTER. In this sequel FRANKENSTEIN is compelled to repeat his experiment and create a bride for the monster. He hesitates-but his task-master, by most dastardly threats, forces him to complete the work with the result that - - A terrifying story which contains an underlying idea that is particularly applicable at the present time when machinery, has become a MONSTER-a dominating and revolutionizing power in the economics of the MODERN WORLD HORROR - FASCINATION - ROMANCE

Attempting to create life through dreadful experiments, Henry Frankenstein and Dr. Pretorius instead created unspeakable horror: two misshapen monsters, a brutish male and his female mate, stitched together from the bodies of cadavers. Crafted to be the monster's bride - an undead Eve to an equally accursed Adam - the female creature was destroyed mere minutes after taking its first breath - or was it? This new novel by the critically acclaimed Elizabeth Hand reinterprets the memorable characters from Universal Picture's classic 1935 film for a new generation of horror fans. Detailing the bride of Frankenstein's secret history, from the shadows of forgotten laboratories to the streets of Weimar Germany, Hand creates a richly atmospheric tale of horror, mystery, and tragedy as chilling as the creature itself. Elizabeth Hand's novels and short story collections include Mortal Love, Black Light, Bibliomancy and the cult classic Waking the Moon. A longtime contributor to the Washington Post Book World and the Village Voice Literary Supplement, she lives in Maine.

Electra, the new assistant to Frank, bakes terrific monster-sized cookies, but Eddie, Melody, and Howie suspect that she is a monster Dr. Victor created to be Frank's mate

Includes Mary Shelley's Frankenstein—two gothic novels in one! In this chilling sequel to Mary Shelley's famous horror classic, Hilary Bailey imagines what might have happened if Dr. Frankenstein had created a female companion for his monster. Years after he inadvertently set in motion the events that caused a series of deranged murders, Dr. Frankenstein, now living a happy and privileged life, sets to work on restoring the voice of beautiful young opera singer Maria Clementi. But things are not always as they seem, and soon the rumors about Victor Frankenstein begin to worry his new assistant, Jonathan Goodall. When Jonathan spies a mysterious figure lurking near Maria's theatre, and later discovers his own wife and child murdered in cold blood, he knows he'll do anything to uncover the truth of Frankenstein and his newest experiments—a truth he knows will change everything... For more than two hundred years, Mary Shelley's Frankenstein; or, The Modern Prometheus has kept readers enthralled. Shelley brought to life not only Frankenstein's monster, but also a masterpiece that authors have reimagined again and again. Frankenstein's Bride is perfect for seekers of the supernatural, classic horror fans, and readers of gothic fiction.

Manguel gives a detailed and highly sensitive account of the film's felicities of inventive film-making. He also traces the literary roots of the Frankenstein myth, the creation of a living being by a man usurping the powers of a jealous God. And he finds echoes in the work of modern artists such as Max Ernst and Marcel Duchamp of the Bride as a kind of femme fatale, monstrous and threatening.

Hybrid films that straddle more than one genre are not unusual. But when seemingly incongruous genres are mashed together, such as horror and comedy, filmmakers often have to tread carefully to produce a cohesive, satisfying work. Though they date as far back as James Whale’s Bride of Frankenstein (1935), horror-comedies have only recently become popular attractions for movie goers. In The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland, editors Cynthia J. Miller and A. Bowdoin Van Riper have compiled essays on the comic undead that look at the subgenre from a variety of perspectives. Spanning virtually the entire sound era, this collection considers everything from classics like The Canterville Ghost to modern cult favorites like Shaun of the Dead. Other films discussed include Abbott and Costello Meet Frankenstein, Beetlejuice, Ghostbusters, House on Haunted Hill, ParaNorman, Scream, Vampire’s Kiss, and Zombieland. Contributors in this volume consider a wide array of comedic monster films—from heartwarming (The Book of Life) to pitch dark (The Fearless Vampire Killers) and even grotesque (Frankenhooker). The Laughing Dead will be of interest to scholars and fans of both horror and comedy films, as well as those interested in film history and, of course, the proliferation of the undead in popular culture.

Nineteen funny poems look at the secret lives of Frankenstein, Wolfman, Dracula, Bigfoot, Godzilla, etc.