The first of its kind, 'Body, Space, Image' is a remarkable book about improvisation - a narrative of discovery that sets the mind loose from the rut of everyday perception. From a starting point in movement, improvisation is extended to include groups working together and the physical setting of performance - space, light, sound, objects. Generously illustrated with examples drawn from twenty years of experimental performance, 'Body, Space, Image' explores ways of working and ways of thinking about performance that will inspire both the beginner and the experienced artist. It is a manual intended to stimulate rather than a comprehensive system of working, and includes a unique collection of images - from dance, theatre and painting - and statements by working artists. Words and images combine to celebrate and record one of the most exacting art forms developed in the twentieth century.

A manual intended to stimulate rather than instruct, this is a book about improvisation - a narrative of discovery that sets the mind loose from the rut of everyday perception. It is illustrated with examples from the last 20 years of experimental performance.

The last decade has seen a new wave of interest in philosophical and theoretical circles in the writings of Walter Benjamin. In Body-and Image-Space Sigrid Weigel, one of Germany's leading feminist theorists and a renowned commentator on the work of Walter Benjamin, argues that the reception of his work has so far overlooked a crucial aspect of his thought - his use of images. Weigel shows that it is precisely his practice of thinking in images that holds the key to understanding the full complexity, richness and topicality of Benjamin's theory.

Teaching children the concepts of personal space. Louis is back! And this time, he's learning all about personal space. When Louis, the world's self-proclaimed space expert, is invited to Personal Space Camp by the school principal, he soon learns that personal space really isn't about lunar landings, Saturn's rings, or space ice cream. Written with style, wit, and rhythm, Personal Space Camp addresses the complex issue of respect for another person's physical boundaries. Told from Louis' perspective, this story is a must have resource for parents, teachers, and counselors who want to communicate the idea of personal space in a manner that connects with kids.

'Poetics of Dance' looks at dance at the beginnings of the 20th century, the time during which modern dance first began to make its radical departure from the aesthetics of classical ballet. Author Gabriele Brandstetter traces modern dance's connection to new innovations and trends in visual and literary arts to argue that modern dance is in fact the preeminent symbol of modernity.

This is an inspirational handbook for working in the creative arts. It emphasises the imagination, creativity and being receptive to our bodies, surroundings, materials, and what we create.The authors draw attention to the sensing, feeling, moving body as a basis for any imaginative activity. But while A Widening Field does draw on the authors' dance and movement background, it elaborates and extends their work by drawing in creative writing and all kinds of creative work with materials.The book stresses the importance of intuitive, instinctive ways of knowing, perceiving and creating and describes sources and strategies for working in and between various forms of expression, including: moving, making things with materials, and writing. It is designed to provoke and inspire rather than as an instruction manual. Tufnell and Crickmay's previous book, 'Body Space Image', addressed improvised movement, experimental performance and how to create performance settings. 'A Widening Field' looks at the role of imagination in our lives and how it is awakened and nourished through attention to the present, the feeling world of the body, and whatever appears as we make art.

Building on the success of the first volume in this series of research on collective and collaborative drawing, this book’s key themes are linked through the concepts of body, space, and place. The location of the body in art has always been central, but the exploration of it here, in relation to place and space, uncovers a wide range of exciting and different contexts, relationships and materials. Space is examined through the practice and theorisation of drawing, through the ongoing artistic practices of the authors, and the writings of Berger and Derrida in relation to making, viewing and understanding the drawing process. Place is examined through unique approaches to considering drawing, through multiple consecutive and site-specific places, through place as a changing and temporal site, and through the idea of the ‘non-place’. The contributors in this volume include academics, artists, dancers, researchers, designers, and architects from across the globe.