To many antebellum Americans, Appalachia was a frightening wilderness of lawlessness, peril, robbers, and hidden dangers. The extensive media coverage of horse stealing and scalping raids profiled the regionÕs residents as intrinsically violent. After the Civil War, this characterization continued to permeate perceptions of the area and news of the conflict between the Hatfields and the McCoys, as well as the bloodshed associated with the coal labor strikes, cemented AppalachiaÕs violent reputation. Blood in the Hills: A History of Violence in Appalachia provides an in-depth historical analysis of hostility in the region from the late eighteenth to the early twentieth century. Editor Bruce E. Stewart discusses aspects of the Appalachian violence culture, examining skirmishes with the native population, conflicts resulting from the regionÕs rapid modernization, and violence as a function of social control. The contributors also address geographical isolation and ethnicity, kinship, gender, class, and race with the purpose of shedding light on an often-stereotyped regional past. Blood in the Hills does not attempt to apologize for the region but uses detailed research and analysis to explain it, delving into the social and political factors that have defined Appalachia throughout its violent history.

Covering training, manning, equipment, and combat efforts, this is first full non-offical history of the Canadian Army's operations from the summer of 1950 to the ceasefire of 1953.

'Tremendous. A moving and haunting tribute to the human spirit' WILLIAM BOYD Into the heart of a genocide that left a million people dead 6 April 1994: In the skies above Rwanda the presidentâe(tm)s plane is shot down in flames. Near Kigali, Jean-Pierre holds his family close, fearing for their lives as the violence escalates. In the chapel of a hillside village, missionary priest Vjeko Curic prepares to save thousands of lives The mass slaughter that follows âe" friends against friends, neighbours against neighbours - is one of the bloodiest chapters in history Twenty years on, BBC Newsnight producer David Belton, one of the first journalists into Rwanda, tells of the horrors he experienced at first-hand. Now following the threads of Jean-Pierre and Vjeko Curicâe(tm)s stories, he revisits a country still marked with blood, in search of those who survived and the legacy of those who did not. This is David Belton's quest for the limits of bravery and forgiveness.

Deftly combining archival sources with evocative life histories, Anastasia Karakasidou brings welcome clarity to the contentious debate over ethnic identities and nationalist ideologies in Greek Macedonia. Her vivid and detailed account demonstrates that contrary to official rhetoric, the current people of Greek Macedonia ultimately derive from profoundly diverse ethnic and cultural backgrounds. Throughout the last century, a succession of regional and world conflicts, economic migrations, and shifting state formations has engendered an intricate pattern of population movements and refugee resettlements across the region. Unraveling the complex social, political, and economic processes through which these disparate peoples have become culturally amalgamated within an overarchingly Greek national identity, this book provides an important corrective to the Macedonian picture and an insightful analysis of the often volatile conjunction of ethnicities and nationalisms in the twentieth century. "Combining the thoughtful use of theory with a vivid historical ethnography, this is an important, courageous, and pioneering work which opens up the whole issue of nation-building in northern Greece."—Mark Mazower, University of Sussex

When Candace Savage and her partner buy a house in the romantic little town of Eastend, she has no idea what awaits her. At first she enjoys exploring the area around their new home, including the boyhood haunts of the celebrated American writer Wallace Stegner, the backroads of the Cypress Hills, the dinosaur skeletons at the T. Rex Discovery Centre, the fossils to be found in the dust-dry hills. She also revels in her encounters with the wild inhabitants of this mysterious land -- two coyotes in a ditch at night, their eyes glinting in the dark; a deer at the window; a cougar pussy-footing it through a gully a few minutes' walk from town. But as Savage explores further, she uncovers a darker reality -- a story of cruelty and survival set in the still-recent past -- and finds that she must reassess the story she grew up with as the daughter, granddaughter, and great-granddaughter of prairie homesteaders.

Johnstone Country Where the Wild Things Roam When the Civil War ended, Hunter Buchanon and his coyote sidekick Bobby Lee forged a new life in the Black Hills, Dakota Territory. Now they’ll have to fight to the death to keep it . . . THERE’S COYOTES IN THEM THERE HILLS Ex-Rebel tracker Hunter Buchanon is down on his luck. He lost his family’s ranch in a fire. He lost his gold to a thief. And he just might lose his fiancée—a beautiful saloon girl named Annabelle—to a stinking-rich rival. But Hunter’s not ready to give up just yet. He’s got a temporary sheriff’s badge, a long-range plan to rebuild his ranch, and his loyal coyote Bobby Lee by his side to make things right. Too bad it all goes wrong—when Annabelle gets kidnapped . . . The mayhem begins with a stagecoach robbery in the Black Hills town of Tigerville. It won’t end until Sheriff Hunter Buchanon gets back his girl and his gold—on a long, dusty trail of bloodsoaked vengeance . . . Live Free. Read Hard.

Deep within the remote hills of the New Mexico desert, a group of townspeople thought wiped out by the United States government when it began above-ground atomic testing has returned to the now-irradiated land they still claim as their home. Within the eye of this nuclear storm good people will go bad, battle lines will be drawn, and a new family of mutated monstrosities must protect their own at all costs in a mind-boggling orgy of blood and vengeance. The Hills Have Eyes: The Beginning tells for the first time the epic origin story behind Wes Craven's classic tale of mutant carnage, leading into and bridging the gap between the 2006 remake of The Hills Have Eyes and its sequel, The Hills Have Eyes 2. Written by acclaimed storytellers Jimmy Palmiotti (Painkiller Jane) and Justin Gray (Countdown) with shocking art by John Higgins (Judge Dredd, War Stories), this is mutant mayhem as you've never seen it before.