Ancient vampire Rue keeps to herself. It makes it easier to fight the constant hunger that plagues her. That is, until the night she catches Grace-a not very good vampire hunter-stalking her through the streets of Dublin. Something about Grace is achingly familiar. And strangely irresistible. Rue soon learns that Grace is herself being hunted, and is thrown into a battle she never wanted, to save a woman who wants her dead. As Rue unravels the horrifying and treacherous plot, she also uncovers a secret about Grace that could change everything. Along the way, Rue finds herself drawn to the girl, and is forced to choose: Continue her solitary life of safety, or risk it all for love? Through it all, Rue recalls her creation and formative nights in an ancient world far from the rainy streets of Dublin, a world where she learned to live, love, hunt and kill.

The Belly of Paris (Le Ventre de Paris) is the third novel in Émile Zola's twenty-volume series Les Rougon-Macquart, first published in 1873. It is a novel of the teeming life which surrounds the great central markets of Paris. The book was originally translated into English by Henry Vizetelly and published in 1888 under the title Fat and Thin. After Vizetelly's imprisonment for obscene libel the novel was one of those revised and expurgated by his son, Ernest Alfred Vizetelly. The heroine is Lisa Quenu, a daughter of Antoine Macquart. She has become prosperous, and with prosperity her selfishness has increased. Her brother-in-law Florent had escaped from penal servitude in Cayenne and lived for a short time in her house, but she became tired of his presence and ultimately denounced him to the police. Émile Zola (1840 – 1902) was a French writer, the most important exemplar of the literary school of naturalism and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France.

With her life spinning out of control, Ryan Coe just wants to find a place where she can rest. Ryan Coe feels lost. Her marriage is over, her kids are living with their dad, her God-life is silent, and her patience is practically nonexistent. To top it off, her once exciting job as a photojournalist has been reduced to taking pictures of enchilada festivals and B-level actors. But when she arrives at the scene of a crime and sees her son's face through her zoom lens, her world crashes. Her only mission: to find out who really did this and why they framed her. But before she can help anyone. Ryan's got to get her anger in check. She turns to Sullivan Crisp's Healing Choices clinic, but even that doesn't go according to plan. Quirky and unusual don't even begin to describe Sully, and Ryan soon realizes he isn't the quick-fix therapist she was hoping for. Between his unorthodox counseling and a group of women who are the first real friends she's had in a long time, Ryan begins to realize it's not control she's looking for, but something much more powerful. Inspirational contemporary read The third book in the Sullivan Crisp series, but can be enjoyed as a standalone Book one: Healing Stones Book two: Healing Waters Book three: Healing Sands Includes discussion questions for reading groups and an excerpt from Healing Waters

Ambition will fuel him. Competition will drive him. But power has its price. It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He's been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined - every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute . . . and must weigh his need to follow the rules against his desire to survive no matter what it takes.