A collection of photos and interviews about blues performers in the 21st Century.

The most complete method for the modern blues guitarist. This book covers basic blues techniques, soloing over the I, IV, and V chords, and the differences between authentic blues soloing, blues-rock, funk, and jazz-oriented solos. Plus it demonstrates classic blues phrases, intros, endings, and turnarounds. With more than 130 music examples, all recorded on the included CD, and over 20 complete blues tunes for demonstration and play-along practice, this book is a complete course on blues guitar.

This book "examines the folksy ex-husband and wife duo who stunned the music world with the most powerful blues-rock since Led Zeppelin and the most haunting country-rock since the Byrds and Gram Parsons. Rock biographer Dick Porter analyses the quirkiness of their former claims to be a brother and sister from a family of ten, Jack's austere puritanism and obsessions with truth and death, and the child-like innocence of the couple's matching red-and-white colour themes." - back cover.

21st Century Autoimmune Blues is multi-genre author Brent Terry's fourth collection. Terry brazenly confronts subjects that are simultaneously political and personal. The undertones range from comedic to emotional, stimulating the head, heart, and gut. Every poem in this collection hums with an underlying anxiety caused by living in these fraught and sometimes dismaying times, but Terry never fails to paint a rhythmically sound image.

Published in 2002-2003, Grant Morrison and Chris Weston's THE FILTH is disgusting, deeply disturbing, and a comic-book masterpiece that inoculates readers against the problems of the postmodern condition. So says Tom Shapira, who also explores THE FILTH's relationship to Morrison's THE INVISIBLES, to the 1999 film THE MATRIX, and to the work of Alan Moore. The book also includes interviews with Grant Morrison, Chris Weston, and inker Gary Erskine, plus art from Weston illuminating the design of the series and containing imagery censored in the printed comic. From Sequart Research & Literacy Organization. More info at http: //Sequart.org

The book is the fruit of Douglas Mark Ponton’s and co-editor Uwe Zagratzki’s enduring interest in the Blues as a musical and cultural phenomenon and source of personal inspiration. Continuing in the tradition of Blues studies established by the likes of Samuel Charters and Paul Oliver, the authors hope to contribute to the revitalisation of the field through a multi-disciplinary approach designed to explore this constantly evolving social phenomenon in all its heterogeneity. Focusing either on particular artists (Lightnin’ Hopkins, Robert Johnson), or specific texts (Langston Hughes’ Weary Blues and Backlash Blues, Jimi Hendrix’s Machine Gun), the book tackles issues ranging from authenticity and musicology in Blues performance to the Blues in diaspora, while also applying techniques of linguistic analysis to the corpora of Blues texts. While some chapters focus on the Blues as a quintessentially American phenomenon, linked to a specific social context, others see it in its current evolutions, as the bearer of vital cultural attitudes into the digital age. This multidisciplinary volume will appeal to a broad range of scholars operating in a number of different academic disciplines, including Musicology, Linguistics, Sociology, History, Ethnomusicology, Literature, Economics and Cultural Studies. It will also interest educators across the Humanities, and could be used to exemplify the application to data of specific analytical methodologies, and as a general introduction to the field of Blues studies.