THE STORY: Gillian Holroyd is one of the few modern people who can actually cast spells and perform feats of supernaturalism. She casts a spell over an unattached publisher, Shepherd Henderson, partly to keep him away from a rival and partly becaus

This is the budget version of CATS ON FILM, with black and white photos instead of colour ones. What is a Catguffin? Why should you be wary of a Catzilla? What is the difference between a Catagonist and a Heropuss? Who or what is a Modesty Cat, and why does The Third Man have such problems with kitten continuity? All these questions and many others are answered in CATS ON FILM, the definitive work of feline film scholarship, in which critic and novelist Anne Billson explores the many and varied narrative functions of cats by examining their appearances in one hundred films, from blockbusters to art films, foreign films to cult oddities, rom-coms to horror movies. Meet Clovis, Ulysses, Jezebel, Pyewacket, Pumpkin and a clowder of other celebrated film felines, learn how the White Cat of Evil launched his career as Blofeld's lapcat in the James Bond franchise, and thrill to My Day By Jones, in which the cat's eye view of Alien is finally revealed. CATS ON FILM. No cat-loving film fan can afford to be without it.

For fans of We Were Liars, How I Live Now, and The Ocean at the End of the Lane comes a haunting, sexy debut of magical realism. And look for Moïra Fowley-Doyle's newest book, Spellbook of the Lost and Found. Every October Cara and her family become inexplicably and unavoidably accident-prone. Some years it's bad, like the season when her father died, and some years it's just a lot of cuts and scrapes. This accident season—when Cara, her ex-stepbrother, Sam, and her best friend, Bea, are 17—is going to be a bad one. But not for the reasons they think. Cara is about to learn that not all the scars left by the accident season are physical: There's a long-hidden family secret underneath the bumps and bruises. This is the year Cara will finally fall desperately in love, when she'll start discovering the painful truth about the adults in her life, and when she'll uncover the dark origins of the accident season—whether she's ready or not.

The highly anticipated new book from the acclaimed author of The Accident Season is a gorgeous, twisty story about things gone missing, things returned from the past, and a group of teenagers, connected in ways they could never have imagined. One stormy Irish summer night, Olive and her best friend, Rose, begin to lose things. It starts with simple items like hairclips and jewelry, but soon it's clear that Rose has lost something much bigger, something she won't talk about, and Olive thinks her best friend is slipping away. Then seductive diary pages written by a girl named Laurel begin to appear all over town. And Olive meets three mysterious strangers: Ivy, Hazel, and her twin brother, Rowan, secretly squatting in an abandoned housing estate. The trio are wild and alluring, but they seem lost too—and like Rose, they're holding tight to painful secrets. When they discover the spellbook, it changes everything. Damp, tattered and ancient, it's full of hand-inked charms to conjure back things that have been lost. And it just might be their chance to find what they each need to set everything back to rights. Unless it's leading them toward things that were never meant to be found...

The witch as a cultural archetype has existed in some form since the beginning of recorded history. Her nature has changed through technological developments and sociocultural shifts--a transformation most evident in her depictions on screen. This book traces the figure of the witch through American screen history with an analysis of the entertainment industry's shifting boundaries concerning expressions of femininity. Focusing on films and television series from The Wizard of Oz to The Craft, the author looks at how the witch reflects alterations of gender roles, religion, the modern practice of witchcraft, and female agency.

Join Finnian Jones as he takes you back to WW1 and the blizzard of 1917, where his great grandfather served as a mailman to the poor folks of the Smoky Hill Valley. Though it will take a miracle to survive the storm on that fateful Christmas Eve, he knows that Christmas miracles are all about special deliveries. Discover a very special Christmas story that opens the door for those seeking shelter from the pain of their past. Inspire your entire family with a beautiful portrayal of how a simple candle in the window can bring hope for the future and an encounter with the Light of the world.

First in the Wild series from the New York Times-bestselling author, a captivating tale of forbidden—but irresistible—love in the Old West. Stephanie Helton has long heard tales of the white boy the Navaho kidnapped and called Runner, impressed by his speed. Now he is a man, destined to be his adopted people's leader. Thanks to her father's status with the Santa Fe Railroad, Stephanie has been hired to photograph the enchanting Southwest—and will soon meet Runner in the flesh. An inexplicable thrill runs through her at the idea—but the reason becomes clear the moment she and the powerful, darkly sensual man lock eyes. The force between them can only lead to stolen kisses and overwhelming desire . . . But as the railroad betrays the Navaho nation, Runner soon finds his soul in torment. Can he lead his people yet join his destiny with this woman? Stephanie knows only that her heart may break. For how can she be both Runner's love, and his enemy . . . Praise for Cassie Edwards “Breathtaking . . . Cassie Edwards is one of the leading writers of historical Native American romance.” —Fresh Fiction “Cassie Edwards captivates with white hot adventure and romance.” —Karen Harper “A sensitive storyteller who always touches readers' hearts.” —RT Book Reviews “Edwards moves readers with love and compassion.” —Bell, Book & Candle