Being Single in Georgian England is the first book-length exploration of what family life looked like, and how it was experienced, when viewed from the perspective of unmarried and childless family members. Using a micro-historical approach, Amy Harris covers three generations of the famous musical and abolitionist Sharp family. The abundance of records the Sharps produced and preserved reveals how single family members influenced the household economy, marital decisions, childrearing practices, and conceptions about lineage and genealogy. The Sharps' exceptional closeness and good humor consistently shines through as their experiences reveal how eighteenth-century families navigated gender and age hierarchies, marital choices, and household governance. The importance of childhood relationships and the life-long nature of siblinghood stand out as central aspects of Sharp family life, no matter their marital status. Along the way, Being Single explores humor, music, religious practice and belief, death and mourning, infertility, disability, slavery, abolition, philanthropy, and family memory. The Sharps' experiences uncover how important lateral kin like siblings and cousins were to marital and household decisions. The analysis also reveals additional layers of Georgian family life, including: single sociability not centered on courtship; the importance of aunting and uncling on their own terms; the ways charitable acts and philanthropic endeavors could serve as outlets or partial replacements for parenthood; and how genealogical practices could be tied to values and identity instead of to biological descendants' possession of property. Ultimately, the Sharp siblings' remarkable lives and the single family members' efforts to preserve a record of those lives, show the enduring contribution of unmarried people to family relationships and household dynamics.

Being Single in Georgian England is the first book-length exploration of what family life looked like, and how it was experienced, when viewed from the perspective of unmarried and childless family members. Using a micro-historical approach, Amy Harris covers three generations of the famous musical and abolitionist Sharp family. The abundance of records the Sharps produced and preserved reveals how single family members influenced the household economy, marital decisions, childrearing practices, and conceptions about lineage and genealogy. The Sharps' exceptional closeness and good humor consistently shines through as their experiences reveal how eighteenth-century families navigated gender and age hierarchies, marital choices, and household governance. The importance of childhood relationships and the life-long nature of siblinghood stand out as central aspects of Sharp family life, no matter their marital status. Along the way, Being Single explores humor, music, religious practice and belief, death and mourning, infertility, disability, slavery, abolition, philanthropy, and family memory. The Sharps' experiences uncover how important lateral kin like siblings and cousins were to marital and household decisions. The analysis also reveals additional layers of Georgian family life, including: single sociability not centered on courtship; the importance of aunting and uncling on their own terms; the ways charitable acts and philanthropic endeavors could serve as outlets or partial replacements for parenthood; and how genealogical practices could be tied to values and identity instead of to biological descendants' possession of property. Ultimately, the Sharp siblings' remarkable lives and the single family members' efforts to preserve a record of those lives, show the enduring contribution of unmarried people to family relationships and household dynamics.

The model of the nuclear family unit, once the norm, is now only one of many different forms of family. Fifty percent of the population in the US right now is single. In this original and readable book, Philip Watson examines the phenomenon of singleness in contemporary society and its implications for ministry. Wilson traces the history of the church's attitudes towards marriage and sexuality, from the early Church Fathers through the Reformation. In a series of direct interviews he probes how single people today feel within their church communities. His findings reveal that the vast majority of those questioned feel they are something of an embarrassing anomaly in communities that continue to prize marriage. Finally, Wilson begins to develop a framework for a more nuanced approach to the subject of sexuality and relationships, and suggests ways in which the church, as primarily a community of love, can become the best forum in which single life can be discussed, articulated, assisted, and faithfully lived out.

What happened when Jane Austen's heroines and heroes were finally wed? Marriage is at the centre of Jane Austen's novels. The pursuit of husbands and wives, advantageous matches, and, of course, love itself, motivate her characters and continue to fascinate readers today. But what were love and marriage like in reality for ladies and gentlemen in Regency England? Rory Muir uncovers the excitements and disappointments of courtship and the pains and pleasures of marriage, drawing on fascinating first-hand accounts as well as novels of the period. From the glamour of the ballroom to the pressures of careers, children, managing money, and difficult in-laws, love and marriage came in many guises: some wed happily, some dared to elope, and other relationships ended with acrimony, adultery, domestic abuse, or divorce. Muir illuminates the position of both men and women in marriage, as well as those spinsters and bachelors who chose not to marry at all. This is a richly textured account of how love and marriage felt for people at the time--revealing their unspoken assumptions, fears, pleasures, and delights.

This book presents history an analysis of the English glee, a neglected art form popular in England during the time of Mozart, Haydn and Beethoven. With an introduction, bibliography, indices, music examples, tables and figures.

The movement from tradition to modernity engulfed all of the Jewish communities in the West, but hitherto historians have concentrated on the intellectual revolution in Germany by Moses Mendelssohn in the second half of the eighteenth century as the decisive event in the origins of Jewish modernity. In The Jews of Georgian England, Todd M. Endelman challenges the Germanocentric orientation of the bulk of modern Jewish historiography and argues that the modernization of European Jewry encompassed far more than an intellectual revolution. His study recounts the rise of the Anglo-Jewish elite--great commercial and financial magnates such as the Goldsmids, the Franks, Samson Gideon, and Joseph Salvador--who rapidly adopted the gentlemanly style of life of the landed class and adjusted their religious practices to harmonize with the standards of upper-class Englishmen. Similarly, the Jewish poor--peddlers, hawkers, and old-clothes men--took easily to many patterns of lower-class life, including crime, street violence, sexual promiscuity, and coarse entertainment. An impressive marshaling of fact and analysis, The Jews of Georgian England serves to illuminate a significant aspect of the Jewish passage to modernity. "Contributes to English as well as Jewish history. . . . Every reader will learn something new about the statistics, setting or mores of Jewish life in the eighteenth century. . . ." --American Historical Review Todd M. Endelman is William Haber Professor of Modern Jewish History, University of Michigan. He is also the author of Comparing Jewish Societies, Jewish Apostasy in the Modern World, and Radical Assimilation in English Jewish History, 1656-1945.