Ben wants to be a trumpeter, but plays only an imaginary instrument until one of the musicians in a neighborhood night club discovers his ambition.

The story of Ben is fiction, but it could be the story of more than one jazz musician who grew up in the twenties. Using the art-deco style of the period, Rachel Isadora not only captures the poignancy and yearning of a youthful talent, but in page after page of striking art seems to convey the very sound of music.

talent means almost nothing when it comes to getting better at anything, especially music. Practice is everything. This book covers essential practice strategies and mindsets you won't find in any other book. You'll learn the What, Why, When, Where, Who, and especially the How of great music practice. You'll learn what research tells us about practice, but more importantly, you'll learn how the best musicians in many genres of music think about practice, and you'll learn the strategies and techniques they use to improve. This book will help you get better faster, whether you play rock, Bach, or any other kind of music.

FLEXUS addresses the physical challenges trumpet players struggle with when improvising. The practice routines presented direct the professional player or advanced student how best to develop all the facility and technique that they will need.

Second Edition Now Available: How do you make a sound on this hunk of brass? How do valves work? How do you play higher? What are some good exercises for trumpet? What's it like to perform? Sound the Trumpet answers these questions and more as it takes you through the fun world of trumpet playing with a clear, concise style that is sometimes funny and always friendly. Learn more at www.sol-ut.com

"A comprehensive collection of bebop studies, with detailed explanation of some of jazz improvisations fundamental tools. The pages in this book contain a collection of studies developed that will help you improve your technique, knowledge of your instrument, and a feeling for jazz melodies. If practiced in tempo you will also develop a good sense of rhythm. There is a great deal of material here, all of which is based on actual jazz phrases. Any part of the following studies can be easily adopted as part of a solo. Fingerings and fret-board diagrams are included as well as an accompanying CD with 15 tracks that features the studies in this book as played by Roni Ben-Hur with the accompaniment of one of New Yorks best rhythm sections: Tardo Hammer on piano, Earl May on bass and Leroy Williams on drums. It is a powerful tool to help you master this material. Use it to listen to the studies and get acquainted with them, then practice them with the CD. You can turn the guitar channel off on the CD, and practice just with the rhythm section."

Although he died in a tragic car accident at twenty-five, Clifford Brown is widely considered one of the most important figures in the history of jazz, a trumpet player who ranks with Louis Armstrong, Dizzy Gillespie, and Miles Davis, and a leading influence on contemporary jazz musicians. Now, in Clifford Brown: The Life and Art of the Legendary Jazz Trumpeter, Nick Catalano gives us the first major biography of this musical giant. Based on extensive interviews with Clifford Brown's family, friends, and fellow jazz musicians, here is a fascinating portrait of a remarkable musician. Catalano depicts Brown's early life, showing how he developed a facility and dazzling technique that few jazz players have ever equaled. We read of his meteoric rise in Philadelphia, where he played with many of the leading jazz players of the 1950s, including Dizzy Gillespie and Charlie Parker; his tour of Europe with Lionel Hampton, which made him famous; and his formation of the Brown-Roach Quintet with prominent drummer Max Roach--one of the most popular hard bop combos of the day. Catalano also shows that Brown was a remarkable individual--he grew up in a middle-class African-American home in Wilmington, Delaware, attended college, was a skilled mathematician, and had wide cultural interests. Moreover, in an era when most jazz players were either alcoholics or addicts, Brown was clean-living and drug free. Indeed, he became a role model for musicians who were struggling with drugs and had great influence in this area with one prominent colleague, tenor sax player Sonny Rollins. Clifford Brown not only provides a colorful account of Brown's life, but also features an informed analysis of his major recorded solos, highlighting Brown's originality and revealing why he remains a great influence on trumpet players today. It is a book that anyone with a serious interest in jazz will want to own.