Brickstamps of Constantinople is the first major catalogue and analysis of stamped bricks manufactured in Constantinople and its vicinity in the Late Roman and Early Byzantine periods. The text discusses the organization of the brickmaking industry, the purpose of brickstamping, andestablishes for the first time a chronology for the brickstamps. On the basis of the conclusions, dates are proposed for previously undated buildings in the city, and revised dates are given for other monuments.

Brickstamps of Constantinople is the first major catalogue and analysis of stamped bricks manufactured in Constantinople and its vicinity in the Late Roman and Early Byzantine periods. The text discusses the organization of the brickmaking industry, the purpose of brickstamping, andestablishes for the first time a chronology for the brickstamps. On the basis of the conclusions, dates are proposed for previously undated buildings in the city, and revised dates are given for other monuments.

The collected essays explore late antique and Byzantine Constantinople in matters sacred, political, cultural, and commercial.

Constantine of Rhodes's tenth-century poem is an account of public monuments in Constantinople and of the Church of the Holy Apostles. In the opening section of the work, Constantine describes columns and sculptures within the city, seven of which he calls 'wonders'. In the second part of the poem, he portrays the Church of the Holy Apostles, offering an account of its architecture and internal decoration, notably the mosaics, seven of which are also depicted as 'wonders'. On one level, the poem offers an account of what was visible, a sense of city topography and, in the case of the Apostoleion, a vital description of a now-lost building. But it cannot be read as a straightforward description. Rather, Constantine's work offers insights into Byzantine perceptions of works of art. The monuments Constantine decided to portray and the ways in which he chose to describe them say as much, if not more, about the social and cultural milieu in which he operated as about the actual physical appearance of the monuments themselves. Further, the poem itself, as it survives in one fifteenth-century manuscript, raises questions: is it, in its current form, a single poem or is it made up of a compilation of Constantine's writings? This book supersedes the two previous editions of the poem, both dating to 1896, and provides the first full translation of the text. It consists of a new Greek edition of Constantine's poem, with an introductory essay, prepared by Ioannis Vassis, and a translation and commentary by a group of scholars headed by Liz James. Liz James also contributes an extensive discussion of the two distinct parts of the poem, the city monuments and the Church of the Holy Apostles.

The Oxford Handbook of Byzantine Studies presents discussions by leading experts on all significant aspects of this diverse and fast-growing field. Byzantine Studies deals with the history and culture of the Byzantine Empire, the eastern half of the Late Roman Empire, from the fourth to the fourteenth century. Its centre was the city formerly known as Byzantium, refounded as Constantinople in 324 CE, the present-day Istanbul. Under its emperors, patriarchs, and all-pervasive bureaucracy Byzantium developed a distinctive society: Greek in language, Roman in legal system, and Christian in religion. Byzantium's impact in the European Middle Ages is hard to over-estimate, as a bulwark against invaders, as a meeting-point for trade from Asia and the Mediterranean, as a guardian of the classical literary and artistic heritage, and as a creator of its own magnificent artistic style.