Discover the fascinating stories of the bold and brave women in Shakespeare's plays. Stories of twelve of Shakespeare's courageous, strong-willed and determined characters, including Viola, Cleopatra, Portia, Lady Macbeth and Margaret of Anjou, are brought to life with Becca Stadtlander's rich and evocative illustrations.

Discover the fascinating stories of the bold and brave women in Shakespeare's plays.Stories of twelve of Shakespeare's courageous, strong-willed and determined characters are brought to life with Becca Stadtlander's rich and evocative illustrations. Celebrate these incredible women with this beautiful gift book, the perfect way to get children fascinated by Shakespeare and inspired by his work.Featuring: Titania, Cleopatra, Rosalind, Margaret of Anjou, Cordelia, Lady Macbeth, Beatrice, Juliet, Portia, Mistress Ford and Mistress Page, Miranda, Viola.

The perfect read for the one-hundredth anniversary of the nineteenth amendment and in advance of the upcoming presidential election, this inspiring picture book from United States Senator Kirsten Gillibrand shares the stories of ten suffragists who fought for women's right to vote. Bold & Brave introduces children to strong women who have raised their voices on behalf of justice--and inspires them to raise their own voices to build our future. Here are the stories of ten leaders who strove to win the right to vote for American women--a journey that took more than seventy years of passionate commitment. From well-known figures, such as Susan B. Anthony and Sojourner Truth to lesser known women such as Alice Paul and Mary Church Terrell, these are heroes who dreamed big and never gave up. Senator Gillibrand highlights an important and pithy lesson from each woman's life--from "dare to be different" to "fight together." With gorgeous illustrations by renowned artist Maira Kalman, this is a book that will inspire and uplift, a book to be cherished and shared. The suffragists included are: Elizabeth Cady Stanton, Susan B. Anthony, Sojourner Truth, Harriet Tubman, Jovita Idár, Alice Paul, Inez Milholland, Ida B. Wells, Lucy Burns, and Mary Church Terrell.

With elegance, sympathy, and nuance, Her Infinite Variety celebrates the women in William Shakespeare's world. These lyrical stories move from Elizabethan London, where Shakespeare is drawn to the plight of the young wife of a wealthy friend, to a wintry Denmark, where Ophelia struggles to understand her love for Hamlet, and to Shakespeare's Stratford home, where his daughter Judith deliberately enters into a shameful marriage. At the center of this remarkable book is Shakespeare's enduring love for Anne Hathaway, his beautiful, passionate, illiterate wife. Together, the masterfully interwoven stories of Her Infinite Variety bring to life a Shakespeare who was formed by the women he loved -- and who loved him.

Shakespeare and Women situates Shakespeare's female characters in multiple historical contexts, ranging from the early modern England in which they originated to the contemporary Western world in which our own encounters with them are staged. In so doing, this book seeks to challenge currently prevalent views of Shakespeare's women-both the women he depicted in his plays and the women he encountered in the world he inhabited. Chapter 1, "A Usable History," analyses the implications and consequences of the emphasis on patriarchal power, male misogyny, and women's oppression that has dominated recent feminist Shakespeare scholarship, while subsequent chapters propose alternative models for feminist analysis. Chapter 2, "The Place(s) of Women in Shakespeare's World," emphasizes the frequently overlooked kinds of social, political, and economic agency exercised by the women Shakespeare would have known in both Stratford and London. Chapter 3, "Our Canon, Ourselves," addresses the implications of the modern popularity of plays such as The Taming of the Shrew which seem to endorse women's subjugation, arguing that the plays--and the aspects of those plays--that we have chosen to emphasize tell us more about our own assumptions than about the beliefs that informed the responses of Shakespeare's first audiences. Chapter 4, "Boys will be Girls," explores the consequences for women of the use of male actors to play women's roles. Chapter 5, "The Lady's Reeking Breath," turns to the sonnets, the texts that seem most resistant to feminist appropriation, to argue that Shakespeare's rewriting of the idealized Petrarchan lady anticipates modern feminist critiques of the essential misogyny of the Petrarchan tradition. The final chapter, "Shakespeare's Timeless Women," surveys the implication of Shakespeare's female characters in the process of historical change, as they have been repeatedly updated to conform to changing conceptions of women's nature and women's social roles, serving in ever-changing guises as models of an unchanging, universal female nature.

From Charlaine Harris, the #1 New York Times and USA TODAY bestselling author behind HBO’s hit series True Blood and NBC’s Midnight, Texas, the first in a series of mysteries that hits as hard as its heroine... Lily Bard has no illusions about her little town being safe, or peaceful, or full of goodness. Shakespeare, Arkansas, was nothing but a name on a map when she moved here. But Lily has kept her head down in Shakespeare for four years: cleaned houses, blocked unwelcome memories, and honed her body into a weapon with goju karate. It’s as long as she’s lasted anywhere since the nightmare that changed her life, and she’s willing to dust around the skeletons in her neighbors’ closets—provided they mind their business about her past, too. But when a dead body is dumped practically in her front yard, she can’t look away and leave it to innocents to find. And as the investigation creeps closer to Lily, her clients, and the secrets they all keep, she knows her hard-fought peace is in danger. She’s living in close quarters with a murderer. The police are sniffing around her history. And once again, all eyes are on Lily Bard. She could leave town, and give up on the home she’s begun to make. Or she could stay, and root out the killer herself...