Kolt Raynor, a Delta Force operator and one-time American hero tries to make sense of his life after disobeying a direct order which resulted in the death or capture of his teammates.

A bold account of one of the most controversial and haunting initiatives in American history, Black Site tells the full story of the post-9/11 counterterrorism world at the CIA. When the towers fell on September 11, 2001, nowhere were the reverberations more powerfully felt than at CIA headquarters in Langley, Virginia. Almost overnight, the intelligence organization evolved into a warfighting intelligence service, constructing what was known internally as “the Program”: a web of top-secret detention facilities intended to help prevent future attacks on American soil and around the world. With Black Site, former deputy director of the CIA Counterterrorist Center Philip Mudd presents a full, never-before-told story of this now-controversial program, directly addressing how far America went to pursue al-Qa’ida and prevent another catastrophe. Heated debates about torture were later ignited in 2014 after the US Senate published a report of the Program, detailing the CIA’s use of “enhanced interrogation techniques” to draw information from detainees. The report, Mudd posits, did not fully address key questions: How did the officials actually come to their decisions? What happened at the detention facilities—known as “Black Sites”—on a day-to-day basis? What did they look like? How were prisoners transported there? And how did the officers feel about what they were doing? Black Site seeks answers to these questions and more, first by examining pre-9/11 Langley, when the CIA was tasked with collecting, disseminating, and analyzing information related to overseas events. Mudd argues that September 12, 2001, marked an operational revolution, as officials suddenly felt the weight of protecting a nation from a second wave of attacks inside the United States. Re-creating the incredibly tense atmosphere of the time, Mudd reveals that many officials felt an unshakable personal responsibility to thwart another attack. Based on interviews from dozens of officials—many of whom have never spoken out before— Black Site illuminates how the Agency quickly stepped into the process of organizing a full-blown interrogation program. Mudd offers a deeper understanding of how the enhanced interrogation techniques were developed and how intelligence professionals prepared to talk to the world’s most hardened terrorists. With careful detail, he takes us through the process of each legally approved technique, including waterboarding. As compelling as it is revelatory, Black Site shows us the tragedy and triumph of the CIA during its most difficult days.

The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.

Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events.

What has America's War on Terror accomplished? Has it done more harm than good? Part thriller, part dark comedy, Black Site explores these questions in a narrative that unfolds during the years 2000 to 2007. The principal characters in Black Site are Paul Dean, a patriotic mid-level CIA intelligence analyst who is put in charge of a secret prison in Poland, and Laurel Fetzer, a seductive young photographer. Trauma and loss shape their actions, and their individual narratives of self-deception and revenge parallel the national narrative of the War on Terror.

Arranged alphabetically from "Alice of Dunk's Ferry" to "Jean Childs Young," this volume profiles 312 Black American women who have achieved national or international prominence.

"British photographer Edmund Clark and counterterrorism investigator Crofton Black have assembled photographs and documents that confront the nature of contemporary warfare and the invisible mechanisms of state control. From George W. Bush's 2001 declaration of the "war on terror" until 2008, an unknown number of people disappeared into a network of secret prisons organized by the U.S. Central Intelligence Agency -- transfers without legal process known as extraordinary renditions. No public records were kept as detainees were shuttled all over the globe. Some were eventually sent to Guantánamo Bay or released without charge, while others remain unaccounted for"--Publisher's description.