This book, which explores the social, psychological, cultural and political significance of the concept of binarism, is intertextual in nature and borrows from the ideas and writings of scholars whose ideas help us understand binarism and from some modified and updated versions of my previous writings. The concept of intertextuality is derived from the writings of the Russian communications theorist M. M. Bakhtin and his theories about dialogism, which are of central importance in this book. Intertextuality is a concept that refers to the interconnectedness of texts, where one text refers to quotes, or incorporates elements from another text. It is the idea that no text exists in isolation, but it is influenced by and refers to other texts that came before it. ‘Binaries’ is also multi-disciplinary and is a cultural studies analysis that uses semiotics, psychoanalytic theory, sociological theory and Marxist theory to investigate the role binary oppositions play in shaping American culture, character, and society.

Applies anthropological techniques to the study of contemporary American behavior

In the twenty-first century, values of competition underpin the free-market economy and aspirations of individual achievement shape the broader social world. Consequently, ideas of winning and losing, success and failure, judgment and worth, influence the dance that we see and do. Across stage, studio, street, and screen, economies of competition impact bodily aesthetics, choreographic strategies, and danced meanings. In formalized competitions, dancers are judged according to industry standards to accumulate social capital and financial gain. Within the capitalist economy, dancing bodies compete to win positions in prestigious companies, while choreographers hustle to secure funding and attract audiences. On the social dance floor, dancers participate in dance-offs that often include unspoken, but nevertheless complex, rules of bodily engagement. And the media attraction to the drama and spectacle of competition regularly plays out in reality television shows, film documentaries, and Hollywood cinema. Drawing upon a diverse collection of dances across history and geography, The Oxford Handbook of Dance and Competition asks how competition affects the presentation and experience of dance and, in response, how dancing bodies negotiate, critique, and resist the aesthetic and social structures of the competition paradigm.

Four American mystery writers have contributed new dimensions to the mystery form. Tony Hillerman's Navajos and their customs, Amanda Cross's (Carolyn Heilbrun's) academics and their feminist credentials (or lack thereof), James Lee Burke's Southern Louisiana Cajuns and his own fiercely moral take on Southern gothic fiction, and Walter Mosley's urban blacks and their culture have challenged the conventional mystery's focus. Using feminist and black critical theory, mythic and historical patterns, and literary genre theory, Samuel Coale examines these writers' works and investigates the compromises that each is forced to make when working within a recognizably popular literary form.

Taking a unique approach to the study of mass communication and cultural studies, MediaMaking is a volume that presents the current knowledge about the relationship between media, culture, and society. What sets this volume apart from competing texts is the approach taken and the distinguished scholarship. Rather than examining each major medium separately (newspapers, books, magazines, radio, television, film), the authors contend that mass communication cannot be studied apart from the other institutions in society and the other dimensions of social life-each is shaping and defining the other. They hold that media can only be understood in relation to their context-institutional, economic, social, cultural, and historical. As such, this book explores the variety of ways in which the media are involved in our social lives. The authors explore the different relationships between the media and the systems of social value and social differences that organize power in contemporary society. They examine how the media are reproduced and consumed and what they produce in turn. Theoretically and analytically organized with sections on media′s relation to behavior, politics, media effects, the public, globalization, organizations, meaning , and ideology, this text offers students a more comprehensive understanding of the nature of media communication processes-an absolutely necessary part of understanding contemporary life.

Mother Jones is an award-winning national magazine widely respected for its groundbreaking investigative reporting and coverage of sustainability and environmental issues.

The Culture of Jazz is a collection of essays that view jazz from an anthropological perspective. It focuses on aspects of jazz culture and the ways in which jazz scrutinizes the American lifestyle. Jazz musicians filter their perspective on culture based on African roots. They have an obligation to tell truth to power and provide views of alternative realities. These essays explore many dimensions of the jazz life and its perspectives on cultural realities. Heavily influenced by the perspectives of Neil Leonard and Alan Merriam, The Culture of Jazz covers a broad range of topics making it an unparalleled compilation.