This innovative study of the modern Hebrew writer, S. Y. Agnon, offers new insight into his literary transformations of Jewish themes and sources. With particular attention to Kafka, Hoffman situates Agnon in the context of twentieth-century literature and examines such central issues in Agnon’s art as the relationship of the literary text to traditions of sacred writings, the place of the book in culture, and the relationship of writing to the body.

Many books of the Hebrew Bible were either composed in some form or edited during the Exilic and post-Exilic periods among a community that was to identify itself as returning from Babylonian captivity. At the same time, a dearth of contemporary written evidence from Judah/Yehud and its environs renders any particular understanding of the process within its social, cultural and political context virtually impossible. This has led some to label the period a dark age or black box – as obscure as it is essential for understanding the history of Judaism. In recent years, however, archaeologists and historians have stepped up their effort to look for and study material remains from the period and integrate the local history of Yehud, the return from Exile, and the restoration of Jerusalem’s temple more firmly within the regional, and indeed global, developments of the time. At the same time, Assyriologists have also been introducing a wide range of cuneiform material that illuminates the economy, literary traditions, practices of literacy and the ideologies of the Babylonian host society – factors that affected those taken into Exile in variable, changing and multiple ways. This volume of essays seeks to exploit these various advances.

The Israeli, Palestinian, and American contributors to this volume consider the catastrophic failure of the Oslo peace process and the years of bloody violence that ensued.

This is the first comparative study of literature written by writers who fled from East-Central Europe during the twentieth century. It includes not only interpretations of individual lives and literary works, but also studies of the most important literary journals, publishers, radio programs, and other aspects of exile literary cultures. The theoretical part of introduction distinguishes between exiles, émigrés, and expatriates, while the historical part surveys the pre-twentieth-century exile traditions and provides an overview of the exilic events between 1919 and 1995; one section is devoted to exile cultures in Paris, London, and New York, as well as in Moscow, Madrid, Toronto, Buenos Aires and other cities. The studies focus on the factional divisions within each national exile culture and on the relationship between the various exiled national cultures among each other. They also investigate the relation of each exile national culture to the culture of its host country. Individual essays are devoted to Witold Gombrowicz, Paul Goma, Milan Kundera, Monica Lovincescu, Milos Crnjanski, Herta Müller, and to the "internal exile" of Imre Kertész. Special attention is devoted to the new forms of exile that emerged during the ex-Yugoslav wars, and to the problems of "homecoming" of exiled texts and writers.

Between Exile and Exodus: Argentinian Jewish Immigration to Israel, 1948–1967 examines the case of the 16,500 Argentine Jewish immigrants who arrived in Israel during the first two decades of its existence (1948–1967). Based on a thorough investigation of various archives in Argentina and Israel, author Sebastian Klor presents a sociohistoric analysis of that immigration with a comparative perspective. Although many studies have explored Jewish immigration to the State of Israel, few have dealt with the immigrants themselves. Between Exile and Exodus offers fascinating insights into this migration, its social and economic profiles, and the motivation for the relocation of many of these people. It contributes to different areas of study— Argentina and its Jews, Jewish immigration to Israel, and immigration in general. This book’s integration of a computerized database comprising the personal data of more than 10,000 Argentinian Jewish immigrants has allowed the author to uncover their stories in a direct, intimate manner. Because immigration is an individual experience, rather than a collective one, the author aims to address the individual’s perspective in order to fully comprehend the process. In the area of Argentinian Jewry it brings a new approach to the study of Zionism and the relations of the community with Israel, pointing out the importance of family as a basis for mutual interactions. Klor’s work clarifies the centrality of marginal groups in the case of Jewish immigration to Israel, and demystifies the idea that Aliya from Argentina was solely ideological. In the area of Israeli studies the book takes a critical view of the "catastrophic" concept as a cause for Jewish immigration to Israel, analyzing the gap between the decision-makers in Israel and in Argentina and the real circumstances of the individual immigrants. It also contributes to migration studies, showing how an atypical case, such as the Argentine Jewish immigrants to Israel, is shaped by similar patterns that characterize "classical" mass migrations, such as the impact of chain migrations and the immigration of marginal groups. This book’s importance—its contribution to the historical investigation of the immigration phenomenon in general, and specifically immigration to the State of Israel—lies in uncovering and examining individual viewpoints alongside the official, bureaucratic immigration narrative.Scholars in various fields and disciplines, including history, Latin American studies, and migration studies, will find the methodology utilized in this monograph original and illuminating.

Walk from creation to eternity in a way guaranteed to change your view of the world. You'll finally understand the war Satan is waging against God and how that conflict has affected history, including the persecution of Jewish people and Christians.

One of the most intriguing and engaging voices in contemporary Christianity is that of the Irish poet, Pádraig Ó Tuama and this is his first, long-awaited poetry collection. Hailing from the Ikon community in Belfast and working closely with its founder, the bestselling writer Pete Rollins, Pádraig’s poetry interweaves parable, poetry, art, activism and philosophy into an original and striking expression of faith. Pádraig’s poems are accessible, memorable profound and challenging. They emerge powerfully from a context of struggle and conflict and yet are filled with hope.