"One of the most visionary writers of his generation, Ginsberg was also a photographer. From 1953 to 1963 he frequently had his camera close by when he was with friends in his apartment or traveling with them, ready to record 'certain moments in eternity, ' as he wrote. For years many of these photographs languished among Ginsberg's papers. When he finally recovered them in the 1980s, he reprinted them and added handwritten narrative inscriptions. Inspired by this early work, he began to photograph again, recording both long-time friends and new acquaintances. Some eighty of these photographs are collected and brilliantly reproduced in this book, which also features the first scholarly essay on Ginsberg's photographs, written by Sarah Greenough, addressing the relationship of his photographs to his poetry and to works by other photographers of the period. Ginsberg's photographs depict many of his contemporaries, including his closest friends and lovers, such as Jack Kerouac, William S. Burroughs, Neal Cassady, Gregory Corso, and Peter Orlovsky. They capture days walking the streets of Manhattan, San Francisco, and Paris as well as grand tours of Africa and Asia."--Jacket flap.

This Companion offers an in-depth overview of the Beat era, one of the most popular literary periods in America.

Almost every short ditty confined within this book has arrived to me through my dreaming stages. All of the people are simply figments of my dreaming imagination. They are indeed fiction yet while dreaming through them they took on an almost non-fiction realm. Cold sweats and at times racing heart beats were my companions throughout my awakening. Some left me with a sense of actually knowing who they were. On all occasions I dreamt of them only once then they returned to wherever it was they emanated from. What controlled my dreaming I may never understand? Only a few times did the dream stop one morning only to continue the following night while I slept. It was a kind of a too be continued later type scenario. While I began to dream at the exact same spot I left the previous night I became a little confused. It was if their story simply was not over until they thought it was. I understand that probably sounds a little psychotic but that's how it came down. I virtually had no control over it so I reasoned out nothing and simply dreamt. Many stories have a haunting underlying sequence of death. I know not why except for that all the people seemed to be coming back from somewhere. A sense came to me of a graveyard of which is now their permanent residence. None of them argued on my death assumption as they never really talked to me anyway. They showed me what they had to say. As with all dreams I was merely observing. Few life forms within my dreams were angry but many seemed frustrated! They would consult among themselves and at times look at me. It's very difficult to say they were looking at me for I was in the dream as my own sight. It's not hard to imagine seeing through a dream because we've all done it. Seeing is what we do in dreams and on rare occasions some people say that they have actually seen themselves. I have never seen myself in any dream yet I exist within the dream as merely sight. Kind of like: life without a mirror to reflect myself upon. Anyway, other short pages are simply word interpretations and fragments of assumptions. I simply picked then dissected words for my own personal amusement. However, at times other people within my dreams would offer their opinions relative to what I was writing. Some of these folks in my dreams didn't stick around that long, only a few seconds. A hit and run deal best describes them. These people would blatantly talk out loud for no apparent reason yet what they said made me discover some writing perspectives I never understood before. Most times what was said conveyed nicely onto the page I was writing. Again I did not argue with the flow of what we accomplished. I have to mention them for without their help I wouldn't have had much to write about. A few of the pages are dedicated to soldiers. Unfortunately the world still needs required army's. Actually the world would do rather nicely without them for it is we who not the world in need of battle. Three mentioned stories are about soldiers and unfortunately they are not stories on a female soldier. The soldiers are men within the book. One came from a very seemingly long dream and two came from partial dreaming. I'll let you decide which is which. Soldiers and death are long acquaintances that only time can control. Actually timing and a soldiers' death are one in the same. For whatever reason the death undertones arrived on my pages it became written equally as easy. I shall never understand death as I feel we never really die anyway. We're just simply removed. Many other pages reflect upon our human condition. We all go through the same feelings or emotions so I figured I would collect some basic categories and dissect the word. I feel it broke up the pages as to inflict conclusions yet keep my personal feelings at bay. This is by no means a self help book! We as a species have possibly uncountable help books at our disposal. Fine by me but little knowledge can be obtained if

How New York’s Lower East Side inspired new ways of seeing America New York City's Lower East Side, long viewed as the space of what Jacob Riis notoriously called the "other half," was also a crucible for experimentation in photography, film, literature, and visual technologies. This book takes an unprecedented look at the practices of observation that emerged from this critical site of encounter, showing how they have informed literary and everyday narratives of America, its citizens, and its possible futures. Taking readers from the mid-nineteenth century to the present, Sara Blair traces the career of the Lower East Side as a place where image-makers, writers, and social reformers tested new techniques for apprehending America—and their subjects looked back, confronting the means used to represent them. This dynamic shaped the birth of American photojournalism, the writings of Stephen Crane and Abraham Cahan, and the forms of early cinema. During the 1930s, the emptying ghetto opened contested views of the modern city, animating the work of such writers and photographers as Henry Roth, Walker Evans, and Ben Shahn. After World War II, the Lower East Side became a key resource for imagining poetic revolution, as in the work of Allen Ginsberg and LeRoi Jones, and exploring dystopian futures, from Cold War atomic strikes to the death of print culture and the threat of climate change. How the Other Half Looks reveals how the Lower East Side has inspired new ways of looking—and looking back—that have shaped literary and popular expression as well as American modernity.

An innovative mix of history and psychological research, this book tells the story of one family of Holocaust survivors and reveals how each generation has passed on memories of the War and the Shoah to the next.

This unique collection consists of the most influential narratives of former slaves, including numerous recorded testimonies, life stories and original photos of former slaves long after Civil War: Recorded Life Stories of Former Slaves from 17 different US States Narrative of the Life of Frederick Douglass 12 Years a Slave (Solomon Northup) The Underground Railroad Harriet Jacobs: The Moses of Her People Up From Slavery (Booker T. Washington) The Willie Lynch Letter: The Making of Slave! The Confessions of Nat Turner Narrative of Sojourner Truth The History of Mary Prince Running a Thousand Miles for Freedom (William & Ellen Craft) Thirty Years a Slave (Louis Hughes) Narrative of the Life of J. D. Green The Interesting Narrative of the Life of Olaudah Equiano Behind The Scenes: 30 Years a Slave & 4 Years in the White House (Elizabeth Keckley) Father Henson's Story of His Own Life (Josiah Henson) Fifty Years in Chains (Charles Ball) Twenty-Two Years a Slave and Forty Years a Freeman (Austin Steward) Narrative of the Life and Adventures of Henry Bibb The Narrative of William W. Brown, a Fugitive Slave The Story of Mattie J. Jackson (L. S. Thompson) A Slave Girl's Story (Kate Drumgoold) From the Darkness Cometh the Light (Lucy A. Delaney) Narrative of the Life of Moses Grandy, a Slave in the United States of America Narrative of Joanna Life of Henry Box Brown, Who Escaped in a 3x2 Feet Box Memoir and Poems of Phillis Wheatley Buried Alive Sketches of the Life of Joseph Mountain Documents: The History of the Abolition of African Slave-Trade History of American Abolitionism from 1787-1861 Pictures of Slavery in Church and State Report of the Proceedings at the Examination of Charles G. Davis, Esq., on the Charge of Aiding and Abetting in the Rescue of a Fugitive Slave Southern Horrors: Lynch Law in All Its Phases The Duty of Disobedience to the Fugitive Slave Act Emancipation Proclamation Gettysburg Address XIII Amendment Civil Rights Act of 1866 XIV Amendment ...