A value system in constant change; a longing for stability amid uncertainties about the future; a new consciousness about the unlimited challenges and aspirations in modern life: these are themes in modern Chinese literature that attract the attention of overseas readers as well as its domestic audience. They also provide Chinese and foreign literary researchers with complex questions about human life and achievements that search beyond national identities for global interaction and exchange. This volume presents ten outstanding essays by Chinese and European scholars who have undertaken such exchange for the purpose of examining the individual and society in modern Chinese literature.

Modern Chinese literature has been flourishing for over a century, with varying degrees of intensity and energy at different junctures of history and points of locale. An integral part of world literature from the moment it was born, it has been in constant dialogue with its counterparts from the rest of the world. As it has been challenged and enriched by external influences, it has contributed to the wealth of literary culture of the entire world. In terms of themes and styles, modern Chinese literature is rich and varied; from the revolutionary to the pastoral, from romanticism to feminism, from modernism to post-modernism, critical realism, psychological realism, socialist realism, and magical realism. Indeed, it encompasses a full range of ideological and aesthetic concerns. This second edition of Historical Dictionary of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.

Featuring over 140 Chinese and non-Chinese contributors, this landmark volume, edited by David Der-wei Wang, explores unconventional forms as well as traditional genres, emphasizes Chinese authors’ influence on foreign writers as well as China’s receptivity to outside literary influences, and offers vibrant contrasting voices and points of view.

As the title of the present publication suggests, the ten essays of this book try to approach an inconvenient trauma of global human reality and the uniformity of media and cyberspace in which human lives suffer harm, loss of inner identity and of broader meaning. Indeed, our postmodern and post-identity times are characterized by a flux of rapid social changes, uncertainty, vague and shaking moral values, by violence and frightening information with its contradictory truths and genuine ambiguity; finally by the violence of unpredictable climate change resulting in various and frequent calamities and devastation of life. Doubt and time are the central concern of modern philosophy and remind us that violence is inherent in the human condition and that reflection on it, regardless of different cultural sensibilities, is ipso facto part of the mainstream of our individual and global concerns. These, and many other fascinating topics from Western and Chinese history, were explored and brought to light by a learned forum of distinguished scholars and experts whose contributions are contained in this publication.

The present collection was written to commemorate the third centenary of the death of the Portuguese Jesuit, Tomás Pereira (1645–1708). Dealing with some of the most decisive and controversial moments in the history of the Jesuit mission in China during the Kangxi era (1662–1722), these essays were produced by an international team of scholars and cover a wide range of topics that reflect a permanent academic interest, in Europe and America as well as in China, in the history of the Catholic mission in China, Sino-Russian diplomacy, the history of Western science and music in China, intercultural history, and history of art. While the names of such missionaries as Matteo Ricci, Adam Schall and Ferdinand Verbiest are well known, Pereira has been relatively neglected, and this volume seeks to redress that imbalance. Pereira was important as a musician and diplomat and was closer to the Kangxi emperor than any other Westerner, something that enabled him to exert considerable influence for the protection of the Chinese Christians and also to further the interests of Portugal in China. However, towards the end of his life he saw his efforts undermined by the damaging consequences of the papal legation to China led by Charles-Thomas Maillard de Tournon.

Set in the long-lost City of Victoria (a fictional world similar to Hong Kong), Atlas is written from the unified perspective of future archaeologists struggling to rebuild a thrilling metropolis. Divided into four sections—"Theory," "The City," "Streets," and "Signs"—the novel reimagines Victoria through maps and other historical documents and artifacts, mixing real-world scenarios with purely imaginary people and events while incorporating anecdotes and actual and fictional social commentary and critique. Much like the quasi-fictional adventures in map-reading and remapping explored by Paul Auster, Jorge Luis Borges, and Italo Calvino, Dung Kai-cheung's novel challenges the representation of place and history and the limits of technical and scientific media in reconstructing a history. It best exemplifies the author's versatility and experimentation, along with China's rapidly evolving literary culture, by blending fiction, nonfiction, and poetry in a story about succeeding and failing to recapture the things we lose. Playing with a variety of styles and subjects, Dung Kai-cheung inventively engages with the fate of Hong Kong since its British "handover" in 1997, which officially marked the end of colonial rule and the beginning of an uncharted future.

As climate change continues to batter the coastlines of North America and elsewhere, and as extreme weather events provide abundant proof of its reality, religious leaders can no longer ignore the fact that the human has become a geologic force, a force that must be re-educated and re-formed in order to guarantee safe passage into a sustainable future. Hopefully, Jesuits and their lay partners can continue to provide leadership in regard to this issue, correctly identified by Fr Adolfo Nicolás, SJ, as a top priority. In this particular context, the role of religions and their valuable contributions must be evaluated. Religion’s role is not simply one of morality; rather, it seeks, especially in Christianity, to show the face of God. It is out of this relation that believers then seek to live towards the “good,” especially in relation to their neighbours, creation and God. Religious believers may have failed severely in communicating this relationship in the twenty-first century. This publication gathers together a roster of Western and Asian experts’ contributions from various fields of knowledge related to ecology, anthropology, religions and ethics, economics, technology, and to environmental and health protection studies. This collection of essays embracing a wide scope of current topics, theme and questions will renew awareness of the ecological dilemma and stimulate reflection on its spiritual and social dimensions.