The sky is limitless and so are the clouds soaked in red wine that connote nothing less than the unceasing raw passion of oozing sexuality and perpetual sensual vigour that follows the symphony of breaths. If there is something magically romantic beyond red lips, blushed cheeks, erotic love bites and bubbling episodes of steamy scenes, that’s what this book desperately longs to explore and celebrate in the minds of ardent readers. True love and its magic beyond sexual pleasures is the sole promise the book keeps. A toast to all those ardent readers who wretchedly wish to rewrite the rulebook of love, life and laughter in their own terms, this book of five tales is nothing less than a backlash against the hypocrisies and taboos of our traditional pseudo-moralistic morass. Served on a romantic platter with a tangy flavour and an aroma of explicit content, all the five tales revolving around a completely different string of strong characters from various walks of love life unfolding myriad of romantic hues and tunes lay rapturous somewhere beyond the rouge clouds, in the coppices of crimson, by the potpourri of Vermillion. These tales are sure to take all of you on a scenic tour of magical romanticism, where you get to soak up the fascinating philosophies of vivid characters and experience exotic lands, appreciating the benevolence of nature’s beauty.

'I was born twice: first, as a baby girl, on a remarkably smogless Detroit day of January 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of l974 ...My birth certificate lists my name as Calliope Helen Stephanides. My most recent driver's license ... records my first name simply as Cal.' So begins the breathtaking story of Calliope Stephanides, and three generations of the Greek-American Stephanides family who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition era Detroit, witnessing its glory days as the Motor City, and the race riots of l967, before they move out to the tree-lined streets of suburban Grosse Point, Michigan. To understand why Calliope is not like other girls, she has to uncover a guilty family secret, and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, Middlesex is an exhilarating reinvention of the American epic.

'An outstanding book of astonishing power . . . One finishes it with an ache in the heart' Jon Swain, writer and foreign correspondent, author of River of Time 'Like Auschwitz, like Stalin's purges, the mass murders of the Khmer Rouge are one of those extraordinary events that make us wonder about the human capacity for evil. Through a profoundly moving tale that weaves together the connected stories of a victim, his surviving family, and members of the regime, Robert Carmichael brings us into the heart of the darkness that took over Cambodia, bringing it alive in the way no mere statistics can. I've not seen a comparable book about these horrors.' Adam Hochschild, award-winning author of King Leopold's Ghost 'What does it mean to say two million people lost their lives during the years of Khmer Rouge rule? The true answer can only be told in microcosm, as Robert Carmichael has done in this intimate and heartbreaking story of the disappearance of one man, and the decades of suffering that followed as his family searched for answers.' Seth Mydans, former Southeast Asia correspondent for the New York Times 'As moving as it is well researched. Robert Carmichael's sharp prose and depth of knowledge of Cambodia's history transforms a daughter's search for her missing father into a nation's journey to find peace and reconciliation with its brutal history of genocide.' Loung Ung, author of First They Killed My Father During the Khmer Rouge's four-year reign of terror, two million people died in Cambodia. In describing one family's quest to learn their husband's and father's fate and the war crimes trial of Comrade Duch, who ran the notorious S-21 prison in Phnom Penh, When the Clouds Fell from the Sky illuminates the tragedy of a nation. Having been found responsible for the deaths of more than 12,000 people, Duch was the first Khmer Rouge member to be jailed for crimes committed during Pol Pot's catastrophic 1975-9 rule during which millions were executed or died from starvation, illness and overwork. The Khmer Rouge closed Cambodia's borders, barred all communication with the outside world and sought to turn the clock back to Year Zero. They outlawed religion, markets, money, education and even the concept of family. But the revolution soon imploded, driven to destruction by the incompetence and paranoia of the leadership. Like hundreds of others, when he returned in 1977, Ouk Ket was utterly unaware of the terrors being wrought in the revolution's name. Carmichael has woven together the stories of five people whose lives intersected to traumatic effect: Duch; Ket's daughter, Neary, who was just two when her father disappeared; Ouk Ket himself; Ket's French wife, Martine; and Ket's cousin, Sady, who never left Cambodia and still lives there today. Through these personal stories and months spent following Duch's trial, Carmichael extrapolates from the experience of one man to tell the story of a nation. In doing so, he reaffirms the value of the individual, countering the Khmer Rouge's nihilistic maxim that: 'To keep you is no benefit, to destroy you is no loss.'

They were supposed to be tourists, not detectives. There's a dead woman in Matt Anderson's hotel room and he has no idea how she got there. When Kerry Johnston appears from next door to help, both she and Matt recognize the woman as a local waitress and practitioner of voodoo. That's all anyone seems to know about her, but it's not enough for Matt and Kerry. While alive, this woman had sensed a hidden sadness in the two strangers and directed each of them to a special healing ceremony. As Matt and Kerry investigate her death, something strange starts to happen: the sadness lifts, replaced by a growing certainty that the two of them are meant to be together.

This anthology presents seventy translated and annotated short essays, or hsiao-p’in, by fourteen well-known sixteenth- and seventeenth-century Chinese writers. Hsiao-p’in, characterized by spontaneity and brevity, were a relatively informal variation on the established classical prose style in which all scholars were trained. Written primarily to amuse and entertain the reader, hsiao-p’in reflect the rise of individualism in the late Ming period and collectively provide a panorama of the colorful life of the age. Critics condemned the genre as escapist because of its focus on life’s sensual pleasures and triviality, and over the next two centuries many of these playful and often irreverent works were officially censored. Today, the essays provide valuable and rare accounts of the details over everyday life in Ming China as well as displays of wit and delightful turns of phrase.

A terrifying sound disturbs the peace of Hansuli Turn, a forest village in Bengal, and the community splits as to its meaning. Does it herald the apocalyptic departure of the gods or is there a more rational explanation? The Kahars, inhabitants of Hansuli Turn, belong to an untouchable "criminal tribe" soon to be epically transformed by the effects of World War II and India's independence movement. Their headman, Bonwari, upholds the ethics of an older time, but his fragile philosophy proves no match for the overpowering machines of war. As Bonwari and the village elders come to believe the gods have abandoned them, younger villagers led by the rebel Karali look for other meanings and a different way of life. As the two factions fight, codes of authority, religion, sex, and society begin to break down, and amid deadly conflict and natural disaster, Karali seizes his chance to change his people's future. Sympathetic to the desires of both older and younger generations, Tarashankar Bandyopadhyay depicts a difficult transition in which a marginal caste fragments and mutates under the pressure of local and global forces. The novel's handling of the language of this rural society sets it apart from other works of its time, while the village's struggles anticipate the dilemmas of rural development, ecological and economic exploitation, and dalit militancy that would occupy the center of India's post-Independence politics. Negotiating the colonial depredations of the 1939–45 war and the oppressions of an agrarian caste system, the Kahars both fear and desire the consequences of a revolutionized society and the loss of their culture within it. Lyrically rendered by one of India's great novelists, this story of one people's plight dramatizes the anxieties of a nation and the resistance of some to further marginalization.