Focusing on half-time performances, commercialized stagings, media coverage, public panics, and political protests, Beyond the Cheers offers an ethnography, history, and social critique of racial spectacles in college sport. King and Springwood argue that collegiate revenue producing sports are created as a spectacle, driven by a range of contradictory meanings and exploitative practices. While Native Americans are viewed largely as empty or distorted images and African Americans are seen as both shining stars and 'troubled delinquents,' White Americans remain constant as spectators, coaches, administrators, journalists, and athletes, producing and consuming college sport, performing and policing, but seemingly unmarked as racial subjects. In consuming these spectacles, American sports fans learn to embrace inflated, contradictory, and distorted renderings of racial difference and the history of race relations in America.

From mascots to half-time shows to media coverage, Beyond the Cheers critically and honestly assesses the role of race in big time college sports.

A fascinating look at one of the greatest shows of all time. For eleven seasons, Cheers was a critically acclaimed program, ultimately earning more than 100 Emmy nominations and securing 28 wins, including 4 for best comedy series. One of the most popular shows of all time, the series centered on a group of Boston, Massachusetts locals who gathered to drink and socialize. Bar owner Sam Malone was the de facto leader of the group and boss to Carla Tortelli, Coach Ernie Pantuso, Woody Boyd, and Diane Chambers, Sam’s on-again, off again paramour. Regular patrons Norm Peterson and Cliff Claven completed this ersatz family, later joined by Frasier Crane; his wife Lilith; and Rebecca Howe, a new foil for Sam. Cheers not only provided laughs, it revolutionized American sitcoms with its long-running stories and famous will-they-won’t-they relationship of Sam and Diane. In Cheers: A Cultural History, Joseph J. Darowski and Kate Darowski offer an engaging analysis of the show, providing insights into both the onscreen stories and the efforts behind the scenes to shape this beloved classic. The authors examine the series as a whole but also focus on the show’s key characters, narrative arcs, and many themes, ranging from alcoholism to adultery. This volume also provides close looks at how set design, class issues, and gender roles informed the series throughout its run. Also included is an opinionated compendium of every episode, highlighting the peaks and dips in quality across more than a decade of television. Cheers: A Cultural History will appeal to the show’s many fans and bring back beloved memories of the place where everybody knows your name.

A collection of poetical essays revealing the social conscience of the modern English novelist.

At one point, Al Fox was a tattooed Mormon who was sure she would never get married. What changed? Find out in this beautifully open book, written by Al and her now-husband Ben Carraway. Experience their journey from meeting to dating to marriage and read their answers to popular dating questions like, "What qualities should I look for in a future spouse?" and "How do I know if this person is the one?"

Focusing on the years 1980-2015, Brint details the trajectory of American universities, which was influenced by evolving standards of disciplinary professionalism, market-driven partnerships, and the goal of social inclusion.

A spirited defense of the anarchist approach to life James Scott taught us what's wrong with seeing like a state. Now, in his most accessible and personal book to date, the acclaimed social scientist makes the case for seeing like an anarchist. Inspired by the core anarchist faith in the possibilities of voluntary cooperation without hierarchy, Two Cheers for Anarchism is an engaging, high-spirited, and often very funny defense of an anarchist way of seeing—one that provides a unique and powerful perspective on everything from everyday social and political interactions to mass protests and revolutions. Through a wide-ranging series of memorable anecdotes and examples, the book describes an anarchist sensibility that celebrates the local knowledge, common sense, and creativity of ordinary people. The result is a kind of handbook on constructive anarchism that challenges us to radically reconsider the value of hierarchy in public and private life, from schools and workplaces to retirement homes and government itself. Beginning with what Scott calls "the law of anarchist calisthenics," an argument for law-breaking inspired by an East German pedestrian crossing, each chapter opens with a story that captures an essential anarchist truth. In the course of telling these stories, Scott touches on a wide variety of subjects: public disorder and riots, desertion, poaching, vernacular knowledge, assembly-line production, globalization, the petty bourgeoisie, school testing, playgrounds, and the practice of historical explanation. Far from a dogmatic manifesto, Two Cheers for Anarchism celebrates the anarchist confidence in the inventiveness and judgment of people who are free to exercise their creative and moral capacities.