The little-known story of an iconic photographer, whose work captured—and influenced—a critical moment in American history. Who was Ernest Withers? Most Americans may not know the name, but they do know his photographs. Withers took some of the most legendary images of the 1950s and ’60s: Martin Luther King, Jr., riding a newly integrated bus in Montgomery, Alabama; Emmett Till’s uncle pointing an accusatory finger across the courtroom at one of his nephew’s killers; scores of African-American protestors, carrying a forest of signs reading "I am a man." But while he enjoyed unparalleled access to the inner workings of the civil rights movement, Withers was working as an informant for the FBI. In this gripping narrative history, Preston Lauterbach examines the complicated political and economic forces that informed Withers’s seeming betrayal of the people he photographed. Withers traversed disparate worlds, from Black Power meetings to raucous Memphis nightclubs where Elvis brushed shoulders with B.B. King. He had a gift for capturing both dramatic historic moments and intimate emotional ones, and it may have been this attention to nuance that made Withers both a brilliant photographer and an essential asset to the FBI. Written with similar nuance, Bluff City culminates with a riveting account of the 1968 riot that ended in violence just a few days before Dr. King’s death. Brimming with new information and featuring previously unpublished and rare photographs from the Withers archive not seen in over fifty years, Bluff City grapples with the legacy of a man whose actions—and artistry—make him an enigmatic and fascinating American figure.

Only Ernest Withers, a key figure in the civil rights movement, could have delivered such iconic photographs—and the kind of information the FBI wanted . . . Renowned photographer Ernest Withers captured some of the most stunning moments of the civil rights era—from the age-defining snapshot of Dr. Martin Luther King, Jr., riding one of the first integrated buses in Montegomery, to the haunting photo of Emmett Till’s great-uncle pointing an accusing finger at his nephew’s killers. He was trusted and beloved by King’s inner circle, and had a front row seat to history . . . but few people know that Withers was also an informant for the FBI. Memphis journalist Marc Perrusquia broke the story of Withers’s secret life after a long investigation culminating in a landmark lawsuit against the government to release hundreds of once-classified FBI documents. Those files confirmed that, from 1958 to 1976, Withers helped the Bureau monitor pillars of the movement including Dr. Martin Luther King and others, as well as dozens of civil rights foot soldiers. Now, on the fiftieth anniversary of King’s assasination, A Spy in Canaan explores the life, complex motivations, and legacy of this fascinating figure Ernest Withers, as well as the dark shadow that era’s culture of surveillance has cast on our own time. Includes an 8-page, black-and-white photo insert.

This treasure trove of images by Withers, the unofficial team photographer for the Memphis Red Sox, captures the peak of Negro League action through the years of groundbreaking integration, as well as the community in which black baseball was played.

In September of 2010, the Memphis Commercial Appeal published an article written by journalist Marc Perrusquia, breaking open a dam of long held government secrets. Hidden in a seemingly insignificant declassified report that had been insufficiently redacted by the Federal Bureau of Investigation, Perrusquia discovered that Ernest Withers had been a confidential informant for the FBI. But what made the revelation extraordinary within the humid enclaves of Memphis and the Deep South was that Withers was also a nationally-renowned civil rights photographer. As a friend to Dr. Martin Luther King Jr. and other prominent civil rights leaders, Withers had intimate access to the kind of highly sensitive information the FBI coveted. Believing that the black civil rights movement took its cues from communist influences, FBI Director J. Edgar Hoover sanctioned regular cash payments to be distributed amongst a select group of black informants who were willing to spy on fellow demonstrators. Withers was one of them. Using his position as an African American insider and professional cameraman, the typically affable Withers covertly provided the FBI with countless photos of civil rights activists along with intelligence outlining their associations, movements, and future strategies. Conferring often with his FBI handler in Memphis, TN, Special Agent William H. Lawrence, Withers was regularly paid to infiltrate the meetings and organizations led by his closest allies. The following pages contain exact copies of the declassified documents that Marc Perrusquia, the Memphis Commercial Appeal, and their team of attorneys obtained in 2012 through the Federal Court system. These documents have been organized based on the FBI's own notated filing dates. Undeniably, there are additional documents that did not make it into this book, either because the FBI failed to declassify them or because they have not yet been obtained from the National Archives in Washington D.C. However, every effort was made as of this book's publication date to include all currently available FBI records related to Withers. Furthermore, the editors worked tirelessly to include the least redacted versions of several duplicate documents. It is the editors' hope that the following pages inform, inspire, and empower the citizenry to form their own opinions regarding this historically significant collaboration between Ernest Columbus Withers and the Federal Bureau of Investigation.

To boost soldiers’ morale and remind them of the stakes of victory, the American military formalized a recreation program that sent respectable young women, along with famous entertainers, overseas. This history of the women who talked and listened, danced and sang, adds an intimate chapter to the story of war and its ties to life in peacetime.

Includes bibliographical references (page 288).

A novel about a former soldier in Big Sky Country whose life is spiraling out of control, from the acclaimed author of Ninety-two in the Shade and Cloudbursts, who is "among the most arresting and fascinating [writers] of his generation" (San Francisco Chronicle). In McGuane's first novel set in his famed American West, Patrick Fitzpatrick is a former soldier, a fourth-generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But increasingly Patrick himself is spiraling out of control, into that region of romantic misadventure and vanishing possibilities that is Thomas McGuane's Montana. Nowhere has McGuane mapped that territory more precisely—or with such tenderhearted lunacy—than in Nobody's Angel, a novel that places him in a genre of his own.