Kevin Gilbert's powerful expose of past and present race relations in Australia is an alarming story of land theft, attempted racial extermination, oppression, denial of human rights, slavery, ridicule, denigration, inequality and paternalism. First published in 1973, Gilbert's controversial account of Aboriginal affairs paints a disturbing image of the impact of the colonisation of Australia and the ongoing problems faced by the Aboriginal people. the book poses a solution directly addressing what Indigenous people really want: land, compensation, discreet non-dictatorial help and, most of all, to be left alone by white Australia. Gilbert's vivid, personal and widely shared experiences of race relations in Australia formed the basis of his long and enduring struggle for Aboriginal rights up until his death in 1993. Written with the hopes to provoke a galvanisation of his People, Gilbert brings together the voices and memories of various Aborigines. Demonstrating his vision for justice and equality, Gilbert's arguments are still immensely significant and relevant to both Aboriginal and non-Aboriginal Australians today. 'this book is one of the best political books on land rights ever written... Read [his words] and find an original and Aboriginal thinker who wrote from the heartlands of the Australian spirit' - Mudrooroo

'This book rewarded me with dark, dry chuckles on every page' Reni Eddo-Lodge 'Hilarious . . . This original approach to discussing race is funny, intellectual and timely' Independent 'The work of a true mastermind' Benjamin Zephaniah I learned early on that, for me as a black professional, to rise through the ranks and really attain power, I needed to adopt the most ruthless of mindsets possible: the mindset of the White Man who would tear your cheek from your face before he even considered turning his one first.

How do you use ‘taraddidle’ in a sentence? Is it possible to make a Gin Ricky that’s also a metaphor for the American Dream? How can you tell your Faulkner from your Franzen if you haven’t actually read either? Allow me, the @GuyInYourMFA, to expound on the most important (aka white male) writers of western literature. You’ve probably seen me around, observing the masses, or defying the wind by hand-rolling a cigarette outside a local, fair-trade coffeeshop. I’ve actually read Infinite Jest 9 1/2 times. Care to discuss? From Shakespeare's greatest mystery (how could a working-class man without access to an MFA program be so prolific?) to the true meaning of Kafkaesque (you know you've made it when you have an adjective named for you), the pages herewith are at once profound and practical. Use my ingenious Venn diagram to test your knowledge of which Jonathan—Franzen, Lethem, or Safran Foer—hates Twitter and lives in Brooklyn. (Trick question: all 3!) Sneer at chick-lit and drink Mojitos like Hemingway (not like middle-aged divorcées!). So instead of politely nodding along next time you make an acquaintance at a housewarming party in Brooklyn, you can roll up your sleeves and get to work schooling them in character arcs and the experimental form of your next great American novel. Dazzle your friends with how well you understand post-modernism. You’ll be at a literary event asking a question “that’s really more of a comment” in no time.

'Every voice raised against racism chips away at its power. We can't afford to stay silent. This book is an attempt to speak' The book that sparked a national conversation. Exploring everything from eradicated black history to the inextricable link between class and race, Why I'm No Longer Talking to White People About Race is the essential handbook for anyone who wants to understand race relations in Britain today. THE NO.1 SUNDAY TIMES BESTSELLER WINNER OF THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR 2018 FOYLES NON-FICTION BOOK OF THE YEAR BLACKWELL'S NON-FICTION BOOK OF THE YEAR WINNER OF THE JHALAK PRIZE LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION LONGLISTED FOR THE ORWELL PRIZE SHORTLISTED FOR A BOOKS ARE MY BAG READERS AWARD

Kevin Gilbert's powerful expose of past and present race relations in Australia is an alarming story of land theft, attempted racial extermination, oppression, denial of human rights, slavery, ridicule, denigration, inequality and paternalism. First published in 1973, Gilbert's controversial account of Aboriginal affairs paints a disturbing image of the impact of the colonisation of Australia and the ongoing problems faced by the Aboriginal people. the book poses a solution directly addressing what Indigenous people really want: land, compensation, discreet non-dictatorial help and, most of all, to be left alone by white Australia. Gilbert's vivid, personal and widely shared experiences of race relations in Australia formed the basis of his long and enduring struggle for Aboriginal rights up until his death in 1993. Written with the hopes to provoke a galvanisation of his People, Gilbert brings together the voices and memories of various Aborigines. Demonstrating his vision for justice and equality, Gilbert's arguments are still immensely significant and relevant to both Aboriginal and non-Aboriginal Australians today. 'this book is one of the best political books on land rights ever written... Read [his words] and find an original and Aboriginal thinker who wrote from the heartlands of the Australian spirit' - Mudrooroo

* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.