The exciting fourth novel in bestselling author Kelley Armstrong's "impossible-to-put-down" Cainsville series. When Olivia's life exploded--after she found out she was not the adopted child of a privileged Chicago family but of a notorious pair of convicted serial killers--she found a refuge in the secluded but oddly welcoming town of Cainsville, Illinois. Working with Gabriel Walsh, a fiendishly successful criminal lawyer with links to the town, she discovered the truth about her parents' crimes in an investigation that also revealed the darker forces at work in the place that had offered her a haven. As if that wasn't enough, she also found out that she, Gabriel and her biker boyfriend Ricky were not caught in an ordinary sort of love triangle, but were hereditary actors in an ancient drama in which the elders of Cainsville and the mysterious Huntsmen who opposed them had a huge stake. Now someone is killing street kids in the city, and the police have tied Ricky to the crimes. Setting out with Gabriel's help to clear Ricky's name, Olivia once again finds her own life at risk. Soon the three are tangled in a web of betrayals that threatens their uneasy equilibrium and is pushing them toward a hard choice: either they fulfill their destinies by trusting each other and staying true to their real bonds, or they succumb to the extraordinary forces trying to win an eternal war by tearing them apart.

Steele makes the case that the massacre at Fort William Henry was not a result of "homicidal" rage, as fictionalized in James Fenimore Cooper's The Last of the Mohicans, but rather a forseeable collision of attitudes about prisoners of war.

The INDC PUBLICATION is a platform for the budding writers out there, with providing an opportunity to showcase their talent to the world and now we are starting with this, AMAZING PUBLISING HOUSE INDC is an initiative for all the artists, authors and writers. If we are passionate about something such as writing and as it gives us solace and a paradise and as the word INDC is a great meaning to this, each page and each story woven in this PUBLICATION will take you to a different solace and paradise.

In Betrayals and Treason Nachman Ben-Yehuda identifies the universal structure of betrayals as the violation of trust and loyalty and charts the different manifestations and constructions of these violations, all within numerous cases across time, place, and cultures. Betrayals do not just lie in the eyes of the beholder, completely relative. While the very idea of betrayals is a social construct, underlying it is a universal structure of violations of both trust and loyalty. Whenever this structure materializes, the label "betrayal" is invoked and applied.

In 1352 King Edward III had expanded the legal definition of treason to include the act of imagining the death of the king, opening up the category of "constructive" treason, in which even a subject's thoughts might become the basis for prosecution. By the sixteenth century, treason was perceived as an increasingly serious threat and policed with a new urgency. Referring to the extensive early modern literature on the subject of treason, Imaginary Betrayals reveals how and to what extent ideas of proof and grounds for conviction were subject to prosecutorial construction during the Tudor period. Karen Cunningham looks at contemporary records of three prominent cases in order to demonstrate the degree to which the imagination was used to prove treason: the 1542 attainder of Katherine Howard, fifth wife of Henry VIII, charged with having had sexual relations with two men before her marriage; the 1586 case of Anthony Babington and twelve confederates, accused of plotting with the Spanish to invade England and assassinate Elizabeth; and the prosecution in the same year of Mary, Queen of Scots, indicted for conspiring with Babington to engineer her own accession to the throne. Linking the inventiveness of the accusations and decisions in these cases to the production of contemporary playtexts by Udall, Shakespeare, Marlowe, and Kyd, Imaginary Betrayals demonstrates how the emerging, flexible discourses of treason participate in defining both individual subjectivity and the legitimate Tudor state. Concerned with competing representations of self and nationhood, Imaginary Betrayals explores the implications of legal and literary representations in which female sexuality, male friendship, or private letters are converted into the signs of treacherous imaginations.

"Samantha Stewart witnessed a tragic event when she was just a child and it changed her from a young vibrant child into a sullen, completely silent teenager. ... Then one day it happened. A new boy, David Edwards, moved into town and again, Samantha's world was changed. Thanks to a project given by her French teacher, she is forced into working with David on it. Her parents are on board with the idea so Samantha has to break her silence and talk to David. She has feelings for him, but will she end up heartbroken? Again, Samantha's life is turned upside down. But this time can she handle the change? How do you survive the Ultimate Betrayal?"--Page 4 of cover.