Beyond the Civil War Hospital understands Reconstruction as a period of emotional turmoil that precipitated a struggle for form in cultural production. By treating selected texts from that era as multifaceted contributions to Reconstruction's »mental adaptation process« (Leslie Butler), Kirsten Twelbeck diagnoses individual conflicts between the »heart and the brain« only partly compensated for by a shared concern for national healing. By tracing each text's unique adaptation of the healing trope, she identifies surprising disagreement over racial equality, women's rights, and citizenship. The book pairs female and male white authors from the antislavery North, and brings together a broad range of genres.

As many as 20,000 women worked in Union and Confederate hospitals during America's bloodiest war. Black and white, and from various social classes, these women served as nurses, administrators, matrons, seamstresses, cooks, laundresses, and custodial workers. Jane E. Schultz provides the first full history of these female relief workers, showing how the domestic and military arenas merged in Civil War America, blurring the line between homefront and battlefront. Schultz uses government records, private manuscripts, and published sources by and about women hospital workers, some of whom are familiar--such as Dorothea Dix, Clara Barton, Louisa May Alcott, and Sojourner Truth--but most of whom are not well-known. Examining the lives and legacies of these women, Schultz considers who they were, how they became involved in wartime hospital work, how they adjusted to it, and how they challenged it. She demonstrates that class, race, and gender roles linked female workers with soldiers, both black and white, but became sites of conflict between the women and doctors and even among themselves. Schultz also explores the women's postwar lives--their professional and domestic choices, their pursuit of pensions, and their memorials to the war in published narratives. Surprisingly few parlayed their war experience into postwar medical work, and their extremely varied postwar experiences, Schultz argues, defy any simple narrative of pre-professionalism, triumphalism, or conciliation.

“H. H. Cunningham’s Doctors in Gray, first published more than thirty years ago, remains the definitive work on the medical history of the Confederate army. Drawing on a prodigious array of sources, Cunningham paints as complete a picture as possible of the daunting task facing those charged with caring for the war’s wounded and sick. Of the estimated 600,000 Confederate troops, Cunningham claims the 200,000 died either from battle wounds of from illness—the majority, surprisingly, from illness. Despite these grim statistics, Confederate medical personnel frequently performed heroically under the most primitive of circumstances and made imaginative use of limited resources. Cunningham provides detailed information on the administration of the Confederate Medical Department, the establishment and organization of Confederate hospitals, the experiences of medical officers in the field, the manufacture and procurement of supplies, the causes and treatment of diseases, and the beginning of modern surgical practices.” - Print ed.

First published in 1863, Hospital Sketches is a record of personal experiences of Louisa May Alcott. It is a vivid account of the American civil war, enlightening the women's participation in the conflict and their personal encounter with the brutalities....

During the Civil War, thousands of wounded Union soldiers and Confederate prisoners convalesced in a general army hospital in rural Portsmouth Grove, Rhode Island. Because of its location on the periphery of the action, the hospital has remained a footnote to the dramatic sweep of Civil War literature. However, its history and the experiences of the doctors, nurses, patients and guards that gave it life provide a new perspective on the interaction between the army and society in wartime and on life in Civil War America. This in-depth account also explores the barbarities of medicine, daily routine in a general army hospital, the role of citizens in providing aid, the later adventures of former patients and staff, and the final resting places of those who died on the grounds.

In April 1992, a handful of young physicians, not one of them a surgeon, was trapped along with 50,000 men, women, and children in the embattled enclave of Srebrenica, Bosnia-Herzegovina. There the doctors faced the most intense professional, ethical, and personal predicaments of their lives. Drawing on extensive interviews, documents, and recorded materials she collected over four and a half years, doctor and Pulitzer Prize-winning journalist Sheri Fink tells the harrowing--and ultimately enlightening--story of these physicians and the three who try to help them: an idealistic internist from Doctors without Borders, who hopes that interposition of international aid workers will help prevent a massacre; an aspiring Bosnian surgeon willing to walk through minefields to reach the civilian wounded; and a Serb doctor on the opposite side of the front line with the army that is intent on destroying his former colleagues. With limited resources and a makeshift hospital overflowing with patients, how can these doctors decide who to save and who to let die? Will their duty to treat patients come into conflict with their own struggle to survive? And are there times when medical and humanitarian aid ironically prolong war and human suffering rather than helping to relieve it?