This new guide to the English renaissance's most erudite and yet most street-wise dramatist strongly asserts the theatrical brilliance of his greatest plays in performance, then and now.The book integrates all of Jonson's major plays into the milieu of the turbulent years which produced them, and analyses the way each work examines the issues and challenges of those years: money, power, sex, crime, identity, gender, the theatre itself. It offers a lucid guide to the competing critical views of a playwright who is far more than the obverse of his friend and rival William Shakespeare, and it explains in detail how the undoubted power and energy of these plays in modern performance should be the touchstone of their quality to both critic and reader. The plays discussed include the early Comedies, the Roman Tragedies (Sejanus and Catiline), Volpone, Epicoene, The Alchemist, Bartholomew Fair and The Devil is an Ass.

Every Man out of His Humour Ben Jonson - "Jonson's *Every Man Out of His Humour* is a comical satire about envy and aspiration among the ambitious middle classes, who seek happiness in fame and material fortune. This first critical edition of the play conveys early modern obsessions with wealth and self-display through historical contexts. The book offers an intriguing look at the course of urban comedy, and a wealth of information about social relationships and colloquial language at the end of the Elizabethan period.Ben Jonson's career began in 1597 when he held a fixed engagement in the "Admiral's Men", and although he was unsuccessful as an actor, his literary talent was apparent and he began writing original plays for the troupe. Jonson had a knack for absurdity and hypocrisy, a trait that made him immensely popular in the 17th century Renaissance period. It is known that Shakespeare's company produced several of Jonson's plays, Shakespeare himself appearing in "Every Man in His Humour" (1598). The play was Jonson's first major success, written in the style of "humour plays", a genre of comedy originated by George Chapman. In it, Jonson targets some of his favorite topics for satire: education, love, poetry, and social classes. As each major character represents a different issue, the play transforms into a depiction of everyday Renaissance life, and a scathing social commentary on the problems that plagued it.

Anne Barton gives a reading of the plays that re-evaluates Ben Jonson as a dramatist.

The extraordinary character of Ben Jonson has only recently been brought into the light. Critics traditionally exalted Shakespeare, at Jonson’s expense. In this biography, first published in 1986, the author presents a full and accurate account of Jonson’s life in modern times. Rosalind Miles follows Jonson from his obscure beginnings to his burial in Westminster Abbey, as the first Poet Laureate, in 1637. Her Jonson is vivid and vigorous, equally alive in his life and in his work. This title will be of interest to students of history, English literature and Renaissance drama.

Dr Butler's edition is full and informative in its annotations and survey of criticisms to date, and cautiously respectful of Jonsonian punctuation.

This volume offers the broadest range of information on Jonson and his works, from background on contexts to details of recent interpretations of his plays.

This collection highlights exciting new areas of research related to Ben Jonson, including book history, social history and cultural geography.