New York Times and USA Today bestselling author Jay Crownover returns with a heart-stopping new series… Welcome to the Point. There’s a difference between a bad boy and a boy who’s bad . . . meet Shane Baxter. Sexy, dark, and dangerous, Bax isn’t just from the wrong side of the tracks, he is the wrong side of the tracks. A criminal, a thug, and a brawler, he’s the master of bad choices, until one such choice landed him in prison for five years. Now Bax is out and looking for answers, and he doesn’t care what he has to do or who he has to hurt to get them. But there’s a new player in the game, and she’s much too innocent, much too soft…and standing directly in his way. Dovie Pryce knows all about living a hard life and the tough choices that come with it. She’s always tried to be good, tried to help others, and tried not to let the darkness pull her down. But the streets are fighting back, things have gone from bad to worse, and the only person who can help her is the scariest, sexiest, most complicated ex-con The Point has ever produced. Bax terrifies her, awakening feelings she never thought she’d have for a guy like him. But it doesn’t take Dovie long to realize . . . some boys are just better when they’re bad.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

The Baudelaire children, Violet, Klaus and baby Sunny, are exceedingly unlucky. Their parents have been killed, and they are forced to go and stay with their Uncle Olaf. It soon turns out that Olaf has evil plans for the children.

If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...

Jay Crownover’s New York Times and USA Today bestselling Marked Men series continues with the much anticipated story of southern charmer and certified criminal Asa Cross. Starting over in Denver with a whole new circle of friends and family, Asa Cross struggles with being the man he knows everyone wants him to be and the man he knows he really is. A leopard doesn’t it change its spots and Asa has always been a predator. He doesn’t want to hurt those who love and rely on him, especially one luscious arresting cop who suddenly seems to be interested in him for far more than his penchant for breaking the law. But letting go of old habits is hard, and it’s easy to hit bottom when it’s the place you know best. Royal Hastings is quickly learning what the bottom looks like after a tragic situation at work threatens not only her career but her partner’s life. As a woman who has only ever had a few real friends she’s trying to muddle through her confusion and devastation all alone. Except she can’t stop thinking about the sexy southern bartender she locked up. Crushing on Asa is the last thing she needs but his allure is too strong to resist. His long criminal record can only hurt her already shaky career and chasing after a guy who has no respect for the law or himself can only end in heartbreak. A longtime criminal and a cop together just seems so wrong . . . but for Asa and Royal, being wrong together is the only right choice to make.

Recounts the events of a day when everything goes wrong for Alexander. Suggested level: junior, primary.

THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES • Everyone is talking about A Good Girl's Guide to Murder! With shades of Serial and Making a Murderer this is the story about an investigation turned obsession, full of twists and turns and with an ending you'll never expect. Everyone in Fairview knows the story. Pretty and popular high school senior Andie Bell was murdered by her boyfriend, Sal Singh, who then killed himself. It was all anyone could talk about. And five years later, Pip sees how the tragedy still haunts her town. But she can't shake the feeling that there was more to what happened that day. She knew Sal when she was a child, and he was always so kind to her. How could he possibly have been a killer? Now a senior herself, Pip decides to reexamine the closed case for her final project, at first just to cast doubt on the original investigation. But soon she discovers a trail of dark secrets that might actually prove Sal innocent . . . and the line between past and present begins to blur. Someone in Fairview doesn't want Pip digging around for answers, and now her own life might be in danger. And don't miss the sequel, Good Girl, Bad Blood! "The perfect nail-biting mystery." —Natasha Preston, #1 New York Times bestselling author