When veterinarian Rachel Goddard and Deputy Sheriff Tom Bridger take teenagers on an outing to clean up roadside trash in rural Mason County, Virginia, they make a grisly discovery: the plastic-wrapped body of a young woman. One teen peers at the face through the plastic and screams. The dead girl is her sister, Shelley, a law student who has been missing for a month. As Tom launches a murder investigation, Rachel copes with a visit from her own sister, Michelle, who is terrified that a man is stalking her. Michelle insists she’s receiving threatening calls and someone has invaded her office in the Washington, DC, area. Her own husband doubts her. Although Michelle is a psychologist, she has always been emotionally fragile, and she reverts to her childhood dependence on Rachel, stirring up memories Rachel wants to forget. Soon it becomes clear that the mysterious stalker is real and dangerous and has followed Michelle to Mason County. Now he’s turning his attention to Rachel too. Tom pursues the stalker at the same time he investigates Shelley’s murder. Was it random, or was she killed because she was working to prove that a Mason County man was wrongly convicted of murder? Relatives of his supposed victim were enraged by Shelley’s efforts to free a man they believe is guilty. Did they kill her to stop her? But what if she was right? If an innocent man was convicted, one person would have the strongest motive to silence Shelley: the real murderer. As Tom closes in on Shelley’s killer, the stalker makes his move against Rachel.

In 2003, Norman M. Klein's docufable »Bleeding Through« raised questions of urban aesthetics and memory as part of the multimedia documentary »Bleeding Through: Layers of Los Angeles, 1920-1986.« Now, 20 years later, this important text is reissued along with several essays addressing its central themes, such as the aesthetics and politics of urban memory, the development of Los Angeles since the 20th century, the role of urban imaginaries in US politics, or media evolution in the 21st century. The volume also features a long interview with Klein and two docufables from Klein's celebrated study »The History of Forgetting: Los Angeles and the Erasure of Memory«, one being the kernel of the novella, the other imagining Walter Benjamin in L.A. Finally, the book contains links to two films featuring much of the multimedia material contained in the first edition.

From a Harvard scholar and former Obama official, a powerful proposal for curtailing violent crime in America Urban violence is one of the most divisive and allegedly intractable issues of our time. But as Harvard scholar Thomas Abt shows in Bleeding Out, we actually possess all the tools necessary to stem violence in our cities. Coupling the latest social science with firsthand experience as a crime-fighter, Abt proposes a relentless focus on violence itself -- not drugs, gangs, or guns. Because violence is "sticky," clustering among small groups of people and places, it can be predicted and prevented using a series of smart-on-crime strategies that do not require new laws or big budgets. Bringing these strategies together, Abt offers a concrete, cost-effective plan to reduce homicides by over 50 percent in eight years, saving more than 12,000 lives nationally. Violence acts as a linchpin for urban poverty, so curbing such crime can unlock the untapped potential of our cities' most disadvantaged communities and help us to bridge the nation's larger economic and social divides. Urgent yet hopeful, Bleeding Out offers practical solutions to the national emergency of urban violence -- and challenges readers to demand action.

Through in-depth research and detailed historical context, Sonali Kolhatkar and James Ingalls report on the injustice of U.S. policies in Afghanistan historically and in the post-9/11 era. Drawing from declassified government documents and on-the-ground interviews with Afghan activists, journalists, lawyers, refugees, and students, Bleeding Afghanistan examines the connections between the U.S. training and arming of Mujahideen commanders and the subversion of Afghan democracy today. Bleeding Afghanistan boldly critiques the exploitation of Afghan women to justify war by both conservatives and liberals, analyzes uncritical media coverage of U.S. policies, and examines the ways in which the U.S. benefits from being in Afghanistan.

When veterinarian Rachel Goddard and Deputy Sheriff Tom Bridger take teenagers on an outing to clean up roadside trash in rural Mason County, Virginia, they make a grisly discovery: the plastic-wrapped body of a young woman. One teen peers at the face through the plastic and screams. The dead girl is her sister, Shelley, a law student who has been missing for a month. As Tom launches the investigation, Rachel copes with a visit from her own sister, Michelle, who is terrified that a man is stalking her. Michelle's own husband doubts her. But soon it becomes clear that the mysterious stalker has followed Michelle to Mason County, and now he's turning his attention to Rachel, too. Tom pursues the stalker at the same time he investigates Shelley's murder. Was Shelley's murder random, or was she killed because she was working to prove that a Mason County man was wrongly convicted of murder? Relatives of his supposed victim were enraged by Shelley's efforts to free a man they believe is guilty. Did they kill her to stop her? But what if she was right? If an innocent man was convicted, one person would have the strongest motive to silence Shelley: the real murderer.

The author of The City Under the Skin maps out “a delightful fiction, and a wonderfully exasperated love letter to a great city” (Kirkus Reviews). Like any international metropolis, London draws the most diverse characters to its bustling streets. Meet Mick. He’s on his way to the smoke from the provinces. He’s got six guys to find with only their names to go on, a lust for vengeance, and a city guide. Meet Stuart. Determined to walk each of the capital’s roads, streets, and alleyways, he’s a man on a mission . . . but has no plan for when there’s nowhere left to go. Meet Judy. She’s determined to leave her mark on London—one lover at a time—creating a virtual A–Z of sex in the city. “A book whose setting becomes as much a character as the people who pepper its pages, Bleeding London is dark, droll, and suspenseful.” —Library Journal “As packed with strange characters and comic and menacing incidents and characters as any night-bus . . . Nicholson obviously boasts a rich and arcane knowledge of the city and exploits it to the full.” —The Times (London) “Nicholson’s Bleeding London is a dark, frayed and filthy place . . . filled with weird sex, arbitrary violence and obscure threat . . . He produces comic lines when you least expect them, making you laugh out loud.” —New Statesman “An ambitious, clever and witty novel which attacks its subject with verve and humor.” —Literary Review