The book brings forth various perspectives on the Israeli "homeland" (moledet) from various known Israeli intellectuals such as Boaz Evron, Menachem Brinker, Jacqueline Kahanoff and more. Binding together various academic fields to deal with the question of the essence of the Israeli homeland: from the examination of the status of the Israeli homeland by such known sociologist as Michael Feige, to the historical analysis of Robert Wistrich of the place Israel occupies in history in relation to historical antisemitism. The study also examines various movements that bear significant importance on the development of the notion of the Israeli homeland in Israeli society: Such movement as "The New Hebrews" and Hebrewism are examined both historically in relation to their place in Zionist history and ideologically in comparison with other prominent movements. Drawing on the work of Jacqueline Kahanoff to provide a unique Mediterranean model for the Israeli homeland, the volume examines prominent models among the Religious Zionist sector of Israeli society regarding the relation of the biblical homeland to the actual homeland of our times. Discussing the various interpretations of the concept of the nation and its land in the discourse of Hebrew and Israeli identity, the book is a key resource for scholars interested in nationalism, philosophy, modern Jewish history and Israeli Studies.

This book conceptualizes Mizrahi (Middle Eastern Jewish) theatre, unfolding its performances in the field of Israeli theatre with a critical gaze. It covers the conceptualization and typology, not along a chronological axis, but rather through seven theatrical forms. The author suggests a defi nition of Mizrahi theatre that has fl uid boundaries and it can encompass various possibilities for self-representation onstage. Although Mizrahi theatre began to develop in the 1970s, the years since the turn of the millennium have seen an intense flowering of theatrical works by second- and third-generation artists dealing with issues of identity and narrative in a diverse array of forms. Mizrahi theatre is a cultural locus of self-representation, generally created by Mizrahi artists who deal with content, social experiences, cultural, religious, and traditional foundations, and artistic languages derived from the history and social reality of Mizrahi Jews in both Israel and their Middle Eastern countries of origin. Critically surveying Mizrahi theatre in Israel, the book is a key resource for students and academics interested in theatre and performance studies, and Jewish and Israeli studies.

Early Israel offers the most sweeping reinterpretation of the Pentateuch since the nineteenth-century Documentary Hypothesis. Engaging a dozen-plus modern academic disciplines—from anthropology, biblical studies, Egyptology and semiotics, to linguistics, cognitive poetics and consciousness studies; from religious studies, Jewish studies, psychoanalysis and literary criticism, to mysticism studies, cognitive psychology, phenomenology and philosophy of mind—it wrests from the Pentateuch an outline of the heretofore undiscovered ancient Israelite mystical-initiatory tradition of the First Temple priests. The book effectively launches a new research area: Pentateuchal esoteric mysticism, akin to a "center" or "organizing principle" discussed in biblical theology. The recovered priestly system is discordant vis-à-vis the much-later rabbinical project. This volume appeals to a diverse academic community, from Biblical and Jewish studies to literary studies, religious studies, anthropology, and consciousness studies.

In the attempts to unify divided peoples on the basis of a shared past, both historical and mythical, this book illumines aspects of cultural nationalism common since the Middle Ages. As an edited work, the Bible includes texts mostly depicting long-gone historical eras extending over several centuries. Following on from Aberbach’s previous work National Poetry, Empires, and War, this book argues that works of this nature – notably the Mujo-Halil songs in Albania, the Irish stories of Cuchulain, the songs of the Nibelungen in Germany, or the Finnish legends collected in The Kalevala – have an ancient precedent in the Hebrew Bible (to which national literatures often allude and refer), a subject largely neglected in biblical studies. The self-critical element in the Hebrew Bible, common in later national literature, is examined as the basis of later anti-Semitism, as the Bible was not confined to Jews but was adopted in translation by many other national groups. With several dozen original translations from the Hebrew, this book highlights how the Bible influenced and was distorted by later national cultures. Written without jargon, this book is intended for the general reader, but is also an important contribution to the study of the Bible, nationalism, and Jewish history.

Offering a radical critique of contemporary Israeli and diaspora fiction by major writers of the generation after Amos Oz and Philip Roth, this book asks searching questions about identity formation in Jewish spaces in the twenty-first century and posits global, transnational identities instead of the bipolar Israel/diaspora model. The chapters put into conversation major authors such as Jonathan Safran Foer, Nicole Krauss, Michael Chabon, and Nathan Englander with their Israeli counterparts Zeruya Shalev, Eshkol Nevo, and Etgar Keret and shows that they share common themes and concerns. Read through a postmodern lens, their preoccupation with failed marriage and failed ideals brings to the fore the crises of home, nation, historical destiny, and collective memory in contemporary secular Jewish culture. At times provocative, at others iconoclastic, this innovative study must be read by anyone concerned with Jewish culture and identity today, whether scholars, students, or the general reader.

Jacqueline Kahanoff: A Levantine Woman is the first intellectual biography of this remarkable Egyptian-Jewish intellectual, whose work has secured her place in literary pantheon as a herald of Levantine, Mediterranean, and transnational culture. Growing up Jewish in cosmopolitan Egypt in the 1920s and 1930s, Jacqueline Kahanoff experienced a bustling Middle East enriched by diverse languages, religions, and peoples who nonetheless were deeply connected to each other through history, business, daily practices, and shared landscape. At the age of twenty-four, Kahanoff immigrated to the United States. Her stories, essays, and short autobiographical novel attest to her penchant to cross boundaries, generations, social classes, sexes, and Western and Eastern constructs. After immigrating to Israel in the early 1950s, she critically addressed the country's "provinciality" and "ethnic nationalism" as seen through her conception of a transnational Levantine culture. Through many writings, Kahanoff set forth her distinctive vision of Israel as a Mediterranean country with a broad, multicultural Levantine identity. Drawing on an extensive array of sources, ranging from interviews with Jacqueline Kahanoff's acquaintances and contemporaries to unpublished writings, David Ohana explores her fascinating life and intellectual journey from Cairo to Tel Aviv. The encompassing vision of a Levantine Israel made Kahanoff the initiator of a different cultural possibility, more extensive than that offered in her time, and also, perhaps, than is offered today.

Exploring the literature of environmental moral dilemmas from the Hebrew Bible to modern times, this book argues the necessity of cross-disciplinary approaches to environmental studies, as a subject affecting everyone, in every aspect of life. Moral dilemmas are central in the literary genre of protest against the effects of industry, particularly in Romantic literature and ‘Condition of England’ novels. Writers from the time of the Industrial Revolution to the present—including William Blake, Elizabeth Gaskell, Charles Dickens, Émile Zola, Henrik Ibsen, Anton Chekhov, T.S. Eliot, John Steinbeck, George Orwell, and J.M. Coetzee—follow the Bible in seeing environmental problems in moral terms, as a consequence of human agency. The issues raised by these and other writers—including damage to the environment and its effects on health and quality of life, particularly on the poor; economic conflicts of interest; water and air pollution, deforestation, and the environmental effects of war—are fundamentally the same today, making their works a continual source of interest and insight. Sketching a brief literary history on the impact of human behavior on the environment, this volume will be of interest to readers researching environmental studies, literary studies, religious studies and international development, as well as a useful resource to scientists and readers of the Arts.