From bestselling, Printz Award-winning author Libba Bray, the story of a plane of beauty pageant contestants that crashes on a desert island.Teen beauty queens. A "Lost"-like island. Mysteries and dangers. No access to emall. And the spirit of fierce, feral competition that lives underground in girls, a savage brutality that can only be revealed by a journey into the heart of non-exfoliated darkness. Oh, the horror, the horror! Only funnier. With evening gowns. And a body count.

Modern beauty contests were invented by P.T. Barnum in the United States, but in the 20th century pageants and contests have spread across the entire world from Nepal to Tierra Del Fuego. Why are women (and sometimes men in drag) parading on stage such a universally appealing spectacle, attracting an audience in the billions? This book is the first global comparison of pageants from different parts of the world, at the ways each contest is both intensely local and unique, and simultaneously global and remarkable repetitious. The authors use the latest tools of feminist, ethnographic, and literary scholarship to unpack and interpret one of the greatest and most universal spectacles of modern times.

Queen for a Day connects the logic of Venezuelan modernity with the production of a national femininity. In this ethnography, Marcia Ochoa considers how femininities are produced, performed, and consumed in the mass-media spectacles of international beauty pageants, on the runways of the Miss Venezuela contest, on the well-traveled Caracas avenue where transgender women (transformistas) project themselves into the urban imaginary, and on the bodies of both transformistas and beauty pageant contestants (misses). Placing transformistas and misses in the same analytic frame enables Ochoa to delve deeply into complex questions of media and spectacle, gender and sexuality, race and class, and self-fashioning and identity in Venezuela. Beauty pageants play an outsized role in Venezuela. The country has won more international beauty contests than any other. The femininity performed by Venezuelan women in high-profile, widely viewed pageants defines a kind of national femininity. Ochoa argues that as transformistas and misses work to achieve the bodies, clothing and makeup styles, and postures and gestures of this national femininity, they come to embody Venezuelan modernity.

Couchsurfer, hitchhiker, and rogue wanderer Jamie Maslin embarks on a couchsurfing adventure to the homeland of “firebrand,” “populist,” “anti-American” president Hugo Chavez: the Bolivarian Republic of Venezuela. Alone in the crime capital of the world Maslin immediately finds himself in trouble—arrested by knife-wielding police officers and inoculated with an unwanted vaccination. After a terrifying start in Caracas, he soon leaves the teeming city and travels to the places tourists never see, staying on the couches of people he befriended online just days earlier, and meeting everyone from fervent social revolutionaries to the country’s wealthy elite. He sets off in search of mile-high waterfalls, flat topped jungle plateaus, rolling deserts, and the famous lightning that appears suddenly in the sky with no rain or thunder. Visiting sprawling slums and opulent mansions, Maslin offers a fascinating and timely social, cultural, and historical introduction to a country increasingly in the headlines. Often irreverent, frequently informative, and habitually funny, this is the remarkable account of a young adventurer’s journey through a breathtakingly beautiful and dynamic country where the politics of oil and social revolution are never far from the surface.

I felt the prick of the needle, but only for a second, because this great rush of warmth quickly followed, encompassing my whole body from my toes right up to the top hair on my head. I couldn't move for a minute as she guided the needle in and out of my vein. When she was done, I felt like I had entered heaven. I looked in the mirror and felt beautiful and confident. I felt this great peace, at last, a warmth, and I knew that everything was going to be okay--and really always had been. Like time had stopped and I was floating on a cloud. "Writing the book, I saw my old dope dealer and bought $1,500 worth of pure heroin--Brown Gold--and started shooting up ten times a day to get the feel of the book. Well, I did, all right. I ended up in Glen Cove General, almost dead. In truth, you make a deal with the Devil. He takes away your pain, but he owns you. You live for the next fix. After a while, it's totally physical; your body has to have it. But I'm off it for good." -- Linda Glovach Young Adults' Choices for 2000 (IRA)

The well-known Kenyan woman writer here tells an exciting story for young readers. The title is one in a series developed to meet the supplementary reading needs of secondary level pupils, and to encourage reading for pleasure. Reminiscent of the proverb that the serpent hisses where sweet birds sing, the story starts when Adela and Keti jokingly enter a village beauty contest - the start of excitement and adventure, fraught with danger and tragedy.