In 2003, a backhoe operator hired by the state of Washington to work on the Port Angeles waterfront discovered what a larger world would soon learn. The place chosen to dig a massive dry dock was atop one of the largest and oldest Indian village sites ever found in the region. Yet the state continued its project, disturbing hundreds of burials and unearthing more than 10,000 artifacts at Tse-whit-zen village, the heart of the long-buried homeland of the Klallam people. Excitement at the archaeological find of a generation gave way to anguish as tribal members working alongside state construction workers encountered more and more human remains, including many intact burials. Finally, tribal members said the words that stopped the project: "Enough is enough." Soon after, Lower Elwha Klallam Tribe chairwoman Frances Charles asked the state to walk away from more than $70 million in public money already spent on the project and find a new site. The state, in an unprecedented and controversial decision that reverberated around the nation, agreed. In search of the story behind the story, Seattle Times reporter Lynda V. Mapes spent more than a year interviewing tribal members, archaeologists, historians, city and state officials, and local residents and business leaders. Her account begins with the history of Tse-whit-zen village, and the nineteenth- and twentieth-century impacts of contact, forced assimilation, and industrialization. She then engages all the voices involved in the dry dock controversy to explore how the site was chosen, and how the decisions were made first to proceed and then to abandon the project, as well as the aftermath and implications of those controversial choices. This beautifully crafted and compassionate account, illustrated with nearly 100 photographs, illuminates the collective amnesia that led to the choice of the Port Angeles construction site. "You have to know your past in order to build your future," Charles says, recounting the words of tribal elders. Breaking Ground takes that teaching to heart, demonstrating that the lessons of Tse-whit-zen are teachings from which we all may benefit.

A memoir of a quest to eradicate landmines from the face of the Earth—and replace dangerous ground with productive farmland: “Kuhn is an inspiration.” —Gillian Sorensen, former United Nations Assistant Secretary-General After surviving a bout with cancer, Heidi Kühn decided to devote herself to ridding the world of another kind of life-threatening scourge: landmines in regions as far-flung as Croatia, Vietnam, and Afghanistan. Inspired by the work of the late Princess Diana, Heidi began the humanitarian organization Roots of Peace from the basement of her Northern California home. She gained the support of famed Napa Valley vintners Robert Mondavi and Mike Grgich, and soon her “mines-to-vines” mission began to take hold. In this powerful memoir, Heidi tells the Roots of Peace story, from the early days in which she built her vision to her current presence on the global stage, where she has worked with presidents, prime ministers, landmine survivors, and religious leaders from around the world to spread a message of peace and recovery. In the years since the founding of Roots of Peace, its agricultural projects have made tremendous progress to fight against landmines, revitalizing devastated land and uplifting the lives of countless people in the process. This is a story of healing, faith, and how an ordinary person can inspire remarkable change—and plant the seeds of a brighter future.

In September 1991, archaeologists began to turn up graves and bodies in lower Manhattan. Well-known maps had shown that this was the site of New York's first burial ground for slaves and free blacks. "Breaking Ground, Breaking Silence" uses the rediscovery of the burial grounds as a window on a fascinating side of colonial history and as an introduction to the careful science that is uncovering all of the secrets of the past.

Not since Martha Schinz's masterful Visions of Paradise, published in 1984, has there been such an important survey of garden design and style as Breaking Ground. Whereas Visions of Paradise featured classic European garden design, Breaking Ground takes an in-depth look at the work of ten contemporary garden designers living and working in America and Europe today. The two hundred glorious full-color photographs by Erica Lennard and the lucid text by garden writer and designer Page Dickey capture the spirit and genius of the ten designers. A chapter is devoted to each designer--his or her sources of inspiration, style, philosophy, and method of creation. From the bold Southern California designs of Nancy Power to the urban geometries of Madison Cox to the updated French formal style of Louis Benech to the romantic country gardens of Nancy McCabe, Breaking Ground profiles the artists who are redefining garden design categories. Inspirational, informative, contemporary, and beautiful, Breaking Ground is a spectacularly crafted object in itself--sure to be one of the major garden gift books of the season.

As a pandemic and racial reckoning exposed society's faults, Christian thinkers were laying the groundwork for a better future. A public health and economic crisis provoked by Covid-19. A social crisis cracked open by the filmed murder of George Floyd. A leadership crisis laid bare as the gravity of a global pandemic met a country suffocating in political polarization and idolatry. In the spring of 2020 Comment and Plough magazines created a joint publishing project that would tap the resources of the Christian humanist tradition to respond collaboratively and imaginatively to these crises. This volume, written in real time during a year that revealed the depths of our society's fissures, provides a wealth of proposals and reflections on what should come after: how we can truly renew our civilization. Breaking Ground has grown into a network of institutions and people that will continue to respond to these ongoing challenges with a deeply Christian and human vision for the future. Contributors include Anthony Barr, Marilynne Robinson, N. T. Wright, Adam Carrington, Gregory Thompson, Shadi Hamid, Rachel Anderson, John Clair, Christine Emba, Jennifer Frey, Michael Wear, David Grubbs, John Milbank, Mark Noll, Michael Lamb, Joe Nail, Charles Camosy, Dante Stewart, Katherine Boyle, Duke Kwon, Gracy Olmstead, Phil Christman, Brad Littlejohn, Brandon Mcginley, Oliver O Donovan, Amy Julia Becker, Chris Lambert, Benya Kraus, Carlo Lancellotti, Luke Bretherton, Jake Meador, Jeffrey Bilbro, Mark Gerzon, Cherie Harder, Susannah Black, Joe Boland, Patrick Pierson, Samuel Kimbriel, Kurt Armstrong, Patrick Tomassi, Chris Lambert, Stuart Mcalpine, Elayne Allen, Mack Mccarter, Father Jack Wall, Myles Werntz, Tobias Cremer, Doug Sikkema, E. J. Hutchinson, J. L. Wall, Joel Halldorf, Aryana Petrosky Roberts, Chelsea Langston Bambino, Dhananjay Jagannathan, Dwan Dandridge, Erin And David Leaverton, Heather C. O'Haneson, Irena Dragas Jansen, James Matthew Wilson, Joseph M Keegin, Joshua Bambino, and L. M. Sacasas.

A ground-breaking visual survey of architecture designed by women from the early twentieth century to the present day 'Would they still call me a diva if I were a man?' asked Zaha Hadid, challenging as she did so more than a century of stereotypes about female architects. In the same spirited approach, Breaking Ground is a pioneering visual manifesto of more than 200 incredible buildings designed by women all over the world. Featuring twentieth-century icons such as Julia Morgan, Eileen Gray and Lina Bo Bardi, and the best contemporary talent, from Kazuyo Sejima to Elizabeth Diller and Grafton Architects, this book is, above all else, a ground-breaking celebration of extraordinary architecture.

Exploring the multifaceted relationship between gender and the construction industry, this work addresses the scarcity of women in construction and demonstrates how we can overcome these challenges.