This book discusses the challenge to realism which proponents of international political economy and critical theory have mounted in the last few years, and examines the changing relationship between realism and Marxism. It is aimed at students of approaches to international relations.

This book examines the relationship between critical realism and Marxism. The authors argue that critical realism and Marxism have much to gain from each other. This is the first book to address the controversial debates between critical realism and Marxism, and it does so from a wide range if disciplines. The authors argue that whilst one book cannot answer all the questions about the relationship between critical realism and Marxism, this book does provide some significant answers. In doing so, Critical Realism and Marxism reveals a potentially fruitful relationship; deepens our understanding of the social world and makes an important contribution towards eliminating the barbarism that accompanies contemporary capitalism.

This book provides the first detailed account of Gramsci's work in the context of current critical and socio-cultural debates. Renate Holub argues that Gramsci was ahead of his time in offering a theory of art, politics and cultural production. Gramsci's achievement is discussed particularly in relation to the Frankfurt School (Adorno, Horkheimer, Benjamin, Bloch, Habermas), to Brecht's theoretical writings and to thinkers in the phenomenological tradition especially Merleau-Ponty. She argues for Gramsci's continuing relevance at a time of retreat from Marxist positions on the postmodern left. Antonio Gramsci is distinguished by its range of philosophical grasp, its depth of specialized historical scholarship, and its keen sense of Gramsci's position as a crucial figure in the politics of contemporary cultural theory.

These essays critically rethink Marxism in the light of the disintegration of communist regimes Eastern Europe and the Soviet Union. Containing essays from a group of internationally distinguished writers and intellectuals, this collection addresses Marxism as a cultural-political problematic. Contending that Marxism is deeply embedded in specific cultural practices, the contributors illuminate Marxism's contribution to discussions of labour in post-industrial capitalism, to controversies surrounding compulsory heterosexuality and queer theory, and to debates about the institutionalization and academicization of the "New" Left. In examining Marxism's relationship to cultural practices, the contributors make a case for Marxism's continued relevance. By combining a diversity of perspectives, these essays demonstrate that Marxism addresses urgent needs that are often forsaken by other political and ideological practices. They show how - now more than ever - Marxism's reaffirmation can serve as a sophisticated and cunning response to the latest global developments - and travesties.

An analysis of the ways in which capitalism has presented itself as the only realistic political-economic system.

Originally published in 1996, Post-Marxist Marxism is a discussion of realism in a Post-Marxist context. The book argues that this discussion must take two simultaneous routes: recognizing deconstruction as the tool of enquiry to disentangle the insufficiency of contemporary answers in political philosophy and aesthetics, and reclaiming realism to move beyond the Post-Modernist tradition. To answer the issues of realism, the book revisits Lucacs' and Adorno's aesthetic questions, which in their different approaches prefigured the questions of the present. Central issues include totality; method; identarian and non-identarian dialects; the Enlightenment; and the end of Modernity.