Explores the options available to a monster from the time it is born, such as becoming the scary monster under someone's bed or playing on the school basketball team.

Disgraced journalist Eddie Brock bonds with Spidey's old alien suit to become Venom - a malevolent creature driven on by one overwhelming desire - to kill Spider-Man.

1. This is an exhibition guide published in partnership with the Lilly Library. Although an exhibit guide, it is well-written and entertaining, and will hold appeal to those interested in Frankenstein even if they don't attend the exhibit 2. At past openings to exhibits, attendance has been between 750-1000 people. 3. 2018 is the 200th Anniversary of the publication of the 1818 edition of Frankenstein, the first edition of the book.

There's a monster on the loose. All across the Ohio River Valley women are going missing. Jacob Hunter Goodman's childhood is filled with trauma. When he reaches adulthood, God calls on Jacob and he answers with a fervor unlike anyone before him. Jacob is compelled to make strange religious sculptures but each piece has a sinister secret. In Birth of a Monster, A.S. Coomer holds the mirror up to a sick culture of power and dominance worship and the kind of monsters it can create.

Much has been written about gender and the monstrous, but sustained engagement with textual manifestations of cultural and unconscious fears and anxieties about "unnatural" reproduction has been limited. This book expands the current discourse on the monstrous reproductive potential of bodies-as well as minds-from a more interdisciplinary and transhistorical framework. While scholarly interest in monsters and the monstrous is certainly not new, studies on monstrous reproduction and birth have tended to be either discipline or period specific, and many are now dated. Drawing from diverse interdisciplinary perspectives in film and media studies, literary studies, history, medicine and women's and gender studies, Unnatural Reproductions and Monstrosity builds upon pre-existing work while engaging more directly with monstrous progeny, as well as with unnatural reproduction(s), which threaten to eclipse the future, cast uncertainty on the present, and reimagine the past. Ultimately, then, the primary contribution of this book lies not only with its extensive treatment of reproductive monstrosity and unnatural parturition, but with the breadth and intriguing continuity that only a wide lens can provide. This book does not attempt to provide a complete historical assessment or catalog of the enduring cultural fascination with the reproductive origins and potential of monsters. Rather, it provides diverse interdisciplinary and transhistorical perspectives with single unifying theme of unnatural reproduction(s), which is unique to the collection, remaining central to the concept of monstrosity and its evolving narrative incarnations. This interdisciplinary collection spanning the areas of history, literature, medical humanities, and film and media studies explores the transhistorical textual fascination with reproductive monstrosity and unnatural parturition. The collection's four sections provide perspective on hyperbolic and monstrous representations of reproduction and birth that speak to anxieties and fears about gender and sexuality, codified through "unnatural" manifestations and their progeny. By focusing not only on the effect of the monstrous, but also on its reproduction in a variety of genres and modes from science to cinema, the essays in this collection offer critical insight into enduring questions about the genesis of monsters and their reproductive potential that have long haunted the world and continue to shape many fears about the future. This book analyzes how fears about unnatural reproduction and monstrous offspring-and their frequent connections to the feminine-have proliferated and propagated across the very texts which are repetitively created and consumed. Unnatural Reproductions and Monstrosity is an important interdisciplinary book for university library collections and scholars working in women's and gender studies, film and media studies, history, literature, and medical humanities.

A free verse biography of Mary Shelley, the author of Frankenstein, featuring over 300 pages of black-and-white watercolor illustrations.

Radio reporter Herbert Morrison's words on witnessing the destruction of the Hindenburg (“Oh, the humanity!”) are etched in our collective memory. Yet while we use theHindenburg—like the Titanic—as shorthand for the technological hubris of a bygone era, we seem to have forgotten the lessons to be learned from the infamous 1937 zeppelin disaster. InMonsters: The Hindenburg Disaster and the Birth of Pathological Technology, Ed Regis claims that this is due to the fact that never before has there been a technological artifact so discredited as the zeppelin in the aftermath of the Hindenburg fire. In Monsters, Regis explores the question of how a technology now so completely invalidated (and so fundamentally unsafe) ever managed to reach such a high-risk level of development as it did. How does such a collective psychology of obsession emerge? Through the narrative of the invention and development of the zeppelin and its most infamous example, Regis will examine the perils of what he calls “pathological technologies,” technologies whose substantial risks are discounted or ignored under the influence of their emotional, almost mystical appeal. Zeppelins were unsteerable balloons of highly flammable gas, but the sheer magic of seeing a behemoth aircraft float lighter-than-air cast a spell over anyone who saw them. The Hindenburg, however, is not an isolated historical instance of pathological technologies—Regis brings this idea to the present by discussing more recent examples, including recombinant DNA technology, genetic engineering, nuclear energy, the Apollo 11 moon landings, and DARPA's “100-Year Starship” program. These technologies may appear enticing, but like the Hindenburg, they could prove to be just as perilous.Monsters is thus a powerful cautionary tale for future technologies and other grandiose schemes.