This study lies at the intersection of three principal areas of social history: demography, religion, and quantitative methods. It is a microanalysis of an English population at the level of the Anglican parish, during the era of the evangelical revival, which includes, unusually, Protestant dissenters from the Established church, in this case Particular Baptists, who were moderate Calvinists. It goes a step beyond previous studies by giving Anglicans and Dissenters co-equal status in a comparative demographic analysis and by demonstrating how religious values informed procreative activity. It does so through a combination of advanced statistical methodologies and an innovative treatment of data collection forms as readable texts. The study concludes that the likelihood of another birth increased following a religious conversion experience, especially among both Anglican and Baptist wives following marriage. Mortality too had a less constraining effect on procreative activity which, in conformity with the English experience, was driven largely by fertility.

Friends, Neighbours, Sinners shows the crucial role of religious difference in shaping English culture and society after 1689. By throwing into relief the cultural impact of England's unstable religious settlement, it highlights the centrality of religious difference to understanding social and cultural change after 1689.

This book conducts a post-colonial, gendered investigation of women-centred South Asian films. In these films, the narrative becomes an act of political engagement and a site of feminist struggle: a map that weaves together multiple strands of subjectivity—gender, caste, race, class, religion, and colonialism. The book explores the cinematic construction of an oppositional narrative of feminist dissent with a view to elaborate a historical understanding and theorisation of the ‘materiality and politics’ of the everyday struggle of Indian women. The book analyzes the ways that ‘cultural workers’ have tended to use subversive narratives as a tool of resistance. Narratives that are political, ideological, classed, raced and gendered offer the focus of this exploration. Through strategies of disclosure and documentation of memory, personal experiences, and imaginary events shaped by the larger historical, political, and cultural contexts, these discursive texts engage in the processes of struggle against a plethora of oppression: caste, class, religion, patriarchal, sexual, and (neo)colonial. The study looks at the manner in which, through their creative and aesthetic interventions, South Asian film makers enable the articulation of an alternative gendered subjectivity as well as constitute the ground for personal and collective empowerment. Films discussed include Shyam Benegal’s Nishaant, Nandita Das’ Firaaq, Beate Arnestad’s My Daughter the Terrorist, and Sarah Gavron’s Brick Lane.

The claim that the Bible was 'the Christian's only rule of faith and practice' has been fundamental to Protestant dissent. Dissenters first braved persecution and then justified their adversarial status in British society with the claim that they alone remained true to the biblical model of Christ's Church. They produced much of the literature that guided millions of people in their everyday reading of Scripture, while the voluntary societies that distributed millions of Bibles to the British and across the world were heavily indebted to Dissent. Yet no single book has explored either what the Bible did for dissenters or what dissenters did to establish the hegemony of the Bible in British culture. The protracted conflicts over biblical interpretation that resulted from the bewildering proliferation of dissenting denominations have made it difficult to grasp their contribution as a whole. This volume evokes the great variety in the dissenting study and use of the Bible while insisting on the factors that gave it importance and underlying unity. Its ten essays range across the period from the later seventeenth to the mid-twentieth century and make reference to all the major dissenting denominations of the United Kingdom. The essays are woven together by a thematic introduction which places the Bible at the centre of dissenting ecclesiology, eschatology, public worship and 'family religion', while charting the political and theological divisions that made the cry of 'the Bible only' so divisive for dissenters in practice.

Winner of the Book of the Year Award for the Conference on Christianity and Literature.--Thomas H. Luxon, Dartmouth College "CHOICE"