“An artist does not produce the visible, he renders things visible. He reveals what we cannot see. He opens our eyes blinded by habit. He advances into the very heart of creation. He grasps life’s hidden forces and reveals them on canvas” – Govind Madhav Solegaonkar. Beyond the Canvas is a narrative account of the life story of the master artist, Govind Solegaonkar, as seen through the eyes of his youngest granddaughter, Renuka. Govind Solegaonkar (1912–1986) was an artist who made a significant contribution to Indian art. An alumnus of the JJ School of Art and later the president of the Indian Art Society, Solegaonkar’s life was the epitome of burning passion and complete dedication to art. Renuka, a doctor and an artist herself, was two years old when Govind Solegaonkar passed away. Having known her grandfather only through his paintings, Renuka wanted to understand him and his life better. Feeling stuck in her artistic journey, she was looking for answers to questions about the meaning of art, artistry and the pursuit of one’s passion. What did it mean to be an artist? What does it take to follow one’s heart? Through Solegaonkar’s life story, his paintings and his writings, Renuka goes on an explorative journey to understand the artist behind the art.

The year was 1966, and Susie, a senior in high school, found herself with a new label: unwed mother. It was an era of “silent surrender,” and Susie was forced to leave home and move in with her aunt for three months of seclusion until her baby was born and could be put up for adoption. She somehow found the inner strength to survive the solitude, shame, physical changes, and the incredible loss of giving up her baby. Susie was told to forget about her baby and go on with life, but that was impossible. While other birthmothers may have turned to alcohol or drugs to deal with their loss, Susie transformed her deep longing into art. Her most remarkable works were annual paintings of the child she privately named “Mary.” For more than two decades, Mary grew to adulthood on canvas. And twenty-seven years after giving birth, Susie would finally meet Mary—whose given name was Jeanne—in person. The resemblance between the woman before her and the woman in the paintings was remarkable, and there was a connection of epic proportion between mother and child. The adoption experience had come full circle. This inspirational memoir sheds new light on the shadowy era of closed adoption and shares how one woman translated her pain and guilt into art.

"A Feiwel and Friends Book an imprint of Macmillan."

A New York Times Book Review Editors’ Choice Selection “[Lucey] delivers the goods, disclosing the unhappy or colorful lives that Sargent sometimes hinted at but didn’t spell out.”—Boston Globe In this seductive, multilayered biography, based on original letters and diaries, Donna M. Lucey illuminates four extraordinary women painted by the iconic high-society portraitist John Singer Sargent. With uncanny intuition, Sargent hinted at the mysteries and passions that unfolded in his subjects’ lives. These women inhabited a rarefied world of wealth and strict conventions—yet all of them did something unexpected, something shocking, to upend society’s rules.

The Research Papers Included In This Compilation Offer A Wide Spectrum Of Thoughtful Writing On Visual And Performing Arts Ranging From Silpa Textual Studies, Odissi Dance, Tribal, Rural Arts To Contemporary Painting And Sculpture.

Everyone has a past, and Elana Parks is no different. She's been haunted by hers since she was thirteen years old, suffering from crippling nightmares. Having to relive that traumatic event each night, she does the only thing that has helped her cope through the pain—she paints. When she's offered to showcase her work, Elana feels like the tables have turned. With the love of her life by her side and the support of her family and friends, she's finally starting to move forward. But not all things like to stay in the past. Elana's fear will soon become a waking nightmare.