The Early Masters of American Blues series provides the unique opportunity to study the true roots of modern blues. Stefan Grossman, noted roots-blues guitarist and musicologist, has compiled this fascinating collection of 16 songs, transcribed exactly as performed by legendary blues master Blind Blake. In addition to Stefan's expert transcriptions, the book includes online audio containing the original recordings of Blind Blake so you can hear the music as he performed it. Blind Blake was the greatest ragtime blues guitarist to record during the 1920s. His guitar styles and techniques were unique, capturing the pulsating rhythms of the blues, ragtime, and jazz music of the period. His records sold well and were greatly influential on generations of guitarists. This collection presents sixteen tunes that will keep your fingers very busy. Sound, feel, and control over right-hand thumb are the elements of Blind Blake's playing that will demand all your attention and patience. Enjoy the wonderful songs, and good luck developing your sportin' right hand!"

"Blind Blake was the premier ragtime blues guitarist of the 1920s. His technique featured unique right-hand thumb rolls that evoked the feel of the Charleston dance-step. In this comprehensive new book/audio lesson, Woody Mann explores the ideas, techniques, and styles of this legendary musician who has influenced generations of country blues guitarists. The three companion CDs contain three full hours on note-by-note, phrase-by-phrase instruction. Written in standard notation and tablature."

This revised and updated definitive blues bibliography now includes 6,000-7,000 entries to cover the last decade’s writings and new figures to have emerged on the Country and modern blues to the R&B scene.

Reviews and rates the best recordings of 8,900 blues artists in all styles.

This story of the origins and evolution of the American blues tradition draws on oral history interviews and research into neglected primary sources. Book jacket.

A contemporary of blues greats Blind Blake, Tampa Red, and Papa Charlie Jackson, Chicago blues artist William "Big Bill" Broonzy influenced an array of postwar musicians, including Muddy Waters, Memphis Slim, and J. B. Lenoir. In Blue Smoke, Roger House tells the extraordinary story of "Big Bill," a working-class bluesman whose circumstances offer a window into the dramatic social transformations faced by African Americans during the first half of the twentieth century. One in a family of twenty-one children and reared by sharecropper parents in Mississippi, Broonzy seemed destined to stay on the land. He moved to Arkansas to work as a sharecropper, preacher, and fiddle player, but the army drafted him during World War I. After his service abroad, Broonzy, like thousands of other black soldiers, returned to the racism and bleak economic prospects of the Jim Crow South and chose to move North to seek new opportunities. After learning to play the guitar, he performed at neighborhood parties in Chicago and in 1927 attracted the attention of Paramount Records, which released his first single, "House Rent Stomp," backed by "Big Bill's Blues." Over the following decades, Broonzy toured the United States and Europe. He released dozens of records but was never quite successful enough to give up working as a manual laborer. Many of his songs reflect this experience as a blue-collar worker, articulating the struggles, determination, and optimism of the urban black working class. Before his death in 1958, Broonzy finally achieved crossover success as a key player in the folk revival movement led by Pete Seeger and Alan Lomax, and as a blues ambassador to British musicians such as Lonnie Donegan and Eric Clapton. Weaving Broonzy's recordings, writings, and interviews into a compelling narrative of his life, Blue Smoke offers a comprehensive portrait of an artist recognized today as one of the most prolific and influential working-class blues musicians of the era.