A complete guide to Hollywood's top blockbuster films, from 1939 through 1995, details the five most successful movies of each year

Winner of the Eisner Award for Talent Deserving Wider Recognition, the International Comics Festival Award for Best Debut Graphic Novel (Angouleme, France), and voted by Wizard Magazine as the best indy graphic novel of all time. "A convincing, absorbing and satisfying fictional portrait of post-college life in New York City."-- Publishers Weekly "A salute to comics, an exploration of the human condition, and a solid, absorbing, and riotously snide tale about at least half of the things that make life important."-- Tasha Robinson, The AV Club "Box Office Poison is a novel complex enough to provoke Book Talk. I even marked panels with post-it notes as I was reading so that I'd remember to show them to my friends."-- Kelly Sue DeConnick, Artbomb.com "The comic book equivalent of the world's best pineapple upside-down cake: layer upon layer of rich dramatic goodness."-- Matthew Craig, Robotfist.com "Box Office Poison is to the comic book culture as Almost Famous is to that of rock and roll."-- Chris Tamarri, The Daily Targum This 608-page epic story of Sherman, Dorothy, Ed, Stephen, Jane, and Mr. Flavor is a true comics masterpiece. Alex Robinson's completely natural and inspiring knack for dialogue makes this story of dreary jobs, comic books, love, sex, messy apartments, girlfriends (and the lack thereof), undisclosed pasts, and crusty old professionals one of the most delightful and whimsical graphic novels to hit the stands in years.

Opening weekend is a battle for the hearts and minds (and wallets) of American moviegoers. In Open Wide, Dade Hayes and Jonathan Bing expose the blockbuster factory that lies just beyond Hollywood's red carpet. They reveal how movies have become products of instantaneous mass consumption no more enduring than popcorn and soda. They shadow the actors, directors, producers, and studio executives, tracing the trail of blood, sweat, tears, and hundreds of millions at stake in a weekend at the multiplex.

This book explores the different factors that can influence a new movie’s prospects at the box office. Looking at factors such as the production budget, distribution model, genre, stars and audience reactions of films, Gunter asks how such aspects may reduce the uncertainties of success so common in the movie industry. The reader is taken on a journey through filmmaking factors that, research suggests, impact box office performance. While box office revenues represent only part of a movie’s earning potential, Gunter highlights how theatrical performances remain central to what the movie business is about. The chapters illustrate how ticket sales are largely influenced by the production budget but also cultural differences and new movie platforms.

Ed finds that working for Irving Flavor turns out to be an acquired taste. And the secret origin of the Nightstalker... revealed!

Changing business circumstances have put pressure on film studios and changed the nature of films they produce. This book examines the reaction of the corporations who have found themselves in danger or have perceived new ways of adding to their profitability, influencing the films they produce.

As the digital revolution has democratised film production, a new hybrid model of distribution is the way independent filmmakers can take control of their own distribution. This approach is not just DIY or Web-based - it combines the best techniques from each distribution arena, old and new. In Think Outside the Box Office, Reiss explains audience identification and targeting, negotiating split-rights agreements, the new role of film festivals and more.