Bhaminivilasa is a collection of miscellaneous verses which the talented Sanskrit poet Pandittaraja Jagannatha, a junior contemporary of Emperor Akbar, composed on different occasions. It includes four Vilasas, viz., Prastavikavilasa, Srngaravilasa, Karunavilasa and Samtavilasa, the present publications comprising only two of them, namely the first and the last. Many of the verses are infused with personal touches serving as the poet`s memoirs. The collection is named after the poet`s first wife Bhamini whom he had lost at a very young age before he launched into his scholarly career.

Intended Chiefly For Students Of Poetry As It Deals With The Best Work Of Pandit Jagannath. Divided Into 4 Vilasas-Prastavika Vilas-Srangara Vilasa, Karuna Vilasa And Santa Vilasa. Has 4 Chapters On Each Relating To The Above Vilasas. 2 Appendices. The Last Chapter`S Tone Is One Of Dedication And Surender To Lord Krishna.

A sweeping, interdisciplinary history of the world's third-largest river, a potent symbol across South Asia and the Hindu diaspora Originating in the Himalayas and flowing into the Bay of Bengal, the Ganges is India's most important and sacred river. In this unprecedented work, historian Sudipta Sen tells the story of the Ganges, from the communities that arose on its banks to the merchants that navigated its waters, and the way it came to occupy center stage in the history and culture of the subcontinent. Sen begins his chronicle in prehistoric India, tracing the river's first settlers, its myths of origin in the Hindu tradition, and its significance during the ascendancy of popular Buddhism. In the following centuries, Indian empires, Central Asian regimes, European merchants, the British Empire, and the Indian nation-state all shaped the identity and ecology of the river. Weaving together geography, environmental politics, and religious history, Sen offers in this lavishly illustrated volume a remarkable portrait of one of the world's largest and most densely populated river basins.

Thye Mudrarakshasa, unlike the majority of sanskrit plays, is purely a political drama. It has for its theme, besides elevation of Chandragupta to the throne of Magadha, wining over of Rakashsa, the hostile minister of the Nanda dynasty to the side of Chandragupta and adoption of measures to strenghen the rule by Chankaya, the renowned politician of his times. In the words of H.H.Wilson; It is a historical or political drama, and represents a curious staste of public morals, in wich fraud and assassination are the simple means by which inconvenient obligations are open enemies removed. It is not howere , that such acts are not held in themselves as crimies, orthat their perpetrators, if instigated by vugar vice or ferocity, are not condemned as culprits; it is only when the commission of the crime proposes a poliotical end that it is represented as venial, and is compatible with an amiable. it includes the commentary of Dhundiaja, English translation, critical and explanatory notes, Introduction and verious readings .