This reprint of the all-star war-comics anthology is an expanded edition, with a cover gallery featuring all of Frazetta's painted covers and exclusive interviews with Goodwin and publisher James Warren.

A volume of reproductions from the influential war-comics magazine offers insight into the periodical's controversial publication of anti-war tales, in a collection that includes the classic short, "Landscape," in which a jaded Vietnamese rice farmer becomes a victim of circumstance. Reprint.

BLAZING COMBAT was an American war-comics magazine published between 1965 and 1966, featuring stories in both contemporary and period settings - focussing firstly on the Second World War and the American Civil War and moving on to more controversial Vietnam-based stories. BLAZING COMBAT's comics were remarkable in that they were unified by a humanistic theme of the personal cost of war, rather than by traditional adventure motifs. While writer Archie Goodwin portrayed the conflicts evenhandedly, his Vietnam stories caused key distributors to stop selling the title.

30 of the greatest graphic short stories ever produced on the theme of war.

In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.

The book is an authoritative history on the Army Air Defense Artillery Branch on Fort Bliss, Texas. Fort Bliss in 1940 was a cavalry post located on the Texas border. The post itself occupied the sixth location of what had been called Fort Bliss. In the summer of 1940 a number of Army National Guard antiaircraft regiments were called to active duty to spend one year protecting American cities and territories from air attack. In September the first antiaircraft regiment, the 202nd Coast Artillery (Antiaircraft) Regiment, arrived at Fort Bliss. Over the next four years the post became an antiaircraft training center and finally the Army antiaircraft training center. After the war, Fort Bliss became the premier guided missile testing and training center for the Army. All of the Nike missile battalions deployed to protect American cities during the Cold War trained there. As time passed, Fort Bliss expanded to 1.1 million acres, one of the largest Army posts in the world. By 1946, the antiaircraft arm was the owner of Fort Bliss. By 1957, the post had become the Air Defense Center and School for the United States Army. This book is the story of that progression until the Base Realignment and Closure announcement in 2005. By 2011, the Air Defense Artillery Center and School will be located at Fort Sill, Oklahoma. This will end the era of Air Defense Artillery ownership of Fort Bliss, Texas