Examines the processes of compostion, learning, and performance used by Southern black folk blues singers.

A small town once haunted by a serial killer braces for a new evil in this debut horror novel by the New York Times bestselling author of Ink. Thirty years ago, a blues musician called the Bone Man killed the devil at the crossroads, only to be beaten and hung like a scarecrow in a cornfield—or so the story goes. Today, the people of Pine Deep celebrate their town’s grisly past by luring tourists to the famous haunted hayride, full of chills and scares. But this year as Halloween approaches, “The Spookiest Town in America” will learn the true meaning of fear. Its residents will see the real face of evil lurking behind the masks of ordinary people. They will feel it—in their hearts, in their bones, in their nightmares. Because evil never dies. It only grows stronger . . . Winner of the Bram Stoker Award for Best First Novel First in the Pine Deep Trilogy Praise for Ghost Road Blues “Maberry supplies plenty of chills, both Earth-bound and otherworldly, in this atmospheric horror novel . . . . This is horror on a grand scale, reminiscent of Stephen King’s heftier works.” —Publishers Weekly Praise for Jonathan Maberry “Jonathan Maberry’s horror is rich and visceral. It’s close to the heart . . . and close to the jugular.” —Kevin J. Anderson “Maberry has the chops to craft stories at once intimate, epic, real, and horrific.” —Bentley Little “Maberry spins great stories. His (Pine Deep) vampire novels are unique and masterful.” —Richard Matheson “Maberry’s works will be read for many, many years to come.” —Ray Bradbury

Once Mark Hummel established himself in the music scene San Francisco Bay Area in the 1970s, Hummel performed with Boogie Jake, Sonny Lane, Cool Papa Sadler, Mississippi Johnny Waters, and dozens of other renown blues performers and icons. Mark formed the Blues Survivors in 1980, and the band, in one form or another, has been on the road with Mark ever since. Over the years Hummel has toured or recorded with Sue Foley, Charles Brown, Brownie McGhee, Willie Big Eyes Smith, James Cotton, Dave Myers, Charlie Musselwhite, and Frank Paris Slim Goldwasser. Hummel has also toured with Lowell Fulson, Jimmy Rogers, and Eddie Taylor; live recordings from those tours are available on his CD compilation Chicago Blues Party. In addition to playing in blues clubs across the U.S. and throughout Europe, Hummel and the Blues Survivors have performed at the San Francisco Blues Festival, the Sonora Blues Festival, the Chicago Blues Festival, the King Biscuit Blues Festival, and the Monterey Jazz Festival. He has also contributed CD reviews to Blues Wax, an online weekly blues music magazine, and written extensively for his blog on the Mark Hummel website.

Contributions by Luther Allison, John Broven, Daniel Droixhe, David Evans, William Ferris, Jim O'Neal, Mike Rowe, Robert Sacré, Arnold Shaw, and Dick Shurman Fifty years after Charley Patton's death in 1934, a team of blues experts gathered five thousand miles from Dockery Farms at the University of Liege in Belgium to honor the life and music of the most influential artist of the Mississippi Delta blues. This volume brings together essays from that international symposium on Charley Patton and Mississippi blues traditions, influences, and comparisons. Originally published by Presses Universitaires de Liège in Belgium, this collection has been revised and updated with a new foreword by William Ferris, new images added, and some essays translated into English for the first time. Patton's personal life and his recorded music bear witness to how he endured and prevailed in his struggle as a black man during the early twentieth century. Within this volume, that story offers hope and wonder. Organized in two parts--"Origins and Traditions" and "Comparison with Other Regional Styles and Mutual Influence"--the essays create an invaluable resource on the life and music of this early master. Written by a distinguished group of scholars, these pieces secure the legacy of Charley Patton as the fountainhead of Mississippi Delta blues.

Cobb, "surveys the remarkable story of southern identity and its persistence in the face of sweeping changes in the South's economy, society and political structure."--dust jacket.