The tales of terror and hysteria published in the heyday (1817-32) of Blackwood's Edinburgh Magazine became a literary legend in the nineteenth century. Blackwood's was the most important and influential literary-political journal of its time, and a major institution not just in Scottish letters but in the development of British and American Romanticism. Intemperate in political polemic and feared for its literary assassinations, the magazinebecame just as notorious for the shocking power of its fictional offerings. These set a new standard of concentrated dread and precisely calculated alarm, and were to establish themselves as a landmark in the development of the short magazine story. The influence of Blackwood's quickly reached manymajor authors, including Dickens, Emily Bronte, Robert Browning, and Edgar Allan Poe. This edition selects some of the best and most representative tales from the magazine's first fifteen years, including work by Walter Scott, James Hogg, and John Galt, alongside talented but now almost forgotten figures like William Mudford, William Godwin (son of the philosopher), and SamuelWarren.

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In The House of Blackwood, David Finkelstein exposes for the first time the successes and failures of this onetime publishing powerhouse. The value of the archive Finkelstein studies is its completeness, the depth of the ledger material, and the extraordinary longevity of the firm.

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In the early nineteenth century, Edinburgh was the leading centre of medical education and research in Britain. It also laid claim to a thriving periodical culture, which served as a significant medium for the dissemination and exchange of medical and literary ideas throughout Britain, the colonies, and beyond. Literature and Medicine in the Nineteenth-Century Periodical Press explores the relationship between the medical culture of Romantic-era Scotland and the periodical press by examining several medically-trained contributors to Blackwood?s Edinburgh Magazine, the most influential and innovative literary periodical of the era.